
FORE:There was no time to lose; the furniture, &c., was sold at a loss, they packed up in haste, found a carriage with great difficulty, and on a cold, bright day in December they set off, they knew not whither.

FORE:Les vers que lamour me dictaitLikewise girls at fourteen or fifteen and even younger, who, with us, wear their hair down their backs, their petticoats half way up to their knees, and spend their time in lessons and play, were wives, mothers, court beauties, and distinguished members of society at the French Court of those days.

FORE:The ancien rgimeClose of the reign of Louis XIV.The Regent OrlansThe court of Louis XV.The philosophersThe artistsM. Vige.The last time Mme. Le Brun saw the Queen was at the last ball given at Versailles, which took place in the theatre, and at which she looked on from one of the boxes. She observed with indignation the rudeness of some of the young Radical nobles; they refused to dance when requested to do so by the Queen, whose agitation and uneasiness were only too apparent. The demeanour of the populace was becoming every day more ferocious and alarming; the drives and streets were scarcely safe for any but the lower classes. At a concert given by Mme. Le Brun, most of the guests came in with looks of consternation. They had been driving earlier in the day to Longchamps, and as they passed the barrire de ltoile, a furious mob had surrounded and insulted everybody who passed in carriages. Villainous looking faces pressed close to them, horrible figures climbed on to the steps of the carriages, crying out, with infamous threats and brutal language, that next year they should be in the carriages and the owners behind them.

FORE:Votre nom? [23]Mme. de Genlis had friends amongst old and new, French and foreign. The Vernets, Mme. Le Brun, Mme. Grollier, Gros, Gerard, Isabey, Cherubini, Halvy, all the great singers and musicians were among her friends. She lived to see the first years of the brilliant, too short career of Malibran. Pasta, Grassini, Talma, Garat, and numbers of other artistic celebrities mingled with [481] her literary friends. The household of Isabey was like an idyl. He had met his wife in the Luxembourg gardens, a beautiful girl who went there to lead about her blind father. They married and were always happy though for a long time poor. But the fame of Isabey rose; he was professor of painting at the great school of Mme. Campan, where every one under the Empire sent their daughters. He painted Josphine and all the people of rank and fashion, and received them all at his parties in his own h?tel. Mme. Isabey lived to be eighty-eight, always pretty and charming. Her hair was white, she always dressed in white lace and muslin, and had everything white in her salon, even to an ivory spinning wheel.

FORE:The writer of these fascinating memoirs of the time proceeds, after speaking of various noble names and regretting many that were extinct, such as Lusignan, Coucy, Xaintrailles, Chatillon, Montgommery, &c., to say, One thing that has always given me the best opinion of the Noailles, is the protection they have never ceased to grant to all gentlemen who can prove that they have the honour [174] to belong to them, no matter what their position nor how distant the relationship. He (or she) [67] goes on to relate that a family of much less consideration, the Montmorin, being envious of the Noailles, asserted that they were not of the ancient noblesse, and pretended that they possessed a piece of tapestry on which a Noailles was depicted serving a Montmorin as a ma?tre dh?tel, with the date 1593.Are you sure you have forgotten nothing? Have you got your diamonds?
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