TWO:BEAUS AND BELLES OF THE REGENCY PERIOD.On the 18th of February, however, Fox moved a string of resolutions condemnatory of war with France. They declared that that country was only doing what every country had a right to doreorganise its internal Constitution; that, as we had allowed Russia, Prussia, and Austria to dismember Poland, we had no right to check the aggressions of France on these countries; as we had remained quiescent in the one case, we were bound to do so in the other, and not to make ourselves confederates of the invasion of Poland; and his final resolution went to entreat his Majesty not to enter into any engagements with other Powers which should prevent us from making a separate peace with France. Burke did not lose the opportunity of rebuking Fox for his long advocacy of the Empress Catherine, whose unprincipled share in the partition of Poland he was now compelled to reprobate. The resolutions of Fox were negatived by two hundred and seventy votes against forty-four. Not daunted by this overwhelming majority, Fox again, on the 21st of February, brought forward his resolution in another form, declaring that there were no sufficient causes for war. The motion was negatived without a division.
TWO:When the two parties separated in 1846, the Young Irelanders established the Irish Confederation, which held its meetings in the Music Hall, Abbey Street, and whose platform was occupied by a number of young men, who subsequently figured in the State trialsMr. Dillon, a barrister, who had been a moderator in Trinity College, Mr. Doheny, solicitor, Mr. O'Gorman, and Mr. Martin, a Protestant gentleman of property in the county Down. The object of the confederacy was to prepare the country for national independence, "by the force of opinion, by the combination of all classes of Irishmen, and the exercise of all the political, social, and moral influence within their reach." They disclaimed any intention of involving the country in civil war, or invading the just rights of any of its people; and they were specially anxious that Protestants and Roman Catholics should be united in the movement. Resolutions to this effect were adopted at a great meeting in the Rotunda, a revolutionary amendment by Mr. Mitchel having been rejected, after a stormy debate, which lasted three days, and did not terminate on the last day until one o'clock at night. This led to Mitchel's secession from the Nation, and the establishment of the United Irishman, in which he openly and violently advocated rebellion and revolution. He continually insisted on the adoption of the most diabolical and repulsive measures, with the utmost sang froid. Every Saturday his journal contained a letter "To the Earl of Clarendon, Her Majesty's Executioner-General and Butcher-General of Ireland." Plans of insurrection were freely propounded; the nature and efficiency of street fighting were copiously discussed; ladies were invited to throw vitriol from their windows on the Queen's troops, and to fling empty bottles before the cavalry that they might stumble and fall. Precise instructions were given, week after week, for the erection of barricades, the perforation of walls, and other means of attack and defence in the war against the Queen.
TWO:Far above all other English artists of this period, however, stood William Hogarth (b. 1697). There is no artist of that or any former age who is so thoroughly English. He is a John Bull from head to footsturdy, somewhat headstrong, opinionated, and satirical. He is, indeed, the great satirist of the brush; but his satire, keen as it is, is employed as the instrument of the moralist; the things which he denounces and derides are crimes, follies, and perverted tastes. In his own conduct, as on his canvas, he displayed the same spirit, often knocking down his own interests rather than not express his indignant feeling of what was spurious in art, or unjust towards himself. Hogarth was the first English painter who attracted much notice amongst foreigners, and he still remains one of the most original in genius of the British school. His subjects are not chosen from the loftier regions of life and imagination, but from the very lowest or the most corrupted ones of the life of his country and time. "The Harlot's Progress," "The Rake's Progress," "Marriage la Mode,"[163] "The March to Finchley," "Gín Lane," "Beer Lane," etc., present a series of subjects from which the delicate and sensitive will always revolt, and which have necessarily an air of vulgarity about them, but the purpose consecrates them; for they are not selected to pander to vice and folly, but to expose, to brand, to extirpate them.[573]
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TWO:There remain only the trials of Hunt and his associates in the meeting at Manchester to close the events which arose out of circumstances originating under the reign of George III. These took place at York spring assizes, whither they had been prudently removed out of the district where both parties were too much inflamed for a fair verdict to be expected. During the time that they lay in prison the conduct of Hunt had greatly disgusted his humble associates. He[156] showed so much love of himself that Bamford says he began to think that he could never have really loved his country. The Government had found it necessary a second time to lower its charge against the Manchester prisoners. At first it was high treason, then it subsided to treasonable conspiracy, and now, at last, it was merely "for unlawful assembling for the purpose of moving and inciting to hatred and contempt of the Government." Of this they were all convicted, and were confined in different gaols for various periods, and were called upon to give substantial security for good behaviour in future before being set at liberty. Hunt was imprisoned for three years in Ilchester gaol. It is only justice to him to state that though, during this imprisonment, he was continually sending to the newspapers complaints of ill treatment, he was instrumental in making known to the public some flagrant malpractices going on in the gaol, and which, through these exposures, were afterwards corrected.
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