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Far above all other English artists of this period, however, stood William Hogarth (b. 1697). There is no artist of that or any former age who is so thoroughly English. He is a John Bull from head to foot��sturdy, somewhat headstrong, opinionated, and satirical. He is, indeed, the great satirist of the brush; but his satire, keen as it is, is employed as the instrument of the moralist; the things which he denounces and derides are crimes, follies, and perverted tastes. In his own conduct, as on his canvas, he displayed the same spirit, often knocking down his own interests rather than not express his indignant feeling of what was spurious in art, or unjust towards himself. Hogarth was the first English painter who attracted much notice amongst foreigners, and he still remains one of the most original in genius of the British school. His subjects are not chosen from the loftier regions of life and imagination, but from the very lowest or the most corrupted ones of the life of his country and time. "The Harlot's Progress," "The Rake's Progress," "Marriage �� la Mode,"[163] "The March to Finchley," "Gín Lane," "Beer Lane," etc., present a series of subjects from which the delicate and sensitive will always revolt, and which have necessarily an air of vulgarity about them, but the purpose consecrates them; for they are not selected to pander to vice and folly, but to expose, to brand, to extirpate them.The South Sea Company, with a folly of which extreme greed only is capable, endeavoured to put down these rival schemes and obtained an order from the Lords Justices and writs of scire facias against several of these new bubbles. It was like raising a wind to blow away the bubbles, forgetting that their own was a bubble too, and would go with them. The moment that the people began to distrust one they distrusted all. The panic became as great as the mania had been. The South Sea stock dropped in less than a month from one thousand to below six hundred. There was a simultaneous rush to sell out, and the shares must have sunk instantly to nil but for the gigantic exertions of the Company to raise money and buy in. The relief, however, was but temporary. The bankers and pawnbrokers who had advanced money on scrip broke and fled; merchants, goldsmiths, and speculators rushed away after them. Walpole was summoned in haste from Haughton to devise some means of staying the panic. He endeavoured to get the Bank of England to circulate three millions of South Sea bonds for a year; but the Bank, seeing that the case was desperate, declined it. This was decisive. The rage and despair of the swarming dupes were indescribable. They heaped[48] execrations not only on the South Sea Company, but on Ministers, the king, his mistresses, and the Royal Family, who had all been deep in the affair, and who had taken good care of themselves. George landed at Margate on the 9th of November, soon after which the South Sea stock fell to one hundred and thirty-five. On the 8th of December Parliament met, and promptly began to investigate the scandal.In point of style, Plotinus is much the most difficult of the ancient philosophers, and, in this respect, is only surpassed by a very few of the moderns. Even Longinus, who was one of the most intelligent critics then living, and who, besides,283 had been educated in the same school with our philosopher, could not make head or tail of his books when copies of them were sent to him by Porphyry, and supposed, after the manner of philologists, that the text must be corrupt, much to the disgust of Porphyry, who assures us that its accuracy was unimpeachable.426 Probably politeness prevented Longinus from saying, what he must have seen at a glance, that Plotinus was a total stranger to the art of literary composition. We are told that he wrote as fast as if he were copying from a book; but he had never mastered even the elements of the Greek language; and the weakness of his eyesight prevented him from reading over what he had written. The mistakes in spelling and grammar Porphyry corrected, but it is evident that he has made no alterations in the general style of the Enneads; and this is nearly as bad as bad can be��disjointed, elliptical, redundant, and awkward. Chapter follows chapter and paragraph succeeds to paragraph without any fixed principle of arrangement; the connexion of the sentences is by no means clear; some sentences are almost unintelligible from their extreme brevity, others from their inordinate length and complexity. The unpractised hand of a foreigner constantly reveals itself in the choice and collocation of words and grammatical inflections. Predicates and subjects are huddled together without any regard to the harmonies of number and gender, so that even if false concords do not occur, we are continually annoyed by the suggestion of their presence.427The face on the pillow lighted quickly, and she put out her hand to him impulsively. "Could we go back, Jack, even before the detail is up?" she said. And yet her life of late had surely been one that women would have thought enviable��most women.<000005>