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THREE:With her father��s death vanished for ever the bright, unclouded happiness of her childhood; her life henceforth was chequered with brilliant success, artistic and social, and acute sorrows in her domestic life; like a picture in which the brightness of the lights seem to deepen the gloom of the shadows. They were very badly off, for Louis Vig��e had left scarcely any provision for his family, and Lisette for some time was so stunned with the shock and grief that she seemed to be sunk in despair, taking no interest in anything, and giving up even the painting which had been her passion. Doyen, amongst other friends of Vig��e, used to come to see them; his visits were the greatest consolation to them all, especially to the young girl, who appreciated the affection he had always shown for her father, and by him she was persuaded to resume the studies and work which alone had power to divert her mind in some degree from her sorrow. She began to paint from nature, and did several portraits both in oil and in pastel, working [22] chiefly with another young girl about a year older than herself, Mlle. Boquet, whose father kept a curiosity shop in the rue Saint Denis where he lived, and where Lisette used to go in the evenings to draw from casts by candlelight with her friend.I have endeavoured to be accurate in all the dates and incidents, and have derived my information from many sources, including the ��M��moires de Louis XVIII., recueillis par le Duc de D����,�� M��moires de la Comtesse d��Adh��mar, de Mme. Campan, MM. de Besenval, de S��gur, &c., also the works of the Duchesse d��Abrant��s, Comtesse de Bassanville, Mme. de Cr��quy, Mme. de Genlis, Mme. Le Brun, MM. Ars��ne Houssaye, de Lamartine, Turquan, Dauban, Bouquet, and various others, besides two stories never yet published, one of which was given me by a member of the family to which it happened; the other was told me in the presence of the old man who was the hero of it. FORE:�� Marat,There were, of course, still those to be met with whose appearance, manners, and ways recalled that stately, magnificent court, which long afterwards was the beau ideal Napoleon vainly tried to realise. Amongst others was the Duc de Richelieu, one of the most brilliant, the most polished, the most dissipated, and the most heartless figures of the courts of Louis XIV. and Louis XV. His son, the Duc de Fronsac, was, though not equally attractive, quite as vicious as his father, and they entertained for each other a hatred they generally veiled, at any rate in public, under the most polished sarcasm.

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