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FORE:All these things constitute technical knowledge, and the privilege of their acquirement is an element of value. The common view taken of the matter, however, is that it costs nothing for a master to afford these privileges��the work must at any rate be carried on, and is not retarded by being watched and learned by apprentices. Viewed from any point, the privileges [22] of engineering establishments have to be considered as an element of value, to be bought at a price, just as a ton of iron or a certain amount of labour is; and in a commercial sense, as an exchangeable equivalent for labour, material, or money. In return a master receives the unskilled labour or service of the learner; this service is presumed to be given at a reduced rate, or sometimes without compensation, for the privileges of the works and the instruction received.But it was not merely in the writings of professed philosophers that the new aspect of Platonism found expression. All great art embodies in one form or another the leading conceptions of its age; and the latter half of the seventeenth century found such a manifestation in the comedies of Moli��re. If these works stand at the head of French literature, they owe their position not more to their author��s brilliant wit than to his profound philosophy of life; or rather, we should say that with him wit and philosophy are one. The comic power of Shakespeare was shown by resolving the outward appearances of this world into a series of dissolving illusions. Like Spinoza and Malebranche, Moli��re turns the illusion in, showing what perverted opinions men form of themselves and others, through misconceptions and passions either of spontaneous growth or sedulously fostered by designing hands. Society, with him, seems almost entirely made up of pretenders and their dupes, both characters being not unfrequently combined in the same person, who is made a victim through his desire to pass for what he is not and cannot be. And this is what essentially distinguishes the art of Moli��re from the New Comedy of Athens, which he, like other moderns, had at first felt inclined to imitate until the success of the Pr��cieuses Ridicules showed him where his true opportunities lay. For the New Comedy was Aristotelian where it was not simply humanist; that is415 to say, it was an exhibition of types like those sketched by Aristotle��s disciple, Theophrastus, and already prefigured in the master��s own Ethics. These were the perennial forms in a world of infinite and perishing individual existences, not concealed behind phenomena, but incorporated in them and constituting their essential truth. The Old Comedy is something different again; it is pre-philosophic, and may be characterised as an attempt to describe great political interests and tendencies through the medium of myths and fables and familiar domesticities, just as the old theories of Nature, the old lessons of practical wisdom, and the first great national chronicles had been thrown into the same homely form.572

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FORE:A strong desire for reform must always be preceded by a deep dissatisfaction with things as they are; and if the reform is to be very sweeping the discontent must be equally comprehensive. Hence the great renovators of human life have been remarkable for the severity with which they have denounced the failings of the world where they were placed, whether as regards persons, habits, institutions, or beliefs. Yet to speak of their attitude as pessimistic would either be unfair, or would betray an unpardonable inability to discriminate between two utterly different theories of existence. Nothing can well be more unlike the systematised pusillanimity of those lost souls, without courage and without hope, who find a consolation for their own failure in the belief that everything193 is a failure, than the fiery energy which is drawn into a perpetual tension by the contrast of what is with the vision of what yet may be. But if pessimism paralyses every generous effort and aspiration by teaching that misery is the irremediable lot of animated beings, or even, in the last analysis, of all being, the opposing theory of optimism exercises as deadly an influence when it induces men to believe that their present condition is, on the whole, a satisfactory one, or that at worst wrong will be righted without any criticism or interference on their part. Even those who believe progress to have been, so far, the most certain fact in human history, cannot blind themselves to the existence of enormous forces ever tending to draw society back into the barbarism and brutality of its primitive condition; and they know also, that whatever ground we have won is due to the efforts of a small minority, who were never weary of urging forward their more sluggish companions, without caring what angry susceptibilities they might arouse��risking recrimination, insult, and outrage, so that only, under whatever form, whether of divine mandate or of scientific demonstration, the message of humanity to her children might be delivered in time. Nor is it only with immobility that they have had to contend. Gains in one direction are frequently balanced by losses in another; while at certain periods there is a distinct retrogression along the whole line. And it is well if, amid the general decline to a lower level, sinister voices are not heard proclaiming that the multitude may safely trust to their own promptings, and that self-indulgence or self-will should be the only law of life. It is also on such occasions that the rallying cry is most needed, and that the born leaders of civilisation must put forth their most strenuous efforts to arrest the disheartened fugitives and to denounce the treacherous guides. It was in this aspect that Plato viewed his age; and he set himself to continue the task which Socrates had attempted, but had been trampled down in endeavouring to achieve.CHAPTER LV. THE CORNER HOUSE AGAIN.

FORE:Steam-hammers are divided into two classes��one having the valves moved by hand, and the other class with automatic valve movement.

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