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Bouvigne, a hamlet near Dinant, had suffered fearfully from the bombardment of that town. Trees were splintered by the shells, the church was nearly a total wreck from the same cause, and two houses by the road had been riddled by bullets into a sieve, and also damaged by shells. On the whole scene of war I have not seen one house carrying so many bullets in it; their holes made the doors look like wire-netting. In these houses the French had barricaded themselves, brought mitrailleuses to them, and defended them until the last. None of those heroes left them alive. My colleague took many snapshots of this remarkable spot, while I collected bullets, fragments of shell, and similar mementos of this warfield.

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The evolution of Greek tragic poetry bears witness to the same transformation of taste. On comparing Sophocles with Aeschylus, we are struck by a change of tone analogous to that which distinguishes Thucydides from Herodotus. It has been shown in our first chapter how the elder dramatist delights in tracing events and institutions back to their first origin, and in following derivations through the steps of a genealogical sequence. Sophocles, on the other hand, limits himself to a close analysis of the action immediately represented, the motives by which his characters are in91fluenced, and the arguments by which their conduct is justified or condemned. We have already touched on the very different attitude assumed towards religion by these two great poets. Here we have only to add that while Aeschylus fills his dramas with supernatural beings, and frequently restricts his mortal actors to the interpretation or execution of a divine mandate, Sophocles, representing the spirit of Greek Humanism, only once brings a god on the stage, and dwells exclusively on the emotions of pride, ambition, revenge, terror, pity, and affection, by which men and women of a lofty type are actuated. Again (and this is one of his poetic superiorities), Aeschylus has an open sense for the external world; his imagination ranges far and wide from land to land; his pages are filled with the fire and light, the music and movement of Nature in a Southern country. He leads before us in splendid procession the starry-kirtled night; the bright rulers that bring round winter and summer; the dazzling sunshine; the forked flashes of lightning; the roaring thunder; the white-winged snow-flakes; the rain descending on thirsty flowers; the sea now rippling with infinite laughter, now moaning on the shingle, growing hoary under rough blasts, with its eastern waves dashing against the new-risen sun, or, again, lulled to waveless, windless, noonday sleep; the volcano with its volleys of fire-breathing spray and fierce jaws of devouring lava; the eddying whorls of dust; the resistless mountain-torrent; the meadow-dews; the flowers of spring and fruits of summer; the evergreen olive, and trees that give leafy shelter from dogstar heat. For all this world of wonder and beauty Sophocles offers only a few meagre allusions to the phenomena presented by sunshine and storm. No poet has ever so entirely concentrated his attention on human deeds and human passions. Only the grove of Col?nus, interwoven with his own earliest recollections, had power to draw from him, in extreme old age, a song such as the nightingale might have warbled amid those92 inviolable recesses where the ivy and laurel, the vine and olive gave a never-failing shelter against sun and wind alike. Yet even this leafy covert is but an image of the poets own imagination, undisturbed by outward influences, self-involved, self-protected, and self-sustained. Of course, we are only restating in different language what has long been known, that the epic element of poetry, before so prominent, was with Sophocles entirely displaced by the dramatic; but if Sophocles became the greatest dramatist of antiquity, it was precisely because no other writer could, like him, work out a catastrophe solely through the action of mind on mind, without any intervention of physical force; and if he possessed this faculty, it was because Greek thought as a whole had been turned inward; because he shared in the devotion to psychological studies equally exemplified by his younger contemporaries, Protagoras, Thucydides, and Socrates, all of whom might have taken for their motto the noble lines
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"I found out by chance," he went on. "A bit of good luck showed me how I had been swindled. But I said nothing--ah, I said nothing, because in this case silence is golden! And nobody knows but myself. Thinks I, that woman is a long way from being played out yet--she has resources. Some people would have made a fuss and cried out and spoilt everything, but not so Maitrank. I come here to get my money and I shall have it, mark you. But I am not easy in my mind.""At six o'clock a captain separated the men from the women and children. The women were placed behind a line of infantry. The men had to stand alongside a wall; those in the first row were ordered to sit on their haunches, the others to remain standing behind them. A platoon took a stand straight opposite the group. The women prayed in vain for mercy for their husbands, their sons, and their brothers; the officer gave the order to fire. He had not made the slightest investigation, pronounced no sentence of any sort.She looked round as if seeking inspiration. She found it presently in the housekeeper's room. Just in front of her was the glitter and sheen of the telephone. The scheme that she wanted came to her like a flash.Mr. van Wersch was told that they intended to send him to Tongres, but after a deliberation between Captain Spuer and Major Krittel, a very kind man as I have already remarked, he was allowed to stay at Bilsen until the examination should be over. He was allowed to walk through the townlet under military escort at first, but later entirely free, and to sleep at the station under military guard. After another search, he was at last allowed to leave for Maastricht on Monday morning.The woman's eyes gave a flash of triumph.But as soon as these "tender-foots" came alongside our train and were not met with the same impetuous enthusiasm as they displayed themselves, but, on the contrary, saw sick, discouraged, exhausted faces gazing at them distressedly, their boisterousness suddenly extinguished, and a nervous, terrified expression pursed up their mouths. And the trains were already at some distance from each other before the young soldiers remembered that they ought to shout and to wave to those who had already done so much for the Fatherland."It was in the interests of our suffering country, and we are those who ought to be grateful. May I insist once more that you ask our refugees to come back to Antwerp and don't omit to state the three favourable regulations...."
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