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ONE:

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  • THREE:

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:"Well, you prove yourself in the right," he muttered, "and then I'll apologise. I'm going to let the Clockwork man drop. I've got other things to think about. And I don't mind telling you that if the Clockwork man turns out to be all that you claim for him, I shall still wish him at the other end of the earth."CHAPTER XIX.

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:Keeling had no reply to this. The apathy of intense fatigue, of an excitement and anticipation suddenly nullified, was blunting the sharp edges of his misery. For a little while he sat there with his head in his hands, then slowly and stiffly he got up, looking bent and old.

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:A PATH NEAR NAGASAKI. A PATH NEAR NAGASAKI.A street leads up from the water towards the centre of the island, and along this street are the principal houses of the town. The most of these houses are hotels for the accommodation of the numerous pilgrims that come to the sacred shrines of Enoshima; and, as our party approached, there was a movement among the attendants of the nearest hostelry to invite the strangers to enter. They halted at the door of a large building on the left. The proprietor was just inside the entrance, and bowed to them in true Japanese style, with his head touching the floor. He not only bowed to the party in general, but to each one of them separately, and it took two or three minutes to go through with the preliminaries of politeness and begin negotiations for the desired accommodations.

    One morning, when Gregor Samsa woke from troubled dreams

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ONE:"You see," said Doctor Bronson, "that the stork justifies the homage that is paid to him so far as a graceful figure is concerned, and the Japanese have shown an eye for beauty when they selected him for a prominent place in their pictures. You see him everywhere in Japanese artin[Pg 107] bronzes, on costly paintings, embroidered on silk, printed on fans, and on nearly every article of household use. He has a sacred character, and it would not be easy to find a Japanese who would willingly inflict an injury upon one of these birds."

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  • THREE:The Doctor told the boys that the Mitsu Bishi Company, as this Japanese organization was called, was increasing every year the number of its ships. It received assistance from the government in the form of a mail contract, and was evidently doing very well. The steamers ran once a week each way between Yokohama and Shanghai, touching at Kobe and Nagasaki, and there were lines to other ports of Japan. The Japanese were studying naval architecture and making good progress, and they hoped before many years to construct their own ships. Every year they reduced the number of foreigners in their service, and some of their establishments were entirely under native management.

    He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

  • THREE:"We have a theory of relativity," Allingham ventured."Corporal, go find an axe or something."

    He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

  • THREE:To the left of the Gothic and inner halls, a very large room had been built out to the demolition of a laurel shrubbery. This was Mr Keelings study, and when he gave his house over to the taste of his decorators, he made the stipulation that they should not exercise their artistic faculties{17} therein, but leave it entirely to him. In fact, there had been a short and violent scene of ejection when the card-holding crocodile had appeared on a table there owing to the inadvertence of a house-maid, for Mr Keeling had thrown it out of the window on to the carriage sweep, and one of its hind legs had to be repaired. Here for furniture he had a gray drugget on the floor, a couple of easy chairs, half a dozen deal ones, an immense table and a step-ladder, while the wall space was entirely taken up with book shelves. These were but as yet half-filled, and stacks of books, some still in the parcels in which they had arrived from dealers and publishers, stood on the floor. This room with its books was Mr Keelings secret romance: all his life, even from the days of the fish-shop, the collection of fine illustrated books had been his hobby, his hortus inclusus, where lay his escape from the eternal pursuit of money-making and from the tedium of domestic life. There he indulged his undeveloped love of the romance of literature, and the untutored joy with which design of line and colour inspired him. As an apostle of thoroughness in business and everything else, his books must be as well equipped as books could be: there must be fine bindings, the best paper and printing, and above all there must be pictures. When that was done you might say you had got a book. For rarity and antiquity he cared nothing at all; a sumptuous edition of a book{18} of nursery rhymes was more desirable in his eyes than any Caxton. Here in his hard, industrious, Puritan life, was Keelings secret garden, of which none of his family held the key. Few at all entered the room, and into the spirit of it none except perhaps the young man who was at the head of the book department at Keelings stores. He had often been of use to the proprietor in pointing out to him the publication of some new edition he might wish to possess, and now and then, as on this particular Sunday afternoon, he was invited to spend an hour at the house looking over Mr Keelings latest purchases. He came, of course, by the back door, and was conducted by the boy in buttons along the servants passage, for Mrs Keeling would certainly not like to have the front door opened to him. That would have been far from proper, and he might have put his hat on one of the brass-tipped chamois horns. But there was no real danger of that, for it had never occurred to Charles Propert to approach The Cedars by any but the tradesmans entrance.

    He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

  • Corporate Identity

    He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections


ONE:ON THE ROAD TO FUSIYAMA.

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FORE:"Oh!--good-bye, just anybody?" I asked; and thereupon she gathered up all her misplaced trust in me, all her maiden ignorance of what is in man, and all her sweet daring, to murmur--"Lieutenant Ferry--Ferry's scouts."
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FORE:Frank made a careful note of the figures indicating the height of the statue. He found that the whole structure, including the pedestal, measured sixty feet from the ground to the top of the head, and that the figure alone was forty-three feet high. It was in a sitting, or rather a squatting, posture, with the hands partly folded and turned upwards, with the knuckles touching each other. The eyes were closed, and there was an expression of calm repose on the features such as one rarely sees in statuary. There was something very grand and impressive in this towering statue, and the boys gazed upon it with unfeigned admiration.
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FORE:"The Great Wall is certainly one of the wonders of the world, and it was very much so at the time of its construction. It was built two thousand[Pg 387] years ago, and is about twelve hundred miles long. It runs westward from the shores of the Gulf of Pe-chi-li to what was then the western frontier of the Chinese Empire. For the greater part of the way it consists of a wall of earth faced with stone or brick, and it is paved on the top with large tiles. It is about twenty-five feet wide at the bottom, and diminishes to fifteen feet wide at the top, with a height of thirty feet. In many places it is not so substantial as this, being nothing more than a wall of earth faced with brick, and not more than fifteen feet high. At varying intervals there are towers for watchmen and soldiers. They are generally forty or fifty feet high, and about three hundred feet apart.
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FORE:No, he would not; only wagons went that way, to cross the creek by a small bridge. I could cut off nearly two miles by taking the bridle-path that turned sharply down into the thick woods of the creek-bottom about a quarter of a mile from the house and crossed the stream at a sandy ford. "Ride round," he said, "and I'll show you from the front of the house."
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FORE:"I am," was his reply, and my heart leaped for joy. We hurried away. My captive was the most daring union scout between Vicksburg and New Orleans; these very Harpers knew that. The thing unknown to us was that already his fate was entangled with Ned Ferry's and Charlotte Oliver's, as yet more it would be, with theirs and ours, in days close at hand.
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FORE:"Oh, someone who had lost his way," said[Pg 82] Arthur, carelessly. He felt curiously disinclined to explain matters just at present. The Clockwork man was disconcerting. He was a rather terrifying side-issue. Arthur had a feeling that Rose would probably be frightened by him, for she was a timid girl. He half hoped now that this strange being would turn out to be some kind of monstrous hoax.
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FORE:"I tell her as a friend," he said, "she'll get one into Fortress Monroe yet!"
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FORE:He was aware that she was intending to exercise the dead-weight somewhere. It was not many weeks ago that she had brought it into play regarding Mr Silverdale and his Romish practices, when she had refused to leave his church for the simpler rites of the Cathedral. He had yielded there, because he did not really care whether she and Alice chose to attend a milliner-church or not. They might if they liked: it did not seriously matter. But the dead-weight, if she was{143} intending to exercise it over the question of Norah, mattered very much.
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ONE:

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ONE:We have not space enough to go into a full account of art in Japan, as a whole volume could be written on the subject without exhausting it. Frank followed the directions in Mary's note to find some good things in cloisonn; and, as he did not pay much attention to other matters, we will, for the present at least, follow his example and take a look at this branch of art in Japan.CHAPTER XIX.

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about
  • TWO:"Only about old Mr. Winchape," said Mrs. Masters, as she packed the tea things. "He's seen the man that knocked the cricketers down with the bat. That is, if he is a man, but they do say"
  • Art-Director

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about
  • TWO:"Perhaps it is because she has the good taste to like me," Gordon laughed.
  • Art-Director

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about
  • TWO:"Let them talk," cried the Doctor, beating his head with his closed fist. "In heaven's name, let them talk the thing into a nine days wonder. Let them think he's the devilanything rather than that they should know the truth. There may be a hundred explanations of this mystery, and yours may be the right one; I only know that I repudiate it. I cannot escape from the evidence of my own eyes; but there is something in me that denies the Clockwork man. He sticks in my gorge. Call me what you will; I am not to be shaken with phrases. The whole of man's past shrieks out against this monstrous incubus of the future. Do not ask me to offer my own explanation of the phenomenon. I have none. In vain I have stretched my brain to its bursting point in order to solve this problem. You, apparently, are ready to accept the Clockwork man as a foregone conclusion. Time alone will reveal which of us is nearer the truth.""The old way of crossing the Plains and the new way of doing the same thing," said Doctor Bronson, "are as different as black and white. My first journey to California was with an ox wagon, and it took me six months to do it. Now we shall make the same distance in four days."
  • Art-Director

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ONE:

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ONE:HOW THEY USE MANURE. HOW THEY USE MANURE.

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

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"Ah, Richard, you have found out all you could, and I am glad of it, except of what I, myself, have had to betray to you; for that was more than one would want to tell her twin brother. But I had to create you my scout, and I had only two or three hours for my whole work of creation.""But you think he will not go on?""Well, of course I can't explain that exactly, but the term so obviously explains itself. Damn it, he is a clockwork man. He walks, talks, and behaves exactly like one would imagine"
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