THREE:A regiment of artillery was marching into quarters. The Highlanders' band came out to meet them: four bagpipes, two side drums, and one big drum. They repeat the same short strain, simple enough, again and again; in Europe I should, perhaps, think it trivial, almost irritating, but here, filling me as it does with reminiscences of Brittany, especially after the persistent horror of tom-toms and shrill pipes, it strikes me as delightfulI even follow the soldiers to their quarters.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Aliquam aut tenetur, amet earum quia eligendi obcaecati. Repudiandae id illum, vero iste enim reprehenderit quaerat, harum pariatur ipsa nulla tempora ex ratione illo assumenda libero ea, delectus vitae, expedita optio porro.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Aliquam aut tenetur, amet earum quia eligendi obcaecati. Repudiandae id illum, vero iste enim reprehenderit quaerat, harum pariatur ipsa nulla tempora ex ratione illo assumenda libero ea, delectus vitae, expedita optio porro.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Aliquam aut tenetur, amet earum quia eligendi obcaecati. Repudiandae id illum, vero iste enim reprehenderit quaerat, harum pariatur ipsa nulla tempora ex ratione illo assumenda libero ea, delectus vitae, expedita optio porro.
ONE:In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.A regiment of artillery was marching into quarters. The Highlanders' band came out to meet them: four bagpipes, two side drums, and one big drum. They repeat the same short strain, simple enough, again and again; in Europe I should, perhaps, think it trivial, almost irritating, but here, filling me as it does with reminiscences of Brittany, especially after the persistent horror of tom-toms and shrill pipes, it strikes me as delightfulI even follow the soldiers to their quarters.
ONE:Wherever the alleys cross in the bazaar, open cages are placed on pillars of carved marble or wood, and in these, charitable hands place grain for the birds; thus every evening, round these shelters there is a perpetual flutter of pigeons, minahs, and sparrows, pushing for places, and finally packed closely together, while the little lanterns flash out on all sides, giving a magical aspect to the shopfronts, turning copper to gold, fruit to flowers, and falling like a caress on the wayfarers in thin pale-hued robes.
ONE:Legends have gathered round the Taj Mahal as about every old building in India, and this one seems to me not impossible in its barbarity.
