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The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.
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Slider 3 ONE:And once more in a barge on the Ganges. The atmosphere seemed faintly iridescent, like mother-of-pearl, the silence serenely lulled by the distant sound of a flute. The palaces and temples, reflected in the still water, looked in the distance like forts crowned with turrets of gold, and their little windows like loopholes. The broad stairs of the quays, where the priests' umbrellas glitter, assumed a spacious, unfamiliar dignity, the red colour shading paler towards the bottom, where it was washed off by the lapping Ganges, looking as though a fairy hanging of gauze were spread under the wavelets in honour of the Apsaras and the divinities of the river.An aggressive capital! Palaces of concrete and stucco washed with yellow stand cheek by jowl with commission agencies and hovels, and all without a suspicion of style, not even giving one the impression of a southern city. In the streets, thick with dust, an all-prevailing turmoil as of a fair is prolonged to the latest hours of night. Red uniforms and "young England" tourist suits ending their career in rags on half-breed cooliesa wearisome staleness and total effacement of local colour, worse than commonplace; and then, above all, a very strong and nauseating smell of lotus and tallow, with an after-gust of something peppery and acrid.
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ONE:[Pg 27]On the remains of the pyre was placed a corpse of spectral emaciation, which had been lying at the top of the bank since the day before for its turn, as a pauper, to be cremated at the cost of the municipality. The head alone was wrapped in a wretched rag, and creeping flies formed a cuirass on the dark skin, already torn in places by the kites. Petroleum was poured over the hapless body, and it flared up with the wood in a livid pink and green blaze, sending up a cloud of acrid red smoke.

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THREE:[Pg 12]

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THREE:At the frontier of the Nizam's territory, a man-at-arms, draped in white, and mounted on a horse that looked like silver in the sunshine, sat with a lance in rest against his stirrup. He gazed passively at the distance, not appearing to see us, not even bowing.

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THREE:Near a temple some bells and tom-toms animated the silence with their clang and clatter. Worshippers stole in noiselessly, barefoot on the stones, and entered the sanctuary, within which tapers were burning.The play was Gul-E-Bakaoli.

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ONE:A causeway of white stone, with a fragile [Pg 234]balustrade and columns bearing lanterns of gold, leads from the shore to the temple.

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THREE:Where the roads cross there are basins where flowers are kept fresh, and above them white pigeons are always fluttering. Public scribes, squatting cross-legged on the ground, trace letters that look like arabesques, on rice-paper with a reed pen. Those who dictate them crouch beside them with an absorbed and meditative expression, dropping out the words one by one with long pauses between.

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THREE:About Lahore, all among the ruined temples, the crumbling heaps of light red bricks sparkling with mica, there were fields of roses in blossom and of ripe corn. Naked coolies were labouring in the fields, gathering the ears one by one into quite small bunches; they looked like children playing at harvesting.

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THREE:Before us the road lay pink in colour, with purple lines where the pebbles were as yet un-crushed; it was hedged with blossoming thorn-bushes, and among the yellow and violet flowers parrots were flitting, and screaming minahs, large black birds with russet-brown wings, gleaming in the sun like burnished metal.

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THREE:Out in the street a woman, bare-backed, was submitting to be brushed down the spine by a neighbour with a brush of cuscus; she scorned to answer me when I asked whether she felt better, but shutting her eyes desired the operator to go on more slowly.The moon at night shed an intense light, warm and golden. There was scarcely any shadow, and in the quivering atmosphere the flowers poured out their perfume on the cooler air. Frogs croaked a basso continuo to cries of night birds, and a sort of roar, very loud but very distant, almost drowned the concert in the fort close by.

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ONE:A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.The attendants threw water on the pauper's pyre, and then with their long bamboos pushed the mass of burnt wood and flesh into the Ganges, where it looked like some enormous black frog with a white patch for the head.

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TWO:In a very quiet little alley, fragrant of sandal-wood, men may be seen in open stalls printing patterns with primitive wooden stamps, always the same, on very thin silk, which shrinks into a twisted cord reduced to nothing when it is stretched out to dry.

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TWO:Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet.And to and fro on the ramparts, the sentry, in an uniform of the same hue as the sun-baked bricks, paced his beat, invisible but for a needle of light on his fixed bayonet; till when crossing a patch of light he was seen like an apparition, lost again in the shadow of the wall.

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ONE:Very early in the morning, on emerging from[Pg 164] the gloom of the narrow streets, there is a sudden blaze of glory, the rising sun, purple and gold, reflected in the Ganges, the waters throbbing like fiery opal. The people hurry to the shore carrying trays piled high with flowers and offerings. The women carry little jars in their hands looking like burnished gold, and containing a few drops of scented oil to anoint themselves withal after bathing. These jars are covered with roses and jasmine blossoms, to be sent floating down the sacred stream as an offering to the gods. The steps are crowded already with the faithful, who have waited till Surya the day-star should rise, before going through their devotional ablutions. With a great hubbub of shouts and cries, and laughter and squabbling, this throng pushes and hustles, while those unimaginable priests sit stolidly under their wicker sunshades, mumbling their prayers, and accepting alms and gifts. All along the river there are people bathing on the steps which go down under the water, the men naked all but a loin-cloth, the women wearing long veils which they change very cleverly for dry ones after their bath, and then wait in the sun till their garments are dry enough to carry away.

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An interpreter translated to the accused the questions put by the judge, who understood the replies, though he was not allowed to speak excepting in English.On entering the park the cocked turbans of the bodyguard again reminded us of the hats of the French Guards.HYDERABAD
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