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In a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.

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"You know it is pashmina?"In the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.
Company Logo TWO:More temples, each more stupendous than the[Pg 41] last, and more halls hewn in the rifts of the hills, and over them monks' cells perched on little columns, which at such a height look no thicker than threads.
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TWO:In the forecourt a cast-metal nymph presides over a sham-bronze fountain.

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TWO:I rode to Tiger Hill. Overhead hung a dense mist, like a roof of shadow, perfectly still, wrapping us in damp and frightfully cold vapour. After two hours' ride in the darkness we reached our [Pg 151]destination. Suddenly the cloud fell like a curtain pulled down, the sky appeared, and then the earth at our feet became visible in the starlight. Some vestiges of a temple could be discerned among the grassthe foundations of enormous halls, and still standing in solitude, the brick chimneys in which the devout were wont to burn their prayers, written on rice-paper. Far away, in the transparent air, above a wall of grey cloudthe dull, dingy grey of dirty cotton-woola speck showed as a beacon of lilac light, of the hue and form of a cyclamen flower; this turned to rose, to brick-red, to warm gold colour, fading into silver; and then, against the blue sky, showed immaculately white. This was GaurisankarMount Everestthe top of the world, appallingly high, inconceivably vast, though lost in the distance, and seen from a hillock three thousand metres above the sea.
THREE:

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THREE:A dark street corner where there were no shops. Under a canopy constructed of four bamboos thatched with straw, a young man in a light-coloured dhoti was sitting on a low stool; about him were women singing. Presently one of them came forward, and dipping her fingers into three little copper pots that stood on the ground in front of the youth, she took first oil, then a green paste, and finally some perfume with which she touched seven spotsthe lad's feet, knees, shoulders, and turban. Then she wiped her fingers on the saree of the bridegroom's motherfor he was to be[Pg 252] married on the morrowwho was standing behind her son.In a coach-house, through which we passed on our way to see the prince's favourite horses with the state carriagesquite commonplace and comfortable, and made at Palitanawas a chigram,[Pg 68] off which its silk cover was lifted; it was painted bright red and spangled with twinkling copper nails. This carriage, which is hermetically closed when the Ranee goes out in it, was lined with cloth-of-gold patterned with Gohel Sheri's initials within a horseshoe: a little hand-glass on one of the cushions, two boxes of chased silver, the curtains and hangings redolent of otto of roses.

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THREE:While I was talking to the postmaster the fakir smoked a hookah, burning amber powder and rose-leaves. The air was full of the narcotic fragrance; a piercing perfume that mounted to the brain.

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TWO:The Rajah, a prisoner in his little state, a ruler only in name and deposed from his power, as I rose to take my leave, cast a glance of deep melancholy towards a last golden beam that quivered on the sacred hill, and seemed to awake from a dream.To the Chandni Chowkthe bazaar. In a miniature-painter's shop was a medley of ivories, of boxes inlaid with silver and ebony, and toys carved in sandal-wood. THREE:Presently all the company is assembled, robed in long white tunics. The bridegroom, likewise dressed in white, has a chain of flowers round his neck; orchids, lilies, and jasmine, falling to his waist. In one hand he holds a bouquet of white flowers, in the other a coco-nut. A shawl, neatly folded, hangs over one arm.
TWO:A dark street corner where there were no shops. Under a canopy constructed of four bamboos thatched with straw, a young man in a light-coloured dhoti was sitting on a low stool; about him were women singing. Presently one of them came forward, and dipping her fingers into three little copper pots that stood on the ground in front of the youth, she took first oil, then a green paste, and finally some perfume with which she touched seven spotsthe lad's feet, knees, shoulders, and turban. Then she wiped her fingers on the saree of the bridegroom's motherfor he was to be[Pg 252] married on the morrowwho was standing behind her son.
Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.Beyond the outermost wall, when we had at last left it behind us, at the foot of the pile of terra-cotta-coloured bricks, were vast tanks of stagnant water, said to be inexhaustible. Near them was a shrine to Siva, with two small idols hung with yellow flowers, where an old Hindoo was praying devoutly; and then through a park of giant trees, and shrubs bright with strange blossoms, over which the parrots flew screaming.Outside the fort which guards the opening of the pass there was confusion; a mad scurry of men, running, shouting, hustling. Quite a complicated mle of animals bolting, elephants and camels let loose and impossible to overtake, but caught at last.
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