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FORE:In one of the inmost circles, a sacred elephant had gone must, breaking his ropes, and confined now by only one leg. The chains fastened round his feet as soon as he showed the first symptoms of madness were lying broken in heaps on the ground. The brute had demolished the walls of his stable and then two sheds that happened to be in his way; now he was stamping a dance, every muscle in incessant motion, half swallowing his trunk, flinging straw in every direction, and finally heaping it on his head. A mob of people stood gazing from a distance, laughing at his heavy, clumsy movements; at the least step forward they[Pg 113] huddled back to fly, extending the circle, but still staring at the patient. In an adjoining stable were two more elephants very well cared for, the V neatly painted in red and white on their trunks, quietly eating and turning round only at the bidding of the driver; but one of them shed tears.Above the mausoleum a fort with battlements towers over the pass, "an impregnable position," the guides tell us.

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FORE:At every street-corner there were blocks of salt,[Pg 298] which the cows and goats licked as they went past.

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FORE:Everything seems fused in a haze under the sun, as it grows hotter and hotter, and in that quivering atmosphere looks like a mass in which red and white predominate, with the persistent harmony of motion of the swaying, barefooted crowd.

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FORE:The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fierce��the symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands out��Ganesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

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FORE:

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FORE:Above Darjeeling��a modern and fashionable health-resort, a town of villas, for the most part with corrugated iron roofs��hangs a dense mist, cutting off the horizon at a distance of a few miles; and through the dull substance of this fleece, at an impossible height, there was a reflection��a mirage, an illusion, a brighter gleam, a bluer shadow, which might be the top of a mountain; but so high up, so far away, and above all so transient, that it failed to fix itself on the memory, blotted out at once by the pallid wall that shut[Pg 147] in the scene. But at sunset one thickness of the haze melted away, unveiling, leagues on leagues away, a chain of giant mountains, not yet the snowy peaks, but bright-hued cliffs on which gold and purple mingled in symphonies before dying into violet, turning to blue in the moonlight; and the mists fell once more��a shroud at our feet, an abyss of shadows, in which the tea-planters' lamps twinkled through the darkness.

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