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TWO:"What?"We are here confronted with an important and much disputed question, Was Aristotle an empiricist? We hold most decidedly that he was, if by empiricist is meant, what alone should be meant��one who believes that the mind neither anticipates anything in the content, nor contributes anything to the form of experience; in other words, who believes knowledge to be the agreement of thought with things imposed by things on thought. We have already shown, when discussing Sir A. Grant��s view to the contrary, that Aristotle was in no sense a transcendental idealist. The other half of our position is proved by the chapter in the Posterior Analytics already referred to, the language of which is prima facie so much in favour of our view that the burden of proof391 rests on those who give it another interpretation. Among these, the latest with whom we are acquainted is Zeller. The eminent German historian, after asserting in former editions of his work that Aristotle derived his first principles from the self-contemplation of the Nous, has now, probably in deference to the unanswerable arguments of Kampe, abandoned this position. He still, however, assumes the existence of a rather indefinable �� priori element in the Aristotelian noology, on the strength of the following considerations:��In the first place, according to Aristotle, even sense-perception is not a purely passive process, and therefore intellectual cognition can still less be so (p. 190). But the passages quoted only amount to this, that the passivity of a thing which is raised from possibility to actuality differs from the passivity implied in the destruction of its proper nature; and that the objects of abstract thought come from within, not from without, in the sense that they are presented by the imagination to the reason. The pure empiricist need not deny either position. He would freely admit that to lose one��s reason through drunkenness or disease is a quite different sort of operation from being impressed with a new truth; and he would also admit that we generalise not directly from outward experience, but from that highly-abridged and representative experience which memory supplies. Neither process, however, constitutes an anticipation of outward experience or an addition to it. It is from the materialist, not from the empiricist, that Aristotle differs. He believes that the forms under which matter appears are separable from every particular portion of matter, though not from all matter, in the external world; and he believes that a complete separation between them is effected in the single instance of self-conscious reason, which again, in cognising any particular thing is identified with that thing minus its matter. Zeller��s next argument is that the cognition of ideas by the Nous is immediate, whereas the process of generalisation from experience described by Aristotle392 is extremely indirect. Here Zeller seems to misunderstand the word ?μεσο?. Aristotle never applies it to knowledge, but only to the objective relations of ideas with one another. Two terms constitute an ��immediate�� premise when they are not connected by another term, quite irrespective of the steps by which we come to recognise their conjunction. So with the terms themselves. They are ��immediate�� when they cannot be derived from any ulterior principle; when, in short, they are simple and uncaused. Finally, the objection that first principles, being the most certain and necessary of any, cannot be derived from sensible experience, which, dealing only with material objects, must inherit the uncertainty and contingency of matter,��is an objection, not to the empiricist interpretation of Aristotle��s philosophy, but to empiricism itself; and it is not allowable to explain away the plain words of an ancient writer in order to reconcile them with assumptions which he nowhere admits. That universality and necessity involve an �� priori cognition or an intellectual intuition, is a modern theory unsupported by a single sentence in Aristotle.287 We quite agree with Zeller when he goes on to say that in Aristotle��s psychology ��certain thoughts and notions arise through the action of the object thought about on the thinking mind, just as perception arises through the action of the perceived object on the percipient�� (p. 195); but how this differs from the purest empiricism is more than we are able to understand.

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TWO:"PROCLAMATION

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TWO:Apart, however, from abstract speculation, the ideal156 method seems to have exercised an immediate and powerful influence on Art, an influence which was anticipated by Socrates himself. In two conversations reported by Xenophon,102 he impresses on Parrhasius, the painter, and Cleito, the sculptor, the importance of so animating the faces and figures which they represented as to make them express human feelings, energies, and dispositions, particularly those of the most interesting and elevated type. And such, in fact, was the direction followed by imitative art after Pheidias, though not without degenerating into a sensationalism which Socrates would have severely condemned. Another and still more remarkable proof of the influence exercised on plastic representation by ideal philosophy was, perhaps, not foreseen by its founder. We allude to the substitution of abstract and generic for historical subjects by Greek sculpture in its later stages, and not by sculpture only, but by dramatic poetry as well. For early art, whether it addressed itself to the eye or to the imagination, and whether its subjects were taken from history or from fiction, had always been historical in this sense, that it exhibited the performance of particular actions by particular persons in a given place and at a given time; the mode of presentment most natural to those whose ideas are mainly determined by contiguous association. The schools which came after Socrates let fall the limitations of concrete reality, and found the unifying principle of their works in association by resemblance, making their figures the personification of a single attribute or group of attributes, and bringing together forms distinguished by the community of their characteristics or the convergence of their functions. Thus Aphrodit�� no longer figured as the lover of Ar��s or Anchis��s, but as the personification of female beauty; while her statues were grouped together with images of the still more transparent abstractions, Love, Longing, and Desire. Similarly Apollo became a personification of musical enthusiasm, and Dionysus157 of Bacchic inspiration. So also dramatic art, once completely historical, even with Aristophanes, now chose for its subjects such constantly-recurring types as the ardent lover, the stern father, the artful slave, the boastful soldier, and the fawning parasite.103He paused with a dazed expression as he produced from his big coat a handful of what looked like streaming fire. He gave a glad cry, the cry of a mother who has found some child that she deemed to be lost. He carried the stones to his lips and kissed them.

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