THREE:Fox and his party still maintained a vigorous and persevering endeavour to remain at peace; but he weakened his efforts by professing to believe that we might yet enter into substantial engagements with the French, who had at this moment no permanent settled Government at all, but a set of puppet Ministers, ruled by a Convention, and the Convention ruled by a mob flaming with the ideas of universal conquest and universal plunder. If Fox had advocated the wisdom of maintaining the defensive as much as possible, and confining ourselves to defending our Dutch allies, as we were bound, his words would have had more weight; but his assurance that we might maintain a full and friendly connection with a people that were butchering each other at home, and belying all their most solemn professions of[416] equity and fraternity towards their dupes abroad, only enabled Pitt to ask him with whom he would negotiateWas it with Robespierre, or the monster Marat, then in the ascendant? "But," added Pitt, "it is not merely to the character of Marat, with whom we would now have to treat, that I object; it is not to the horror of those crimes which have stained their legislatorscrimes in every stage rising above one another in enormity,but I object to the consequences of that character, and to the effect of those crimes. They are such as render a negotiation useless, and must entirely deprive of stability any peace which could be concluded in such circumstances. The moment that the mob of Paris comes under a new leader, mature deliberations are reversed, the most solemn engagements are retracted, or free will is altogether controlled by force. All the crimes which disgrace history have occurred in one country, in a space so short, and with circumstances so aggravated, as to outrun thought and exceed imagination." In fact, to have made an alliance with France at that moment, and for long afterwards, would have been to sanction her crimes, and to share the infamy of her violence and lawlessness abroad.There arose a second school of mezzotint engravers, the chief of whom were Earlom, Reynolds, Daniell, Sutherland, and Westall. The strange but intellectual Blake was both painter and his own engraver, in a style of his own. Towards the end of the reign flourished, chiefly in architectural illustrations, Le Keux, John and Henry, pupils of Bazire, Roffe, Ransom, and Scott; in landscape, William and George Cooke, William and Edward Finden, Byrne, and Pye; in portrait, Charles and James Heath, John Taylor, Skelton, Burnet, Bromley, Robinson, Warren, and Lewis.
We like seeing designers experimenting with the gradations between two extremes. Take wristwatches, for instance.