FORE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.Lisette was now rapidly becoming very pretty, to the great satisfaction of her mother, who, seeing that in spite of her busy life and deep interest in her work, her spirits still suffered from the loss of her father, tried to give her all the distraction possible. She would take her to walk in the Tuileries gardens, where the beauty of both mother and daughter attracted much attention; and what pleased her most, to see all the picture galleries possible. They often went to the Luxembourg, in the galleries of which were then the Rubens and many others of the old masters now in the Louvre; besides which they saw all the good private collections. By far the best at that time was the gallery of the Palais Royal, collected by the Regent, Duc dOrlans. These pictures were sold in the Revolution. Many of them were bought by Lord Stafford.
FORE:Jai pass les premiers peine.Others there were who showed the basest ingratitude. The Marquise de had been saved by Mme. Tallien, and hidden for three weeks in her boudoir. Not even her maid knew of her presence there. Trzia herself not only brought her food and waited upon her, but obtained her pardon and got part of her fortune restored to her. For some time she appeared very grateful, and as long as Tallien was powerful she came constantly to see Trzia, often asking for fresh favours.
FORE:Mme. du Deffand then occupied one in another [366] part of the building, but at that time they had no acquaintance with her. The philosophers and the atheistic set had never at any time in her life the least attraction for Flicit, who held their irreligious opinions in abhorrence.Lisette paid no attention to the dissuasions of her friends; in spite of all they said she knew quite well that she was in danger. No one could be safe, however innocent, if any suspicion or grudge against [86] them was in the minds of the ruffians who were thirsting for blood.
THREE:AS M. Arsne Houssaye truly remarks, the French Revolution was not made by the people. They imagine that they made it, but the real authors were Voltaire, Condorcet, Chamfort, the two Mirabeau, La Fayette and his friends, Necker, Talleyrand, Barras, Saint-Just, &c., nearly all gentlemen, mostly nobles; by Philippe-galit, Duke of Orlans and prince of the blood; by Louis XVI. himself.His court was the most splendid, the most extravagant, and the most licentious in Europe; the cruelty and oppression of many of the great nobles and especially the princes of the blood, were notorious; the laws were harsh and unjust to a frightful extent, but they were not of his making. He neglected the Queen, but did not ill-treat her; he was fond of his children and indulgent to them; while, far from being disliked by his subjects, he was called Louis le Bien-aim.
THREE:Trzia was born at Madrid about the year 1772, and was the only daughter of Count Cabarrus, whose fortunes had rapidly risen, and who being a man of sense and cultivation was resolved to give his children the best possible education.
