THREE:There were two bodies lying across the trail in front of him. He dismounted, and throwing his reins to the[Pg 136] trumpeter went forward to investigate. It was not a pleasant task. The men had been dead some time and their clothing was beginning to fall away in shreds. Some of their outfit was scattered about, and he could guess from it that they had been prospectors. A few feet away was the claim they had been working. Only their arms had been stolen, otherwise nothing appeared to be missing. There was even in the pockets considerable coin, in gold and silver, which Landor found, when he took a long knife from his saddle bags, and standing as far off as might be, slit the cloth open.The next great architect of this period is Sir John Vanbrugh, who, when in the zenith of his fame as a dramatic writer, suddenly started forth as an architect, and had the honour of erecting Castle Howard, the seat of the Earl of Carlisle; Blenheim House, built for the Duke of Marlborough, in reward of his victories; Duncomb Hall, Yorkshire; King's Weston, in Gloucestershire; Oulton Hall, Cheshire; Grimsthorpe, in Lincolnshire; Eastbury, in Dorsetshire, now destroyed; and Seaton Delaval, in Northumberland, since partly destroyed by fire. Besides these, he built the opera house, also destroyed by fire. In all these there is a strong similarity, and as a general effect, a certain magnificence; but, when examined in detail, they too frequently resolve themselves into a row of individual designs merely arranged side by side. This is very much the case with the long fa?ade of Blenheim. There is a barbaric splendour, but it has no pervading unity, and only differs from the Italian manner of Wren by a much bolder and profuser use of the Grecian columns and pilasters. In fact, the architecture of the whole of this period is of a hybrid character, the classical more or less modified and innovated to adapt it to modern purposes and the austerity of a northern climate.
