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THREE:When Mme. de Bouzolz had a baby, she nursed her devotedly, and took the deepest interest in the child. But the height of bliss seemed to be attained when soon after she had a daughter herself, with which she was so enraptured and about which she made such a fuss, that one can well imagine how tiresome it must have been for the rest of the family. She thought of nothing else, would go nowhere, except to the wedding of her sister, Mme. du Roure, with M. de Th��san; and when in the following spring the poor little thing died after a short illness, she fell into a state of grief and despair which alarmed the whole family, who found it impossible to comfort her. She would sit by the empty cradle, crying, and making drawings in pastel of the child from memory after its portrait had been put away out of her sight. But her unceasing depression and lamentation so worried M. de Beaune that, seeing this, she left off talking about it, and he, hoping she was becoming [198] more resigned to the loss, proposed that she should begin again to go into society after more than a year of retirement. She consented, to please him, for as he would not leave her his life was, of course, very dull. But the effort and strain of it made her so ill that the next year she was obliged to go to Bagn��res de Luchon. M. de Beaune, who was certainly a devoted father-in-law, went with her. Her mother and eldest sister came to visit her there; her husband travelled three hundred leagues, although he was ill at the time, to see how she was getting on, and in the autumn she was much better, and able to go to the wedding of her favourite sister, Rosalie, with the Marquis de Grammont.Among the new friends she found most interesting was Angelica Kaufmann, who lived in Rome, and whose acquaintance she had long desired to make. That distinguished artist was then about fifty years old; her health had suffered from the troubles caused by her unfortunate marriage with an adventurer who had ruined her earlier years. She was now the wife of an architect, whom Lisette pronounced to be like her homme d��affaires. Sympathetic, gentle, and highly cultivated, Lisette found her conversation extremely interesting, although the calmness and absence of enthusiasm in her character contrasted strongly with her own ardent, imaginative nature. She showed her several both of her finished pictures and sketches, of which Lisette preferred the latter, the colour being richer and more forcible.