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FORE:A similar vein of thought runs through the moral and religious philosophy of Lucretius. If we look on him as a reformer, we shall say that his object was to free life from the delusions with which it had been disfigured by ignorance and passion. If we look on him as an artist, we shall say that he instinctively sought to represent life in the pure and perfect beauty of its naked form. If we look on him as a poet, we shall say that he exhibits all the objects of false belief no longer in the independence of their fancied reality, but in their place among other vital phenomena, and in due subordination112 to the human consciousness whose power, even when it is bound by them, they reveal. But while the first alternative leaves him in the position of a mere imitator or expositor who brings home no lessons that Epicurus had not already enforced with far greater success, the other two, and above all the last, restore him to the position of an original genius, who, instead of deriving his intuitions from the Epicurean system, adopts just so much of that system as is necessary to give them coherence and shape. It may, no doubt, be urged, that were life reduced to the simple expression, the state of almost vegetative repose, demanded by Lucretius, denuded of love, of ambition, of artistic luxury, of that aspiration towards belief in and union with some central soul of things, which all religions, more or less distinctly embody, its value for imaginative purposes would be destroyed; and that the deepest lesson taught by his poem would not be how to enjoy existence with the greatest intensity, but how to abandon it with the least regret. Now it is just here that the wonderful power of poetry comes in, and does for once, under the form of a general exposition, what it has to do again and again under the easier conditions of individual presentation. For poetry is essentially tragic, and almost always excites the activity of our imagination, not by giving it the assured possession of realities, but by the strain resulting from their actual or their expected eclipse. If Homer and the Attic tragedians show us what is life, and what are the goods of life, it is not through experience of the things themselves, but through the form of the void and the outline of the shadow which their removal or obscuration has produced. So also in the universal tragedy of the Roman poet, where the actors are not persons, but ideas. Every belief is felt with more poignant intensity at the moment of its overthrow, and the world of illusion is compensated for intellectual extinction by imaginative persistence as a conscious creation, a memory, or a dream. There is no mythological picture so splendidly painted as those in which Lucretius has shown us Mavors113 pillowed on the lap of Venus, or led before us the Idaean mother in her triumphal car. No redeemer, credited with supernatural powers, has ever enjoyed such an apotheosis as that bestowed by his worshipper on the apostle of unbelief. Nowhere have the terrible and mysterious suggestions of mortality been marshalled with such effect as in the argument showing that death no more admits of experience than of escape. What love-inspired poet has ever followed the storm and stress of passion with such tenderness of sympathy or such audacity of disclosure, as he to whom its objects were disrobed of their divinity, for whom its fancied satisfaction was but the kindling to insaner effort of a fatally unquenchable desire? Instead of being compelled to teach a truth he would not learn, Lucretius was enabled by the spirit of his own incomparable art to seize and fix for ever, in bold reversal of light and shade, those visions on which the killing light of truth had long before him already dawned.Of these views, the first is taken by Ritter, and adopted with some modifications by M. Vacherot in his Histoire de lcole dAlexandrie. It is also unreservedly accepted by Donaldson in his continuation of Müllers History of Greek Literature, and is probably held at this moment by most Englishmen who take any interest in the subject at all. The second viewaccording to which Neo-Platonism is, at least in342 its main features, a characteristic although degenerate product of Greek thoughtis that maintained by Zeller. As against the Orientalising theory, it seems to us that Zeller has thoroughly proved his case.506 It may be doubted whether there is a single idea in Plotinus which can be shown to have its exact counterpart in any of the Hindoo or other Asiatic systems whence he is supposed to have drawn; and, as our own analysis has abundantly shown, he says nothing that cannot be derived, either directly or by a simple and easy process of evolution, from Plato, Aristotle, and the Stoics. On the other hand, has not Zeller gone much too far in treating Neo-Platonism as a product of the great religious reaction which unquestionably preceded and accompanied its appearance? Has he not altogether underrated its importance as a purely speculative system, an effort towards the attainment of absolute truth by the simple exercise of human reason? It seems to us that he has, and we shall offer some grounds for venturing to differ from his opinion.
FORE:"But you were in the house," he said, "disguised as a Spanish woman----"From the time of Socrates on, the majority of Greeks, had they been asked what was the ultimate object of endeavour, or what made life worth living, would have answered, pleasure. But among professional philosophers such a definition of the60 supreme good met with little favour. Seeing very clearly that the standard of conduct must be social, and convinced that it must at the same time include the highest good of the individual, they found it impossible to believe that the two could be reconciled by encouraging each citizen in the unrestricted pursuit of his own private gratifications. Nor had such an idea as the greatest happiness of the greatest number ever risen above their horizon; although, from the necessities of life itself, they unconsciously assumed it in all their political discussions. The desire for pleasure was, however, too powerful a motive to be safely disregarded. Accordingly we find Socrates frequently appealing to it when no other argument was likely to be equally efficacious, Plato striving to make the private satisfaction of his citizens coincide with the demands of public duty, and Aristotle maintaining that this coincidence must spontaneously result from the consolidation of moral habits; the true test of a virtuous disposition being, in his opinion, the pleasure which accompanies its exercise. One of the companions of Socrates, Aristippus the Cyrenaean, a man who had cut himself loose from every political and domestic obligation, and who was remarkable for the versatility with which he adapted himself to the most varying circumstances, went still further. He boldly declared that pleasure was the sole end worth seeking, and on the strength of this doctrine came forward as the founder of a new philosophical school. According to his system, the summum bonum was not the total amount of enjoyment secured in a lifetime, but the greatest single enjoyment that could be secured at any moment; and this principle was associated with an idealistic theory of perception, apparently suggested by Protagoras, but carrying his views much further. Our knowledge, said Aristippus, is strictly limited to phenomena; we are conscious of nothing beyond our own feelings; and we have no right to assume the existence of any objects by which they are caused. The study of natural61 science is therefore waste of time; our whole energies should be devoted to the interests of practical life.123 Thus Greek humanism seemed to have found its appropriate sequel in hedonism, which, as an ethical theory, might quote in its favour both the dictates of immediate feeling and the sanction of public opinion.
FORE:"5. Van Zuylen, senator.
FORE:Charlton rummaged on a table with his head down. Like a cat Leona sprang forward. Something bright glittered in the air. The man turned just in time to save the steel crashing between his ribs, it glanced off between his shoulders, there was a sharp spasm of pain as he fell. Just for an instant he was unconscious. Then, as suddenly as it had gone, reason came back to him. He heard the trip of feet down the stairs, he heard the rattle and banging of a door. He was bleeding freely, but he managed to drag himself to the window.All these circumstances taken together would permit the Roman women to have opinions of their own if they liked, and would ensure a respectful hearing for whatever they had to say; while the men who had opinions to propagate would, for the same reason, be deeply interested in securing their adhesion. On the other hand, they received a good literary education, being sent apparently to the same schools as their brothers, and there made acquainted with, at least, the Latin poets.322 Thus they would possess the degree of culture necessary for readily receiving and transmitting new impressions. And we know, as a matter of fact, that many Roman ladies entered eagerly into the literary movement of the age, sharing the studies of their husbands, discoursing on questions of grammar, freely expressing their opinion on the relative merits of different poets, and even attempting authorship on their own account.323 Philosophy, as it was then taught, attracted a considerable share of their attention; and some great ladies were constantly attended by a Stoic professor, to whose lectures they listened seemingly with more patience210 than profit.324 One of their favourite studies was Platos Republic, according to Epicttus, because it advocated a community of wives;325 or, as we may more charitably suggest, because it admitted women to an equality with men. But there is no evidence to prove that their inquisitiveness ever went to the length of questioning the foundations of religious faith; and we may fairly reckon their increasing influence among the forces which were tending to bring about an overwhelming religious revival among the educated classes.
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