The first personal encounter of Mme. de Genlis with the Revolution was one afternoon in 1790. She had driven with Mademoiselle dOrlans, the Comte de Beaujolais, Henriette de Sercey, and Pamela, to a village about twelve miles from Paris, where, unluckily, a fair was going on and a great many people collected together. They took it into their heads that the party were the Queen, Madame Royale, and the Dauphin trying to escape, and, surrounding them with anger, forced them to get out of the carriage and refused to believe their explanations.
They could not deny this; and to their astonishment the officer, hurriedly saying that he was born on their estate, pressed a purse of gold into the hand of one and marched off. The country was still in a state of anarchy and they never could discover who their benefactor was.
ONE:Amongst the friends who frequented their house her surprising talent naturally excited much attention and interest. One of those she liked best was the historical painter, Doyen, [11] a man full of culture, information, and good sense, whose remarks upon persons and things, as well as upon painting, she found very useful.
TWO:
業種から探す
用途から探す
製品?サービスから探す
THREE:Rushing to him, he threw his arms round his neck, exclaiming
TWO:In art, as in everything else, it was still the age of the artificial. The great wigs and flowing drapery of the last reign had given place to powder and paint, ribbons and pompons, pink roses, and pale blue satin or velvet, la Pompadour.
It was necessary in the next place to look for a permanent abode, and this seemed to be difficult. The apartment in the French Academy was too small, though every one who knows Rome will understand what a temptation its magnificent situation must have been to stay there.
