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At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.

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GWALIORHere again the cars of the gods were neglected in the open air, and one of them, older than the rest, was fast being transfigured into a pyramid of shrubs and flowers.
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TWO:Seen through the blue glass under the low, broad carapace that covered the carriage, the landscape circled past, the colour hardly subdued to that of Europe; even in the dusk, with the windows open, everything was still intolerably, crudely white, with reflections of fiery gold. Everything vibrated in the heat, and at the stations the walls after baking all day scorched you when you went near. THREE:In the English quarter of Bombay the houses are European: Government House, the post office, the municipal buildingsperfect palaces surrounded by gardens; and close by, straw sheds sheltering buffaloes, or tents squatted down on common land; and beyond the paved walks are beaten earth and huge heaps of filth, over which hover the birds of prey and the crows.Mystery broods over this ruined past; grandeur seemed to rise up in the sunset glow. We went[Pg 101] down the hill, while behind us a saffron haze veiled the Royal Hill, effaced every detail of architecture, and shed over all an amethystine halo.
TWO: THREE:On entering this portal, lo, a miraculous vision! At the end of an avenue of dark cypress trees stands the tomb of Mumtaj-Mahal, a dream in marble, its whiteness, crowned by five cupolas that might be pearls, mirrored in a pool edged with pink stone and borders of flowers.
TWO: THREE:By noon, under the torrid blaze which takes the colour out of everything, exhaustion overpowers the city. Vehicles are rare; a few foot-passengers try to find a narrow line of shade close to the houses, and silence weighs on everything, broken only by the buzzing of flies, the strident croak of birds of prey.
TWO:Heavy coaches with solid wheels, hermetically covered with red stuff patterned with white, were bringing home the invisible but noisy ladies of the zenana. THREE:Here, one by one, in came the nautch-girls, dancers. Robed in stiff sarees, their legs encumbered with very full trousers, they stood extravagantly upright, their arms away from their sides and their hands hanging loosely. At the first sound of the tambourines, beaten by men who squatted close to the wall, they began to dance; jumping forward on both feet, then backward, striking their ankles together to make their nanparas ring, very heavy anklets weighing on their feet, bare with silver toe-rings. One of them spun on and on for a[Pg 29] long time, while the others held a high, shrill notehigher, shriller still; then suddenly everything stopped, the music first, then the dancingin the air, as it wereand the nautch-girls, huddled together like sheep in a corner of the room, tried to move us with the only three English words they knew, the old woman repeating them; and as finally we positively would not understand, the jumping and idiotic spinning and shouts began again in the heated air of the room.
Top On the tomb, in elegant black letters, is this inscription:This Dilbar was a boy with a more woolly wig than the others, and to emphasize her sex wore a monstrous display of trinkets round her neck and arms, in her ears and nose.And to close the procession came more soldiers.All round Domel there were fields of lilac lilies among the silky young grass, and the cliffs were[Pg 271] hung with a yellow eglantine exhaling a penetrating scent of almonds.
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