ONE:Under such guidance as this. Platonism had made but little way. We saw, in the concluding sections of the last chapter and in the opening section of the present chapter, that it profited by the religious and literary revival of the second century, just as it was to profit long afterwards by the greater revival of the fifteenth century, so much so as to become the fashionable philosophy of the age. Yet, even in that period of its renewed splendour, the noblest of contemporary thinkers was not a Platonist but a Stoic; and although it would be unfair to measure the moral distance between the Porch and the Academy by the interval which separates an Aurelius from an Apuleius, still it would seem as if naturalism continued to be the chosen creed of strenuous and dutiful endeavour, while spiritualism was drifting into an alliance with hysterical and sensuous superstition. If we may judge by the points which Sextus Empiricus selects for controversial treatment, Stoicism was still the reigning system in his time, that is to say, about the beginning of the third century; and if, a generation later, it had sunk into neglect, every rival school, except that of Epicurus, was in exactly the same condition. Thus the only advance made was to substitute one form of materialism for another, until Neo-Platonism came and put an end to their disputes by destroying the common foundation on which they stood; while, at the same time, it supplied a completely organised doctrine round which the nobler elements of the Hellenic revival could rally for a last stand against the foes that were threatening it from every side.
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ONE:Pitt, though he remained determined against our continuing to send soldiers to Germany, was so elated at the success of Frederick that, on the meeting of Parliament, on the 1st of December, he supported the vote of six hundred and seventy thousand pounds as a subsidy to Prussia, George having entered into a new convention with Frederick to defend his Electorate. Pitt, on the same occasion, pronounced a glowing eulogium on Clive's proceedings in India. This great Minister had, in fact, formed the most extensive designs for the colonial aggrandisement of England, and the repulse of France in those quarters. At his suggestion, Lord Loudon had been sent to North America, and as he had failed to render any service, General Abercrombie had gone out to supersede him. Pitt already, however, had his eye on a young officer, Wolfe, whom he deemed the true hero for that service; whilst, on the opposite side of the globe, he was watching the proceedings of another young officer with immense pleasurenamely, Clive. These two remarkable men, under the fostering genius of Pitt, were destined to destroy the ascendency of France in those regions, and to lay the foundations of British power on a scale of splendour beyond all previous conception.In the department of novel writing, no age had yet produced such a constellation as Fielding, Richardson, Sterne, and Smollett. Their works[147] are still read with admiration by all who have a relish for vivid and masterly delineations of life; their only drawback being, that they are all more or less stained with the grossness and licentiousness of the age. From these faults Samuel Richardson (b. 1689; d. 1761) is most free, and in his "Sir Charles Grandison" he hasshown himself ahead of his age in the wisdom and liberality of his ideas. He discountenanced duelling, and taught the soundest principles of honour and morality. The photographic minuteness of his style prevents the general reading of his works in the present day of abundant new literature. The principal novels of Henry Fielding (b. 1707; d. 1754), "Joseph Andrews," "Tom Jones," and "Amelia," abound in wit, vigour, and knowledge of human nature. He wrote also some plays, and edited several periodicals. His sister, Sarah, also wrote "David Simple," a novel, and translated Xenophon's "Memoirs of Socrates." Tobias Smollett (b. 1721; d. 1771) paints life in strong, bold, but somewhat coarse lines, full of vigour, but with even more grossness than Fielding uses. "Peregrine Pickle," "Count Fathom," "Roderick Random," "Humphrey Clinker," and "Sir Launcelot Greaves," if not now generally read, have been carefully studied and made use of by some of our modern novelists. Smollett, besides, wrote plays, satires, poems, and edited "The Briton," a weekly newspaper. Laurence Sterne (b. 1713; d. 1768) struck out a style of writing peculiar to himself, and which still defies all successful imitation. Notwithstanding attempts to represent his pathos as grimace, and his humour as tinsel, the felicity of touch in "Tristram Shandy," and the flashes of wit and feeling in his "Sentimental Journey," will, in spite of detractors, and of the occasional indecency of the author, always send readers to Sterne.
