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In the middle of a large garden outside the town was the visitors' bungalow, the divan, where the prince's prime minister received us, and made us welcome on behalf of his master. Hardly were we seated when in came the Rajah, driving two wonderful horses drawing a phaeton. Dressed in a long black coat over very narrow trousers of white muslin, Gohel Sheri Man Sinjhi wore a turban, slightly tilted from the left side, and made of hundreds of fine pale green cords rolled round[Pg 65] and round. The Prince of Morvi, and another of the Rajah's cousins, followed in perfectly appointed carriages, drawn by thoroughbreds. Last of all, carried by an attendant from her landau to the large reception-room where we sat gravely in a circle, came a little princess of seven years old, the Rajah's daughter. Enormous black eyes with dark blue lights, her tawny skin a foil to her jewels, and the gold and silver embroidery of a little violet velvet coat open over a long tunic of green silk, trousers of pink satin, and yellow leather slippers. A plum-coloured cap, worked with gold trefoils, was set very straight on her black hair; she wore, in her ears, slender rings of gold filigree, and had a nose-stud of a fine pearl set in gold. She stood between her father's knees, squeezing close up to him with downcast eyes, never daring to stir but when we seemed to be paying no heed to her.Under an enormous banyan tree, far from any dwelling, two fine statues of an elephant and a horse seemed to guard an image of Siva, rigidly seated, and on his knees an image of Parvati, quite small, and standing as though about to dance.
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ONE:The train, now travelling northwards again, ran for a long way across the scorched plain through groves of dead trees and sandhills covered with lichen, till, in the golden sunset close to Gwalior, suddenly, at the foot of a hill, we came upon the greenery of fine parks with palaces rising above cool marble tanks.GWALIOR

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Beyond a wide valley that lay far beneath us a mountain-range gleamed softly in the blue distance, starry and sapphire-hued above rising levels of delicate green. Here, in the fresher air, floated the fragrance of mosses and alpine flowers, and above the[Pg 127] cascades falling in showers we could see the tangle of climbing plants, ferns, orchids, and hibiscus, a swaying curtain all woven of leaves and blossoms.There was nobody in the garden of the mausoleums, not even the usual obsequious and mendicant attendant. Only by the tomb of Purvez a moollah was kneeling in prayer, motionless, and wrapped in some very light white material, which the wind gently stirred and blew up. All the time I was examining the mausoleums he prayed on, prostrate, immovable; and even from afar, from the road, I could see him still, like a stone among the marble work, at the feet of the hero who sleeps his last in mid-air.One of the largest buildings once slid into the river during an earthquake, and stands there complete and unbroken, its magnificence surviving under water. Some minarets only rise above the surface like kiosks, and form a landing-stage, invaded by[Pg 159] the bathers, who wash themselves with much gesticulation, flourishing their long sarongs and white loin-cloths, which they spread out to dry on the steps.Here are carvers of painted wooden toysred[Pg 10] and green dolls, wooden balls, nests of little boxes in varied and vivid colours.There are temples all along the shore, poor little structures for the most part. On the walls gaudy borders of crude colour serve to frame chromo-lithographs representing the principal events of the Vedas. There are but one or two sanctuaries built of marble, and very rarely have the idols any precious jewels.
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