ONE:At Tirlemont they were very busy rebuilding the burnt houses, although all day long the air shook from the heavy roar of the cannon near Antwerp.Finishing as a process is a secondary and not always an essential one; many parts of machinery are ready for use when forged or cast and do not require fitting; yet a finishing shop must in many respects be considered the leading department of an engineering establishment. Plans, drawings and estimates are always based on finished work, and when the parts have accurate dimensions; hence designs, drawings and estimates may be said to pass through the fitting shop and follow back to the foundry and smith shop, so that finishing, although the last process in the order of the work, is the first one after the drawings in every other sense; even the dimensions in pattern-making which seems farthest removed from finishing, are based upon fitting dimensions, and to a great extent must be modified [119]by the conditions of finishing.
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ONE:Prout was profuse. He was very anxious over those notes. He had certainly had the good fortune to take into custody one Ren Lalage, the brother to Leon Lalage, who had been murdered in the Corner House.Well, Jeff said, with a grin, swinging around in his seat and drawing off his helmet, here we are!
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FORE:In England, the most generally accepted method seems to be that followed by Grote. This consists in taking the Platonic Apologia as a sufficiently faithful report of the defence actually made by Socrates on his trial, and piecing it on to the details supplied by Xenophon, or at least to as many of them as can be made to fit, without too obvious an accommodation of their meaning. If, however, we ask on what grounds a greater historical credibility is attributed to the Apologia than to the Republic or the Phaedo, none can be offered except the seemingly transparent truthfulness of the narrative itself, an argument which will not weigh much with those who remember how brilliant was Platos talent for fiction, and how unscrupulously it could be employed for purposes of edification. The Phaedo puts an autobiographical statement into the mouth of Socrates which we only know to be imaginary because it involves the acceptance of a theory unknown to the real Socrates. Why, then, may not Plato have thought proper to introduce equally fictitious details into the speech delivered by his master before the dicastery, if, indeed, the speech, as we have it, be not a fancy composition from beginning to end?
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FORE:"Toujours the corner house," Bruce cried. "What do you make of it?"Another and profounder characteristic of Plato, as distinguished from Aristotle, is his thorough-going opposition of reality to appearance; his distrust of sensuous perception, imagination, and opinion; his continual appeal to a hidden world of absolute truth and justice. We find this profounder principle also grasped and applied to poetical purposes in our Elizabethan literature, not only by Spenser, but by a still greater masterShakespeare. It is by no means unlikely that Shakespeare may have looked into a translation of the Dialogues; at any rate, the intellectual atmosphere he breathed was so saturated with their spirit that he could easily absorb enough of it to inspire him with the theory of existence which alone gives consistency to his dramatic work from first to last. For the essence of his comedies is that they represent the ordinary world of sensible experience as a scene of bewilderment and delusion, where there is nothing fixed, nothing satisfying, nothing true; as something which, because of its very unreality, is best represented by the drama,371 but a drama that is not without mysterious intimations of a reality behind the veil. In them we have the