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DIRECTLY M. and Mme. de Montagu got to London they heard of the death of Paulines aunt, the Duchesse de Lesparre, another grief for her; but really at that time for any one to die peacefully among their own people was a subject of thankfulness to them all.One autumn night, after ten oclock, the beggar had not come in. They supposed the woman who took care of him had neglected to fetch him, and charitably waited till half-past. The sister cellarer sent for the keys, to take them, as usual, to the prioress, who would put them under her pillow. She was a demoiselle de Toustain, who, par parenthse, had had the golden ball of her prioresss staff engraved with the motto of her family, Tous-teints-de-sang (All stained with blood), which my aunt had thought out of place on an emblem of religious and pastoral office. She had remarked to the [372] Prioress, My dear daughter, a war-cry is always improper for a bride of Jesus Christ....
ONE:Boucher

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ONE:Capital letter RMonsieur has forgotten to tell me his name.

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ONE:What does that prove? Do not all these brutes say tu nowadays?

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TWO:Her love for Tallien was beginning to wane. It had never been more than a mad passion, aroused by excitement, romance, and the strange circumstances which threw them into each others way; and kept alive by vanity, interest, gratitude, and perhaps above all by success. She wanted Tallien to be a great power, a great man; and she was beginning to see that he was nothing of the sort. If, when Robespierre fell, instead of helping to set up a government composed of other men, he had seized the reins himself, she would have supported him heart and soul, shared his power, ambition, [339] and danger, and probably her admiration and pride might have preserved her love for him. But Tallien had not the power to play such a part; he had neither brains nor character to sway the minds of men and hold their wills in bondage to his own. And now he was in a position which in any line of life surely bars the way to success: he was neither one thing or the other.The first great sorrow was the death of Mme. de la Fayette on Christmas Eve, 1808, at the age of forty-eight. Her health had been completely undermined by the terrible experiences of her imprisonments; and an illness caused by blood-poisoning during her captivity with her husband in Austria, where she was not allowed proper medical attendance, was the climax from which she never really recovered. She died as she had lived, like a saint, at La Grange, surrounded by her broken-hearted husband and family, and by her own request was buried at Picpus, where, chiefly by the exertions of the three sisters, a church had been built close to the now consecrated ground where lay buried their mother, sister, grandmother, with many other victims of the Terror.
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THREE:I cant, he said. I am obliged to go to another village.She embarked with Adla?de for Rotterdam, and on arriving at Paris found her daughter, who had neither lost her good looks nor her social attractions, but was otherwise as unsatisfactory as ever. For her husband she had long ceased to care at [152] all. They had come to Paris to engage some artists for Prince Narischkin, and when M. Nigris returned to Russia, his wife refused to accompany him.

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THREE:The applause with which she was welcomed on entering the salon so overcame her that she burst into tears. Next day those of her friends who had survived the Revolution began to flock to see her. Her old friend, Mme. Bonneuil, was among the first, and invited her to a ball the following night given by her daughter, now the celebrated beauty, Mme. Regnault de Saint-Jean-dAngely, to which she went in a dress made of the gold-embroidered India muslin given her by the unfortunate Mme. Du Barry.

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THREE:She was happier now than she had been for a long time; she heard every now and then from her father and Rosalie, her husband was with her, and her love for the aunt, who was their good angel, ever increased. But still the terrible death of her mother, sister, and grandmother cast its shadow over her life, added to which was her uncertainty about Adrienne.

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THREE:Josphine, now the wife of Napoleon, and head of society in Paris, had not forgotten her, and was anxious to receive her at court, but this Napoleon would not allow, greatly to the disappointment and sorrow of them both.

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ONE:The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Comdie Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte dArtois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.

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THREE:For the Revolution, the royalists themselves could scarcely have entertained a deeper hatred and contempt. He would speak with disgust of its early scenes, of the weakness of the authorities, which he despised, and of the mob, which he abominated.
THREE:

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THREE:

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THREE:She did not bear the title, which indeed would not then have been permissible; but the well-known [455] arms and blue liveries of Orlans re-appeared on her carriages and in her h?tel, the royal arms of Orlans were embroidered on the fine Saxon linen of her household, the gold plate and delicate Svres china denounced by the Terrorists was to be seen at the princely entertainments at her h?tel in the rue de Provence, where everything was done with the stately magnificence of former days, and whither every one of the old and new society was eager to be presented.Sur le Pont Neuf acquises.

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THREE:She was conscious also that her own position was not safe. She had many friends amongst the Girondins, and now terrified at their fall she felt that she was compromised by her association with [300] them; her husband was an additional peril to her, for the new abomination called loi contre des suspects was aimed at those against whom no tangible thing could be brought forward, but who might be accused of having done nothing for the Republic and would certainly apply to him. M. de Fontenay had hidden himself for a time and then re-appeared, and seeing they were both in great danger she agreed to his proposal and they went first to Bordeaux, intending shortly to put the Pyrenees between themselves and the Revolution. But swiftly and suddenly the danger that had struck down so many of their acquaintances fell like a thunderbolt upon them.

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Paris without the wide streets of enormous houses, the broad, shady boulevards, the magnificent shops and crowded pavements, the glare and wealth and luxury of the nineteenth and twentieth centuries; Paris of old France, of the Monarchy, with its ancient towers and buildings, its great h?tels and convents with vast gardens above whose high walls rose stately trees; its narrow, crooked, ill-paved [34] streets, mostly unsafe to walk in after dusk, through which troops of cavalry clattered in gay uniforms, scattering the foot-passengers right and left, and magnificent coaches drawn by four, six, or eight horses lumbered heavily along.The mania for education which characterised [358] Flicit through life began at an early age. While still a child she had a fancy to give instruction to the little boys who came to cut reeds growing by the pond or moat at the foot of the terrace of the chateau.She was still very young when her father sent her to Paris with her brothers to complete their education, in the charge of an old abb, their tutor, but to be also under the care of the Marquis de Boisgeloup and his wife, old friends of their father, in whose family they were to live. When they arrived they found that the Marquis de Boisgeloup, Seigneur de la Mancelive and conseiller du Roi et du parlement, had just died.With her fathers death vanished for ever the bright, unclouded happiness of her childhood; her life henceforth was chequered with brilliant success, artistic and social, and acute sorrows in her domestic life; like a picture in which the brightness of the lights seem to deepen the gloom of the shadows. They were very badly off, for Louis Vige had left scarcely any provision for his family, and Lisette for some time was so stunned with the shock and grief that she seemed to be sunk in despair, taking no interest in anything, and giving up even the painting which had been her passion. Doyen, amongst other friends of Vige, used to come to see them; his visits were the greatest consolation to them all, especially to the young girl, who appreciated the affection he had always shown for her father, and by him she was persuaded to resume the studies and work which alone had power to divert her mind in some degree from her sorrow. She began to paint from nature, and did several portraits both in oil and in pastel, working [22] chiefly with another young girl about a year older than herself, Mlle. Boquet, whose father kept a curiosity shop in the rue Saint Denis where he lived, and where Lisette used to go in the evenings to draw from casts by candlelight with her friend.
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