FORE:I was of no party, she writes, but that of religion. I desired the reform of certain abuses, and I saw with joy the demolition of the Bastille, the abolition of lettres de cachet, and droits de chasse. That was all I wanted, my politics did not go farther than that. At the same time no one saw with more grief and horror than I, the excesses committed from the first moments of the taking of the Bastille.... The desire to let my pupils see everything led me on this occasion into imprudence, and caused me to spend some hours in Paris to see from the Jardin de Beaumarchais the people of Paris demolishing the Bastille. I also had a curiosity to see the Cordeliers Club.... I went there and I saw the orators, cobblers, and porters with their wives and mistresses, mounting the tribune and shouting against nobles, priests, and rich people.... I remarked a fishwoman.... This pretty spectacle to which she was said to have taken her pupils, was, of course, approved of by the Duke of Orlans, who made the Duc de Chartres a member of the Jacobin Club, by the wish of the Duc dOrlans, assuredly not by mine; but, however, it must be remembered that that society was not then what it afterward became, [416] although its sentiments were already very exaggerated. However, it was a pretext employed to estrange the Duchess of Orlans from me.However, she had plenty of interests, and made many English friends besides the numerous French emigrs she found there. She painted the portraits of the Prince of Wales, Lord Byron, the Comtesse de Polastron, adored by the Comte dArtois, who was [151] inconsolable when she died soon afterwards, and many othersEnglish, French, Russian, and Germanand made the acquaintance of the first musicians, actors, and singers of the day; also of the painters, many of whom were extremely jealous of her.
