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Fakirs, holding out their begging-bowls as they squatted round an opening in the ground, showed that it was the entrance to a temple; a few steps down, a long corridor with little niches on each side, and then hall after hall full of grimacing gods, lighted up by our guide's torch, till at last we reached an immense vault where impenetrable darkness filled the angles lost in a labyrinth of arcades converging to some mystery. Here all the Hindoo gods, carved in stone, have been crowded together, with their horrible contortions, their stolid beatitude, their affected grace; and in their midst is a huge idol, hacked with a great cut by Aurungzeeb, the Moslem emperor, at the time of his conquest. Suddenly all about us was a crowd of Brahmins, appearing from what dark corners we could not discover. They looked nasty and half asleep, and vanished at once with a murmur of whispered speech that hung about the galleries in an echo.At night, when the fog had at last cleared off, a column of fire was piled up on the engine; it shone[Pg 154] on the smooth trunks of the "flame of the forest," which looked like the pillars of a cathedral, on the sparkling water-springs all hung about with prayer-strips, on the veronica shrubs covered with flowers and as tall as trees, and the sheaves of bamboo and fern; or it lighted up the hanging screen of creepers, the impenetrable jungle growth that shut in the silence of the sleeping forest.
ONE:The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.An inner fortress, another portal held by armed men, and a walled enclosure, is Golconda, the former capital of the sovereigns of the Deccan. The entrance is through a magnificent archway of gigantic proportions; to close it there are two gates of heavy wood studded all over with long iron spikes, against which, during a siege, elephants charged to their death. TWO:In the chief temple, whose walls were painted all over, a huge Buddha of gold and silver was hidden under wreaths of flowers round his neck, and a diadem of flowers on his brow, where blazed a luminous diamond; and flowers were arranged in a canopy over his head, and were strewn like a carpet on the steps of the shrine.In the streets the people, all wrapped in long shawls of a neutral brown, were only distinguishable amid the all-pervading greyness by their white head-dress. Men and women alike wear the same costumea full robe of dirty woollen stuff with[Pg 258] long hanging sleeves, and under this they are perfectly naked. The rich put on several such garments one over another; the poor shiver under a cotton wrapper. And all, even the children, look as if they had the most extraordinary deformed angular stomachs, quite low downcharcoal warmers that they carry next their skin under their robe.

We each try to keep our photo shoots loose and relaxed and geared toward you all having fun together as a family.

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THREE:
we are proffasional in photography

  • I remember thinking, as a child, it was taking forever to grow up. I counted each milestone – teen years, learner’s permit, license and finally, adulthood.

  • I finally grew up. I met my husband, and we had our own children. And now, as a parent, I can’t believe how fast time is going.

It’s too fast, and while I want to remember every minute of it, I’m often surprised when my husband reminds me of something I’ve already forgotten.

FORE:

It’s too fast, and while I want to remember every minute of it,

THREE:Here, even more than at Lucknow, are the memories of 1857columns and tombs; and on the spot where the last victims who had trusted him were murdered by the orders of the Indian prince, stands the "Memorial," an arcade [Pg 190]surrounding the figure of an angel, which in its Christmas-card sentimentality suggests the apotheosis of a fairy drama, and has the arid lack of feeling that characterizes a monochrome figure in vulgar decoration, almost counteracting the pity we experience in the presence of the simpler tombsall bearing the same date, June, 1857. FORE:Three musicians in white, with red turbans, squatted down on the ground in front of us. One sang to the accompaniment of a viol with three strings and nine frets, and a darboukha; a drawling strain, all on the upper notes, and rising higher to a shrill monotonous wail, retarded, as it were, to a rhythm against the accompaniment; then by degrees more lively, faster and faster, ending with a sudden stop on a word of guttural consonants. But the man began again; he sang for a long time, varying the tunes, always returning to the first. But nothing of them remains in my mind, not even the rhythm, only a vague recollection, a singular echo, confused but [Pg 67]charming, in spite of the weirdness of the too high pitch.
Special Event Photgraphy

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Familly Photgraphy

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Wedding Photgraphy

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THREE: FORE:After passing the temples and tombs that surround the Khoutab, the town of ruins lies scattered over the plain of pale sand and withered herbage.
TWO:[Pg 119]
TWO:The matter was evidently very serious. The three constables consulted together in an undertone, and then went off after desiring that I would forthwith telegraph to Sealkote and bring the reply to the police office.
TWO:In the sacred tank, where Vishnu bathes when[Pg 165] he comes on earth, an old woman was standing pouring the stagnant green water over her body, while others of the faithful, seated on the steps, were piously drinking the stuff from a coco-nut that they handed round. In one corner of this pool was an exquisite bower of floating wreathsyellow, white, and violeta splash of bright colour on the squalid water.
TWO:The orchestra, consisting of a harmonium, a violin, and a darboukha, played a languishing, drawling air to a halting rhythm, while the chorus, standing in a line on the stage, sang the introductory verses.Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.
TWO:
TWO:Over the gate and the door of the house light garlands, made of single flowers threaded like beads, swing in the breeze and scent the air.
TWO:
TWO:Near a small station oxen were filing slowly past. On their heads were hoops hung with bells, and little ornaments at the tips of their horns dangled with quick flashes of light.
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THREE: FORE:A great crowd round the bungalow and along the road, and a mass of sepoys and police, made Abibulla remark:

  • “Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco.”

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  • "On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire."

  • "These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best."

THREE: FORE:There are closed carriages, victorias, vehicles with a red canopy drawn by oxen, the shafts set at an angle. The drivers bawl, shout to the porters, fight for the fare with their whips, while, overhead, kites and hawks wheel incessantly, uttering a plaintive cry.
THREE:"And no medicine?" FORE:
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THREE:Adinath, a Ja?n temple, is roofed with huge blocks of stone. The airy architecture is a medley of balconies, of pierced panels, of arcades in squares, in lozenges, in octagons; the two stories, one above the other, are on totally different plans, and along every wall, on every column and every balustrade runs a fatiguing superfluity of ornament, figures and arabesques repeated on the stone, of which not an inch is left plain. FORE:On the very edge of the Jumna, where russet fields break the monotony of its white sandy banks, is the private state-room, the residence of the sovereigns of Delhi, built of translucent milky[Pg 217] marble, warmed by the reflection of gold inlaid on the columns and merged with the stone that is turned to amber.While I was talking to the postmaster the fakir smoked a hookah, burning amber powder and rose-leaves. The air was full of the narcotic fragrance; a piercing perfume that mounted to the brain.
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THREE:There is a very small and simple niche against the wall of a larger building, and in this, without even a railing to protect it, stands the image of a goddess robed in silk embroidered in gold; and in[Pg 78] such another little recess, not far away, is the sister of this divinity, also dressed in magnificent stuffs, renewed by the faithful at each high festival. FORE:
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THREE:

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Outside the night is moonless, deep blue. Venus seems quite close to us, shining with intense brightness, and the jasmines scent the air, softly lighted by the lanterns which burn out one by one.In a consecrated hall we came to a plaster image of a camel modelled over stone. To prove that you are without sin you must be able to pass under the beast, or at least between the front legs and the girth of the belly without touching any part; and so very narrow is this little gateway of Ja?n virtue that, to preserve my character in the presence of my escort, I did not attempt it.At Byculla in the evening we went to Grant Road, the haunt of the street beauties, where the gambling-houses are. At the open windows under the lighted lamps were coarsely-painted women dressed in gaudy finery. In the entries were more of such women, sitting motionless in the attitude of idols; some of them real marvelsthin, slender bronze limbs scarcely veiled in dark, transparent gauze, gold rings round their neck and arms, and heavy nanparas on their ankles.The palace of the Rajah of Nagpoor, with its two towers, overlooks the river from above a broad stairway. A balcony quite at the top is supported on a massive cornice lightly carved into acanthus leaves. The damp has subdued the red colour of the building, fading it especially at the base, and from a distance it might be fancied that a veil of thin gauze had been hung over the palace, and fastened beneath the carved parapet.As we returned to Lahore the palace rose before us among trees, a strip of wall, uninjured, covered with sapphire and emerald tiles; a fragile minaret crowning a tower bowered in flowering shrubsand then the vision was past. The carriage drove on for[Pg 238] a long way by ruins and vestiges of beauty, and re-entered the town, where lanterns were being lighted over the throng that pushed and hustled about the fair.
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