TWO:The view spread to the horizon of mauve-pink sky, very faintly streaked with green. We could see the white mass of Secunderabad, a town of English barracks, at the foot of chaotic red-brown rocks, looking like the heaped-up ruins of some city of the Titans; and among trees shrouded in blue smoke, Hyderabad, conspicuous for its two mosquesthe tomb of the Empress and the Jumna Musjid, the mausoleum of the Nizams.The front of the temple is covered with paintings. Decorations in the Persian style divide the panels, on which are depicted the principal scenes from the sacred books of the Brahmins. There are two perfect things to be seen here: two nude female figures standing, one white, the other brown, exquisitely refined in colouring, admirably drawn in a style reminding me of early Italian art; and then, just beyond these, tasteless imitations of chromosgoddesses with eyes too large and a simper like the advertisements of tooth-paste, and some horrible caricatures of English ladies in the fashion of ten years ago holding parasols like a nimbus.
当社は昭和13年の設立以来、つねに時代のニーズに即した製品をめざし、新技術?新製品の開発を重ねてきました。 中でもアルコール蒸留技術は、国内業界のパイオニアとして目覚ましい成長発展を遂げ、80年にわたる実績を築きあげました。そして今、その歴史によって培われた経験と技術力は化学?食品?薬品?産業機械など、幅広い分野で生かされています。今後はさらに新時代に向けた技術革新を積極的に進めると同時に、新分野の開拓にも意欲的に取組み、一層の発展を図っていきます。
| 社名 | 日本化学機械製造株式会社
（英文名称 Japan Chemical Engineering & Machinery Co., Ltd.） |
|---|---|
| 代表者 | 取締役会長 高橋 正一
取締役社長 髙橋 一雅 |
| 所在地 | 〈本社?工場〉 〒532-0031
|
| 設立 | 昭和13年10月31日 |
| 資本金 | 2億7千5百万円 |
| 事業内容 | 化学機械?化学装置、燃焼装置、超低温液化ガス機器の設計、製作、販売 |
| 当社の特色 |
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| 従業員数 | 160人（2019年4月現在） |
| 年間売上高 | 6,119百万円（2019年4月決算） |
| 取引銀行 | りそな銀行堂島支店 三井住友銀行十三支店 池田泉州銀行庄内支店 関西みらい銀行十三支店 滋賀銀行新大阪支店 三菱UFJ銀行梅田中央支店 |
| 許可登録 | 特定建設業許可 国土交通大臣許可（特27）第5208号
一級建築士事務所 大阪府知事登録(ロ)第24084号 その他の認可?承認?認定の詳細はこちら |
| 取得 マネジメント システム |
|
TWO:A different scene indeed next day, with none of the magnificence of yesterday, was the temple of magical lights. There was a dense crowd of shouting and begging pilgrims. Along the pyramidal roofs, as at Srirangam, there were rows of painted gods, but in softer and more harmonious hues. Over the tank for ablutions was a balcony decorated in fresco, representing in very artless imagery the marriage of Siva and Parvati. The couple are seen holding hands under a tree; he a martial figure, very upright, she looking silly, her lips pursed, an ingnue. In another place Siva sits with his[Pg 120] wife on his knees, she has still the same school-girl expression. Finally, on the ceiling, is their apotheosis: they are enthroned with all the gods of Ramayana around them, and she looks just the same. The red and green, subdued by the reflected light from the water, were almost endurable.