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Who? Why that little Bouchiez, indicating one of the officials of the theatre. Whenever he is near me I say the same sort of things. I should say more if I could.

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Directly the Duc de Chartres heard of the project he came to ask to be of the party, and as he was not as yet the open enemy of the royal family, his request was granted.
Slider 1 ONE:Never in the worlds history was a stranger mingling of generosity and folly, unpractical learning [212] and brutal ignorance, misguided talents and well-meaning stupidity, saintly goodness and diabolical wickedness, heroic deeds and horrible crimes, than in the years ushered in with such triumph and joy by the credulous persons so truly described in later years by Napoleon: Political economists are nothing but visionaries who dream of plans of finance when they are not fit to be schoolmasters in the smallest village.... Your speculators trace their Utopian schemes upon paper, fools read and believe them, every one babbles about universal happiness, and presently the people have not bread to eat. Then comes a revolution.... Necker was the cause of the saturnalia that devastated France. It was he who overturned the monarchy, and brought Louis XVI. to the scaffold.... Robespierre himself, Danton, and Marat have done less mischief to France than M. Necker. It was he who brought about the Revolution.
Slider 2 ONE:
Slider 3 ONE:Capital letter A
ONE:Well, Cazotte, said the other, here, if ever, is a case for you to call your spirit up and ask him if [326] that poor dying creature will have strength to mount the horrible machine to-morrow.

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THREE:A fte was given to celebrate the recovery of the King from an illness; at which the little princess, although very unwell, insisted on being present. The nuns gave way, though the child was very feverish and persisted in sitting up very late. The next day she was violently ill with small-pox, and died.

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ONE:Here she finished the portrait of the young Princess von Lichtenstein, as Iris. As she was represented with bare feet, her husband told Mme. Le Brun that when it was hung in his gallery, and the heads of the family came to see it, they were all extremely scandalised, so he had placed a pair of little shoes on the ground under it, and told the grand-parents they had dropped off.

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THREE:MARIE DE VICHY-CHAMBRON, MARQUISE DU DEFFAND
THREE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.
THREE:Philippe-galit was now Duc dOrlans, and his eldest son Duc de Chartres. That young prince was about seventeen, and like all the Orlans family, except the Duchess and the Comte de Beaujolais, was thoroughly indoctrinated with the detestable spirit that prevailed at the Palais Royal.
THREE:But I have no fortune, and
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ONE:Capital letter T

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THREE:His was the leading salon of Paris at that time, and Mme. Tallien was the presiding genius there. Music, dancing, and gambling were again the rage, the women called themselves by mythological names and wore costumes so scanty and transparent that they were scarcely any use either for warmth or decency; marriages, celebrated by a civic functionary, were not considered binding, and were frequently and quickly followed by divorce. Society, if such it could be called, was a wild revel of disorder, licence, debauchery, and corruption; while over all hung, like a cloud, the gloomy figures of Billaud-Varennes, Collot dHerbois, Barre, and their Jacobin followers, ready at any moment to bring back the Terror.

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THREE:Pauline understood, fetched her jewel-case, hid it under her cloak, and sending away her two maids, threw herself into her sisters arms. Rosalie clung to her in a passion of tears and sobs, they exchanged a lock of their hair, and Pauline, tearing herself away, hurried to the carriage in which her husband and child were waiting.

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THREE:[x]

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THREE:The next day they left Zug. M. de Chartres went to Coire, in the Engadine, where for fifteen months he gave lessons in mathematics in a college under an assumed name, while Mme. de Genlis and her two charges took refuge in a convent near the little town of Bremgarten, where they were admitted through M. de Montesquieu, another of the radical nobles obliged to flee from the tender mercies of his radical friends, of whom they had heard through M. de Montjoye, now living with his relations in Bale, when he had paid them a visit.The months they spent there were the last of the old life. The vintage went on merrily, the peasants danced before the chateau, little Nomi played with the children, M. de Montagu rode about his farms, meeting and consulting with other owners of neighbouring chateaux, and the news from Paris grew worse and worse. The Duc dAyen was safe, he had been denounced but had escaped to Switzerland, and was living at Lausanne, where Pauline had been to see him from Aix.

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ONE:All sorts of preposterous stories were circulated about it and about them. Some said M. de Calonne had given Mme. Le Brun a number of bonbons, called papillottes, wrapped up in bank-notes; others that she had received in a pasty a sum of money large enough to ruin the treasury: the truth being that he had sent her, as the price of his portrait, four thousand francs in notes in a box worth about twenty louis, and this was considered by no means a high price for the picture. M. de Beaujon had given her eight thousand francs for a portrait of the same size a short time before, without anybody finding the least fault. The character of Calonne was such that no woman who cared about her reputation would wish her name to be connected with his.AN abyss of separation lies between the two women whose life-histories have just been related, and the one of whose stormy career a sketch is now to be given.

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TWO:But nobody was afraid of Louis XVI., and when he did command he was by no means sure of obedience. He had ascended the throne with the most excellent intentions, abolished all sorts of abuses, and wanted to be the father of his people. But a father who cannot be respected is very likely not to be loved, and a ruler who cannot inspire fear cannot inspire respect either, and is not so fit to be a leader as one who possesses fewer virtues and more strength and courage.

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ONE:They were staying with an uncle of hers at Bordeaux when she heard one day that an English ship with three hundred passengers, chiefly royalists of Bordeaux, but all of them persons flying from France, was on the point of sailing, but was detained because the captain, whose conduct in this matter one cannot help saying few Englishmen indeed would not have despised, refused to sail until he had received three thousand francs wanting to the sum owing by the emigrants.

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Trzia Cabarrus was a Spaniard, though she had also French blood in her veins. Her father, director of an important bank in Madrid, distinguished himself in the financial world, and was created Count by Charles IV.Very near this convent lived the sister of her father, the Marquise de Sercey, and her family, with whom she spent much of her time.In the latter part of the summer of 1792 she was in Paris, which, in spite of her revolutionary professions, was no safe abode even for her, certainly not for her husband. The slightest sympathy shown to an emigr, a priest, a royalist, or any one marked as a prey by the bloodthirsty monsters who were rapidly showing themselves in their true colours, might be the death-warrant of whoever dared to show it. So would any word or gesture of disapproval of the crimes these miscreants were ordering and perpetrating. Their spies were everywhere, and the least accusation, very often only caused by a private grudge, was enough to bring a person, and perhaps their whole family, to prison and the scaffold. In the early days of the Terror, the well-known actor Talma, hearing an acquaintance named Alexandre, a member of his own profession, giving vent in a benign voice to the most atrocious language of the Terrorists, indignantly reproached him.
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