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THREE:THE year 1788 was the last of the old r��gime. Mme. Le Brun was now thirty-two and at the height of her fame and prosperity. She had more commissions than she could execute, more engagements than she could keep, more invitations than she could accept, but her mind was full of gloomy presentiments. She passed the summer as usual between Paris and the country houses where she stayed.

THREE:��Although, thank Heaven, I have never done harm to anybody,�� she said. ��I agree with the man who said: ��They accuse me of having stolen the towers of Notre Dame; they are still in their place, but I am going, for it is clear that they have a grudge against me.����

THREE:

THREE:

THREE:One of her new friends was the Countess Kinska, who, as she observed, was ��neither maid, wife, nor widow,�� for she and her husband had been married according to their parents�� arrangement, without ever having seen each other, and after the ceremony Count Kinska, turning to her, said��

THREE:Meanwhile, those who could not believe in God, set up as their guide the abstraction they called Nature, which, if they had followed to the logical consequences, would have led them back to the state of savages. There were, in fact, some who proposed to live out of doors with very scanty clothing, and who had begun to cut down a tree and light a fire when their plans of life were suddenly frustrated by the appearance of the police.Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.

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South America

South America

South America

South America

South America