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Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.

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I have come to consult Destiny in your temple, Madame, if your Highness permits, said he with a bow.However, she allowed herself to be persuaded: she went with her aunt constantly to Raincy, the country place just bought by the Duc dOrlans; she was attracted by the gentle, charming Duchesse de Chartres, she listened to the representations of the advantages she might secure for her children, and at length she laid the case before Mme. de Puisieux, who, unselfishly putting away the consideration of her own grief at their separation, and thinking only of the advantages to Flicit and her family, advised her to accept the position offered her.
ONE:But the changed aspect of Paris, the loss of so many she loved, and perhaps most of all the ungrateful conduct of her daughter, depressed Mme. Le Brun so that she lost her spirits, had a perpetual craving to be alone, and for this purpose took a [150] little house in the wood of Meudon, where, except for the visits of the Duchesse de Fleury and one or two other friends who lived near, she could to a certain extent indulge in her new fancy for solitude.At this time, however, everything even in these prisons had become much worse, [104] the restrictions were severe, the number executed far greater, the [325] gaolers more brutal, and the perils and horrors of those awful dwellings more unheard of.
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California
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Fireart Studio
California
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Fireart Studio
California
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The young Comte de Genlis had left the navy, by the advice of M. de Puisieux, who had got him made a Colonel of the Grenadiers de France. [113] He had only a small estate worth about four hundred a year and the prospect of a share in the succession to the property of his grandmother, the Marquise de [368] Dromnil, who was eighty-seven and lived at Reims.The Ambassador gave her his arm, told her to be sure to kiss the hand of the Empress, and they walked across the park to the palace, where, through a window on the ground floor, they saw a girl of about seventeen watering a pot of pinks. Slight and delicate, with an oval face, regular features, [125] pale complexion, and fair hair curling round her forehead and neck, she wore a loose white tunic tied with a sash round her waist, and against the background of marble columns and hangings of pink and silver, looked like a fairy.WHEN Elisabeth Louise Vige was born at Paris, April, 1755, the French court and monarchy were still at the height of their splendour and power.Mme. de Genlis, dreading the parting, shut herself up in her room on the morning of her departure, leaving a message that she had gone out for the day to avoid that grief. She had not told her the night before that the time had come for their separation.She always kept this drawing, her foretaste of the brilliant success that began so early and never forsook her.
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