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"While we were looking at the audience there came half a dozen raps behind the curtain, as if two pieces of wood had been knocked together; and a moment after the rapping had stopped, the curtain was drawn aside. It was a common sort of curtain, and did not open in the middle like some of ours, or roll up like others; it was pulled aside as if it ran on a wire, and when it was out of sight we saw the stage set to represent a garden with lots of flower-pots and bushes. The stage was very small compared with an American one, and not more than ten or twelve feet deep; but it was set quite well, though not so elaborately as we would arrange it. The orchestra was in a couple of little boxes over the stage, one on each side, and each box contained six persons, three singers and three guitar-players. This is the regulation orchestra and chorus, so they say, in all the Japanese theatres, but it is sometimes differently made up. If a theatre is small and poor, it may have only two performers in each box, and sometimes one box may be empty, but this is not often.Frank was so full of joy that he couldn't speak for at least a couple of minutes. He threw his arms around Mr. Bassett; then he kissed his mother and his sister Mary, who had just come into the room; next he danced around the table on one foot; then he hugged his dog Nero, who wondered what it was all about; and he ended by again embracing his father, who stood smiling at the boy's delight. By this time Frank had recovered the use of his tongue, and was able to express his gratitude in words. When the excitement was ended, Mary asked what had happened to make Frank fly around so. Skip to main content
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FORE:One of the most interesting street sights of their first day in Pekin was a procession carrying a dragon made of bamboo covered with painted paper. There was a great noise of tom-toms and drums to give warning of the approach of the procession, and there was the usual rabble of small boys that precedes similar festivities everywhere. The dragon was carried by five men, who held him aloft on sticks that also served to give his body an undulating motion in imitation of life. He was not pretty to look upon, and his head seemed too large for his body. The Chinese idea of the dragon is, that he is something very hideous, and they certainly succeed in representing their conception of him. Dr. Bronson explained that the dragon was frequently carried in procession at night, and on these occasions the hollow body was illuminated, so that it was more hideous, if possible, than in the daytime.THE WIND RISING. THE WIND RISING.

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FORE:"Their dresses are folded around them, and then held in place by an obi, which is nothing more nor less than a wide belt. It is of the most[Pg 259] expensive material that the wearer can afford; and sometimes it costs a great deal of money. Generally it is of silk, and they have it of all colors, and occasionally it is heavily embroidered. It is several yards long, and the work of winding it into place is no small affair. I shall enclose some pictures of Japanese women in this letter, and you can see from them what the dress of the women looks like, and understand much better than you will by what I write. I think the women look very pretty in their dressesmuch better, in fact, than when they put on European garments. Their hair is always black, and they dress it with more grease than I wish they would. It fairly makes the hair shine, it is laid on so thick. But they have some very pretty ornaments for their hair, which they stick in with large pins, something like the hair-pins you use at home. I am told that you can distinguish the social position by the number and style of the hair-ornaments worn on a woman's head;[Pg 260] but I have not yet learned how to do it. I suppose I shall find out if I stay long enough in Japan.Alice had a faint smile for this.

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FORE:We have not space enough to go into a full account of art in Japan, as a whole volume could be written on the subject without exhausting it. Frank followed the directions in Mary's note to find some good things in cloisonn; and, as he did not pay much attention to other matters, we will, for the present at least, follow his example and take a look at this branch of art in Japan.There is little chance of that whenever you go, said he.

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Cope, Mamma, she said.MOTHER AND SON. MOTHER AND SON.II"I meant it to," said Lilian, firmly. "I want you to be cut to the quick. It's our only chance."
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