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The guards' band played Indian tunes, to a measure I could not yet catch, and Strauss' waltzes very oddly accented. Suddenly the princess appeared,[Pg 84] in soft rose-pink lightly touched with blue. She wore a pearl necklace with slides of ruby and emerald, shoes thickly worked with gold, and a broad pink sash somewhat darker in colour than her silver-striped tunic.Toglackabad, again an ancient Delhi, a rock on the bank of the Jumna after crossing a white desert; walls of granite, massive bastions, battlemented towers of a Saracen stamp, rough-hewn, devoid of ornament, and uniform in colourbluish with light patches of lichen. The enclosure has crumbled into ruin, in places making breaches in the walls, which nevertheless preserve the forbidding aspect of an impregnable citadel.The muddy waters reflected the grey houses and the roofs of unbaked clay, on which the winter snows were melting in black trickling drops. このページの先頭です
ONE:Round a temple, with iron roofs ending in copper balls at the top, a crowd was watching, some seated on steps cut in the soil and some squatting on the hillside, here almost perpendicular. By the temple long white streamers, fluttering from bamboo poles, were covered with painted prayers. A Lama was enthroned in an armchair under an arbour of pine-branches; he wore a yellow robe, and above a face like a cat's he had a sort of brass hat surmounted by a coral knob; his little beard was quite white, and he turned his praying machine with a steady, dull movement, perfectly stolid. Two women stood by his side fanning him, dressed in close-fitting aprons of dark cloth bordered with a brighter shade, and opening over pale pink satin petticoats, on their heads crowns of flowers of every hue.
ONE:Here are carvers of painted wooden toysred[Pg 10] and green dolls, wooden balls, nests of little boxes in varied and vivid colours.
ここから本文です
TWO:A little way off an old man was wrapping the naked body of a poor woman in a white cloth; then he fastened it to two poles to dip it in the river; finally, with the help of another Sudra, he laid the corpse on a meagre funeral pile, and went off to fetch some live charcoal from the sacred fire which the Brahmins perpetually keep alive on a stone terrace overlooking the Ganges. He carried the scrap of burning wood at the end of a bunch of reeds, and, praying aloud, walked five times round the pyre, which completely concealed the body. Then he gently waved the bunch of reeds, making them blaze up, and placed them beneath the wood, which slowly caught fire, sending up dense curling clouds of white vapour and slender tongues of flame, creeping along the damp logs that[Pg 167] seemed to go out again immediately. But suddenly the fire flared up to the top of the pile; the flesh hissed in the flame, and filled the air with a sickening smell.

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TWO:In the sacred tank, where Vishnu bathes when[Pg 165] he comes on earth, an old woman was standing pouring the stagnant green water over her body, while others of the faithful, seated on the steps, were piously drinking the stuff from a coco-nut that they handed round. In one corner of this pool was an exquisite bower of floating wreathsyellow, white, and violeta splash of bright colour on the squalid water.

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TWO:The morning mist shrouds everything; the scene insensibly passes through a series of pale tints, to reappear ere long in the clear rosy light, which sheds a powdering of glowing gold on the broad roadstead of Bombay.And on the man's replying that he would try, the sultan, who chose that the monument should have no rival, caused the architect to be thrown into the Jumna on the spot, where he was dashed to pieces at the foot of his masterpiece, which remains unique.

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簡易?小型貫流ボイラ?貫流ボイラ向けに開発した純正ボイラ薬品。
TWO:From the broad steps on the shore other narrower flights lead to archways and porticoes, or zigzag up to the lanes that make a gap of distant blackness in the light-hued mass of palaces and embankments.

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TWO:
THREE:In one tent there was a display of innumerable gilt images, very suggestive of Jesuit influencemincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.
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