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Bombay, towering above the sea in a golden glorythe tall towers and minarets standing out in sharp outline against the sky, splendid in colour and glow. Far away Malabar Hill and a white speckthe Towers of Silence; Elephanta, like a transparent gem, reflected in the aqua-marine-coloured water.

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The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.MURREE

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THREE:In the town camels were harnessed to a sort of carriage like a hut perched on misshapen wheels, and rumbling slowly through the streets, seeming very heavy at the heels of the big beast with its shambling gait.
FORE:
TWO:Then, on the right, endless pools and rivers; naked men were ploughing in the liquid mud and splashed all over by the oxen drawing a light wooden plough, their bronze bodies caked ere long with a carapace of dry, grey mud.Two fakirs, squatting in a corner, gazed at the sacred stone, their bodies rigidly motionless; they did not seem to be of this world, rather to be statues of gods themselves; their eyes alone were aliveburning.
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THREE:Within the gateway, carved all over with foliage and rosettes, a footway, paved with bright mosaic, leads to the interior of the temple. All along a corridor, enormous prancing horses, mounted by men-at-arms, support the roof which is deeply carved all over, and at the foot of these giants a sacred tank reflects the sky. In front of us were gaps of black shadow, and far, far away, lamps, shrouded in incense, were twinkling behind the gratings.As we returned, vistas of unreal definiteness showed us endless valleys lost in the distance, and vast spaces cultivated in green and russet stripesthe tea plantations that spread below the now vanished splendour of the snows. At a turning in the road stands a cross, erected there in memory of an epidemic of suicide that broke out among the soldiers of the English forta small structure of stone with an iron roof that faces the heaven-scaling range.

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THREE:In a jungle we now see Tazulmulook banished and solitary, and he relates his woes.

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FORE:A Mohammedan funeral now. The body was in a coffin, covered with red stuff, sparkling with gold thread. The bearers and mourners chanted an almost cheerful measure, as they marched very slowly to the[Pg 24] burial-ground by the seaside, where the dead rest under spreading banyans and flowering jasmine.
THREE:GARHIThe matter was evidently very serious. The three constables consulted together in an undertone, and then went off after desiring that I would forthwith telegraph to Sealkote and bring the reply to the police office.

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THREE:The bargaining was interminable, something in this manner:

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THREE:Near the statues, which are placed in a row close to the wall, other statues, finer, slenderer, and more graceful, stood before the pedestals, anointing the stone with some oil which in time soaks in and blackens it, or else hanging lanterns up over the divinities. These were the temple servants, wearing nothing but the langouti tied round their loins; they either shuffle about barefoot, or remain motionless in rapt ecstasy before the little niches where the idols grin or scowl among branches of roses and amaryllis.

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  • FORE:Traversing the narrow avenues that intersect the bazaar, we came to a series of quiet courts; here were the police-station, the small barracks, and stables for camels and elephants. In a blind alley we found a white mosque, where men were praying robed in pink and green; while opposite, below a house consisting of three stories of arcades, some Syrian horses, as slender as gazelles, were exercising on the bright-hued mosaic floor of the open stable.In the centre of the modern fort, a belt of walls with gates that form palaces under the arches, is the ancient residence of the Moguls. Beyond the barracks full of native and English soldiers, we reached the cool silence of the throne-room. Colonnades of red stone surround a throne of white marble inlaid with lilies in carnelian on tall stems of jasper. All round this throne, to protect it from the tourists, but also as if to emphasize its vanity, is a railing.

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  • FORE:

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  • FORE:Inside, the walls are panelled with mosaic of carnelian and chalcedony, representing poppies and funkias, so fragile-looking, so delicate, that they seem real flowers blooming in front of the marble. And marble screens, carved into lace-work, filling the high doorways and the windows, admit a tender amber-toned light.Servants carrying large trays offer the company certain strange little green parcels: a betel-leaf screwed into a cone and fastened with a clove, containing a mixture of spices and lime, to be chewed after dinner to digest the mass of food you may see spread out in the tables in the dining-room.

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  • FORE:All round the Royal Hill ancient buildings are piled in stages, the remains of still majestic magnificence. The thorn-brakes cover supporting walls as broad as crenellated terraces; fragments of light and fantastic architecture stand up from amid golden blossoms; tottering colonnades overhang tanks, all green at the bottom with a pool of brackish water.In the English quarter of Bombay the houses are European: Government House, the post office, the municipal buildingsperfect palaces surrounded by gardens; and close by, straw sheds sheltering buffaloes, or tents squatted down on common land; and beyond the paved walks are beaten earth and huge heaps of filth, over which hover the birds of prey and the crows.

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  • FORE:THE SACRED HILL

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  • FORE:Under the archway by which we entered a cow crossed our path, her head decked with a tiara of peacock's feathers, and went her way alone for a[Pg 200] walk at an easy pace. Within the palace is a maze of corridors, and pierced carving round every room fretting the daylight. An inner court is decorated with earthenware panels set in scroll-work of stone. A slender colonnade in white marble is relieved against the yellow walls, and below the roof, in the subdued light of the deeper angles, the stone, the marble, the porcelain, take hues of sapphire, topaz, and enamel, reflections as of gold and mother-of-pearl. In a pavilion is a little divan within three walls, all pierced and carved; it suggests a hollow pearl with its sides covered with embroidery that dimly shows against the sheeny smoothness of the marble. The effect is so exquisitely soft, so indescribably harmonious, that the idea of size is lost, and the very materials seem transfigured into unknown substances. One has a sense as of being in some fairy palace, enclosed in a gem excavated by gnomesa crystal of silk and frost, as it were, bright with its own light.A tonga arrived just as we drove up, bringing an English official, travelling in his own carriage; gaiters, shooting jacket, a switch in his hand. He seated himself outside the bungalow in a cane chair, close by mine. Out of a case that was brought before him a hatchet and a pistol were unpacked, documentary evidence of the crime into which he was to inquire.

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THREE:After passing through the town, all flowery with green gardens, at the end of a long, white, dusty road, where legions of beggars followed me, calling me "Papa" and "Bab," that is to say father and mother, I arrived at the residence of the Gaekwar, the Rajah of Baroda. At the gate we met the palace sentries released from duty. Eight men in long blue pugarees and an uniform of yellow khakee (a cotton stuff), like that of the sepoys, with their guns on their shoulders, looked as if they were taking a walk, marching in very fantastic step. One of them had a bird hopping about in a little round cage that hung from the stock of his gun. Three camels brought up the rear, loaded with bedding in blue cotton bundles.
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FORE:In the plain the sowars were performing an[Pg 280] Indian fantasia. Charging at a gallop, their wide sleeves flying behind them, they swept past like a whirlwind, aiming with their lances at a peg of wood stuck into the ground. Whenever it was speared there were frantic shouts and applause from a crowd of spectators, packed in the best places. In a cloud of dust, growing steadily thicker and hanging motionless over the riders, the performance went on, its centre always this same peg of wood, replaced again and again, exciting the enthusiasm of connoisseurs till the last ray of light died away.
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