THREE:Even M. Vacherot, with all his anxiety to discover an Oriental origin for Neo-Platonism, cannot help seeing that this attack on the Gnostics was inspired by an indignant reaction of Greek philosophy against the inroads of Oriental superstition, and that the same character belongs more or less to the whole system of its author. But, so far as we are aware, Kirchner is the only critic who has fully worked out this idea, and exhibited the philosophy of Plotinus in its true character as a part of the great classical revival, which after producing the literature of the second century reached its consummation in a return to the idealism of Plato and Aristotle.522
FORE:It is evident that what Plotinus says about beauty and love was suggested by the well-known passages on the same subject in the Phaedrus and the Symposium. His analysis of aesthetic emotion has, however, a much more abstract and metaphysical character than that of his great model. The whole fiction of an antenatal existence is quietly let drop. What the sight of sensible beauty awakens in a philosophic soul is not the memory of an ideal beauty beheld in some other world, but the consciousness of its own idealising activity, the dominion which it exercises over unformed and fluctuating matter. And, in all probability, Plato meant no more than this��in fact he hints as much elsewhere,433��but he was not able or did not choose to express himself with such unmistakable clearness. FORE:We have seen how, in accordance with this view, each principle is perfected by looking back on its source.491 Thus330 the activity of the world-soul, so far as it is exercised for the benefit of what comes after and falls beneath her, is an anomaly only to be accounted for by her inferior place in the system of graduated descent; or else by the utter impotence of Matter, which is incapable of raising itself into Form by a spontaneous act of reflection, and can only passively receive the images transmitted to it from above, without being able to retain even these for any time. Nay, here also, what looks like creative energy admits of being assimilated more or less closely to an exercise of idealising thought. It is really for her own sake that the Soul fills what lies beyond her with life and light, not, like Plato��s Soul, from pure disinterested joy in the communication and diffusion of good. It is because she recoils with horror from darkness and nonentity that she shapes the formless substance into a residence for herself, on the model of the imperial palace whence she came. Thus the functions of sensation, nutrition, and reproduction are to be regarded as so many modes of contemplation. In the first, the Soul dwells on the material images which already exist; in the second and third, she strives to perpetuate and multiply them still further. And the danger is that she may become so enthralled by her own creation as to forget the divine original after which it is formed.492 Should she yield to the snare, successive transmigrations will sink her lower and lower into the depths of animalism and material darkness. To avoid this degradation, to energise with the better part of our nature, is to be good. And with the distinction between good and evil, we pass from the metaphysical to the ethical portion of the system.40 FORE:
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