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• TWO:When the belief in a future life assumes the form last mentioned, it is, as we have said, simply a survival of the most primitive animism, not testifying to any religious reaction at the time when it can be proved to have flourished. It is introduced in the present connexion merely to show what ideas were current among those classes to whose opinions Roman civilisation was gradually giving irresistible weight. How the minds of the richer and more educated classes were affected by this underlying stratum, is shown by the nature of the figured representations with which their last abodes were ornamented. Everyone has been made tolerably familiar with these through the sculptured sarcophagi preserved in our museums; but, from their symbolical character, the significance of the reliefs with which they are decorated is not obvious at first sight; and some of the mythical adventures thus embodied may have been wrought without any reference to the destination of the dark and narrow chamber which they enclosed, or may even have been intended to divert the imagination from sad thoughts by the luxuriance of rushing life and joy and victory which they displayed; but after making every possible deduction on this score, there remain many others offering a deeper source of consolation to the bereaved survivor by the pictured promise of future reunion with those whom he had loved and lost. One favourite subject is the visit of Diana to the sleeping Endymion, by which is clearly foreshadowed an awakening to divine felicity from the sleep of death. The rape of Proserpine, followed by238 her restoration to the upper world, conveys a similar intention; as also does the fate of Adonis, since he too was believed to have risen from the dead. The marriage of Bacchus and Ariadne unquestionably symbolises the exchange of an earthly for a heavenly life; and the scenes of Bacchic revelry with which the interior of some tombs is decorated, were, to the imagination of those who designed them, no unbecoming image of the joys awaiting a blessed soul in its celestial abode. An inscription of which we have already quoted the opening words expresses in terms that hope of companionship with the joyous band of Dionysus at which the plastic representations can but mutely hint. ��Now in a flowery meadow,�� says the mourning mother of Doxato to her child, ��the priestess marked with a sacred seal is enrolling thee in the troop of Bacchus, where the Naiads that bear the sacred baskets claim thee as their fellow to lead the solemn procession by the light of torches.�� At the same time, a tenderer or graver note is often struck. The stories of Adm��tus and Alcestis, of Protesilaus and Laodameia, point to a renewal of conjugal love beyond the grave. What were formerly supposed to be scenes representing the eternal farewell of husband and wife are, in the opinion of modern archaeologists, pictures of their restoration to each other��s arms. Rising higher still, Achilles among the daughters of Lycom��des probably typifies the liberation of an immortal spirit from the seductions of sense. The labours of Heracles recall his apotheosis, and seem to show that a life of noble effort shall be rewarded hereafter. The battle of the Amazons is an allegory of strife with and triumph over the temptations of earthly delight. Another often-recurring theme, the hunting of the Calydonian boar, may mean the soul��s victory over death; but this explanation is offered only as a conjecture of the present writer��s.

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• TWO:On the arrival of this news the French Court complained bitterly of the violation of the peace, to which the Court of St. James's replied that the French had too prominently set the example, and the ambassadors on both sides were recalled��an equivalent to a declaration of war, though none on either side yet followed. We had soon a severe reverse instead of a victory to record. General Braddock had been despatched against Fort Duquesne, and had reached Great Meadows, the scene of Washington's defeat in the preceding summer. Braddock was a general of the Hawley school��brave enough, but, like him, brutal and careless. His soldiers hated him for his severity. The Indians resented so much the haughtiness with which he treated them, that they had most of them deserted him; and, as was the fatal habit of English commanders then and long afterwards, he had the utmost contempt for what were called "Provincials" (that is, Colonists), supposing that all sense and knowledge existed in England, and that the English, just arrived, knew more about America than natives who had spent their lives in it. He therefore marched on into the woods, utterly despising all warnings against the Indians in alliance with the French. At Great Meadows he found it necessary, from the nature of the woods and the want of roads, to leave behind him all his heavy baggage, and part of his troops to guard it, and he proceeded with only one thousand two hundred men and ten pieces of artillery. On the 9th of July, 1755, having arrived within ten miles of Fort Duqnesne, he still neglected to send out scouts, and thus rashly entering the mouth of a deep woody defile, he found himself assaulted by a murderous fire in front and on both flanks. His enemies were Indians assisted by a few French, who, accustomed to that mode of fighting, aimed from the thickets and behind trees, and picked off his officers, whom they recognised by their dress, without themselves being visible. Without attempting to draw out of the ambush, and advance with proper precautions, Braddock rushed deeper into it, and displayed a desperate but useless courage. Now was the time for his Indians to have encountered his enemies in their own mode of battle, had his pride not driven them away. After having three horses killed under him, in the vain endeavour to come at his foes, he was shot, and his troops retreated in all haste, leaving behind them their artillery and seven hundred of their comrades on the ground. Their retreat was protected by the "provincial" George Washington��whose advice had been unheeded��or the slaughter would have been greater.

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