ONE:The glowing enthusiasm of Plato is, however, not entirely derived from the poetic traditions of his native city; or perhaps we should rather say that he and the great writers who preceded him drew from a common fount of inspiration. Mr. Emerson, in one of the most penetrating criticisms ever written on our philosopher,129 has pointed out the existence of two distinct elements in the Platonic Dialoguesone dispersive, practical, prosaic; the other mystical, absorbing, centripetal. The American scholar is, however, as we think, quite mistaken when he attributes the second of these tendencies to Asiatic influence. It is extremely doubtful whether Plato ever travelled farther east than Egypt; it is probable that his stay in that country was not of long duration; and it is certain that he did not acquire a single metaphysical idea from its inhabitants. He liked their rigid conservatism; he liked their institution of a dominant priesthood; he liked their system of popular education, and the place which it gave to mathematics made him look with shame on the swinish ignorance of his own countrymen in that respect;130 but on the whole he classes them among the races exclusively devoted to money-making, and in aptitude for philosophy he places them far below the Greeks. Very different were the impressions brought home from his visits to Sicily and204 Southern Italy. There he became acquainted with modes of thought in which the search after hidden resemblances and analogies was a predominant passion; there the existence of a central unity underlying all phenomena was maintained, as against sense and common opinion, with the intensity of a religious creed; there alone speculation was clothed in poetic language; there first had an attempt been made to carry thought into life by associating it with a reform of manners and beliefs. There, too, the arts of dance and song had assumed a more orderly and solemn aspect; the chorus received its final constitution from a Sicilian master; and the loftiest strains of Greek lyric poetry were composed for recitation in the streets of Sicilian cities or at the courts of Sicilian kings. Then, with the rise of rhetoric, Greek prose was elaborated by Sicilian teachers into a sort of rhythmical composition, combining rich imagery with studied harmonies and contrasts of sense and sound. And as the hold of Asiatic civilisation on eastern Hellas grew weaker, the attention of her foremost spirits was more and more attracted to this new region of wonder and romance. The stream of colonisation set thither in a steady flow; the scenes of mythical adventure were rediscovered in Western waters; and it was imagined that, by grasping the resources of Sicily, an empire extending over the whole Mediterranean might be won. Perhaps, without being too fanciful, we may trace a likeness between the daring schemes of Alcibiades and the more remote but not more visionary kingdom suggested by an analogous inspiration to the idealising soul of Plato. Each had learned to practise, although for far different purposes, the royal art of Socratesthe mastery over mens minds acquired by a close study of their interests, passions, and beliefs. But the ambition of the one defeated his own aim, to the destruction of his country and of himself; while the other drew into Athenian thought whatever of Western force and fervour was needed for the accomplishment of its205 imperial task. We may say of Plato what he has said of his own Theaettus, that he moves surely and smoothly and successfully in the path of knowledge and inquiry; always making progress like the noiseless flow of a river of oil;131 but everywhere beside or beneath that placid lubricating flow we may trace the action of another current, where still sparkles, fresh and clear as at first, the fiery Sicilian wine.
TWO:"I found Charlton there," Leona panted. "Above all persons in the world, I found Charlton there. He was sitting in the darkness waiting for Isidore----"Glory-gosh! he exclaimed, staring.
FORE:The next and perhaps the most important point in favour of Epicureanism is its theory of pleasure as the end of action. Plato had left his idea of the good undefined; Aristotle had defined his in such a manner as to shut out the vast majority of mankind from its pursuit; the Stoics had revolted every instinct by altogether discarding pleasure as an end, and putting a purely formal and hollow perfection in its place. It must further be admitted that Epicurus, in tracing back justice to the two ideas of interest and contract, had hold of a true and fertile principle. Nevertheless, although ethics is his strongest ground, his usual ill-luck pursues him even here. It is where he is most original that he goes most astray. By reducing pleasure, as an end of action, to the mere removal of pain, he alters earlier systems of hedonism for the worse; and plays the game of pessimism by making it appear that, on the whole, death must be preferable to life, since it is what life can never bea state of absolute repose. And by making self-interest, in the sense of seeking nothing but ones own pleasure or the means to it, the only rule of action, he endangers the very foundations of society. At best, the selfish system, as Coleridge has beautifully observed, stands in a similar relation to the law of conscience or universal selfless reason, as the dial to the sun which indicates its path by intercepting its radiance.210 Nor is the indication so certain as Coleridge admitted. A time may come when116 self-sacrifice shall be unnecessary for the public welfare, but we are not within a measurable distance of it as yet.
Nunc at viverra risus. In euismod quam ac dictum varius. Nunc at viverra risus.
Nunc at viverra risus. In euismod quam ac dictum varius. Nunc at viverra risus. In euismod quam ac dictum varius. Nunc at viverra risus. In euismod quam ac dictum varius. Nunc at viverra risus.