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Inside, the walls are panelled with mosaic of carnelian and chalcedony, representing poppies and funkias, so fragile-looking, so delicate, that they seem real flowers blooming in front of the marble. And marble screens, carved into lace-work, filling the high doorways and the windows, admit a tender amber-toned light.Behind a ponderous wall, dinted all over by shot, and showing broad, light patches once covered by earthenware tiles, is the palace of Runjeet Singh, inlaid with enamelled pictures in green, blue, and yellow of tiger-fights and horse-races, mingling with flowers and garlands of boughs. The durbar, the hall or presence chamber, opens by a verandah on a forecourt paved with marble; in its walls are mirrors and panels of coloured glass over a ground of dull gold, agate-like tints iridescent with a nacreous, silvery, luminous lustre.In the evening calm, the silence, broken only by the yelling of the jackals, weighed heavy on the spirit; and in spite of the twinkling lights and the village at our feet, an oppressive sense of loneliness, of aloofness and death, clutched me like a nightmare.
 
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ONE:
ONE:The attendants threw water on the pauper's pyre, and then with their long bamboos pushed the mass of burnt wood and flesh into the Ganges, where it looked like some enormous black frog with a white patch for the head.In an alley of the bazaar girls were lounging in hammocks hung to nails outside the windows, smoking and spitting down on the world below.
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TWO:A man by the roadside was mixing mud with[Pg 265] chopped straw; then when his mortar was of the right consistency he began to build the walls of his house between the four corner posts, with no tools but his hands. A woman and child helped him, patting the concrete with their hands until it began to look almost smooth.As soon as we returned to Palitana the Rajah sent to inquire after me, and to present me with round boxes of fruit preserved in Cashmere, oval green grapes, each wrapped separately in cotton and smelling of honey.

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FORE:A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.An inner fortress, another portal held by armed men, and a walled enclosure, is Golconda, the former capital of the sovereigns of the Deccan. The entrance is through a magnificent archway of gigantic proportions; to close it there are two gates of heavy wood studded all over with long iron spikes, against which, during a siege, elephants charged to their death.

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FORE:Seen through the blue glass under the low, broad carapace that covered the carriage, the landscape circled past, the colour hardly subdued to that of Europe; even in the dusk, with the windows open, everything was still intolerably, crudely white, with reflections of fiery gold. Everything vibrated in the heat, and at the stations the walls after baking all day scorched you when you went near.Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!

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TWO:[Pg 205]Every year pilgrims set up the tallest tree from the neighbouring jungle in front of the sanctuary, and twist round it an enormous red flag. The[Pg 291] mast now standing was at least a hundred feet high, and held in place by guys attached to banyan trees and houses standing near. Close to the ground ties of coloured worsted, the offerings of the faithful, held the crimson hanging to the pole.
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THREE:As the sun sank, a magical light of lilac fading into pink fell on the mountain temples, on the rock partly blackened by ages or scorched to pale yellow, almost white; it shed an amethystine glow, transfiguring the carved stone to lacework with light showing through. A wheeling flock of noisy parrakeets filled the air with short, unmeaning cries, intolerable in this rose and lavender stillness, where no sound could be endurable but the notes of an organ. A ray of fiery gold shot straight into the red temple, falling on the marble Buddha. For a moment the idol seemed to be on fire, surrounded by a halo of burning copper.
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THREE:In a central space was a hideous rajah, a benefactor, with his six wives, all gaudily coloured with jewels in coloured paper stuck on to the images, and all kneeling in attitudes of idiotic ecstasy, doubly absurd under the daubing of vermilion and indigo. These were greatly admired by my servant, a convinced connoisseur in Indian art. Further on we saw, on the ceiling of a polychrome corridor, monsters carved to fit the shape of squared beams ending in a griffin's or a bird's head.
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TWO:In the shrine of Chaumuc, the god of many faces, the four masks grin down from the sides of a square pillar of white stucco. The walls, vault, and pavement of this temple are all red, with borders of green and yellow; the colours scream in contrast to the whiteness of the images, with their staring eyes made of crystal balls that look like spectacles.
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TWO:On the outside, all round the lower part of the monument, carved borders frame flowers of pale mosaic in the walls; the ornament is in such faint relief that at a short distance it is invisible, and the Taj is seen only in the perfect elegance of its[Pg 206] proportions. The mausoleum is built on a broad terrace of white marble at a height of 270 feet, overhanging the Jumna; and the impressive, harmonious outline commands the plain from afar.Finally, in a third mosque, lies Shah Alam's brother. On the stone that covers him a sheet of lead bears the print of two gigantic feet, intended to perpetuate to all ages the remembrance of his enormous height.
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When the gate to the platform was opened there was a stampede, a fearful rush to the train; then the cars, once filled, were immediately shut on the noisy glee of those who were going.And on the man's replying that he would try, the sultan, who chose that the monument should have no rival, caused the architect to be thrown into the Jumna on the spot, where he was dashed to pieces at the foot of his masterpiece, which remains unique.
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