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In the mystery of a polychrome temple, whose walls are closely covered with sculptured bas-reliefs of gods in the shape of men or animals, is a relic, the sacred tooth of Buddha; and all about the precious object, which is enclosed in a series of shrines within impenetrable walls, there is no sign of respect, but all the noise and bustle of a fair, a perfect turmoil of hurrying, chattering folk, whose only anxiety is to keep unbelievers away from the sacred spot.

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Flocks of almost tame partridges and wood-pigeons occupying the road did not fly till they were almost under the horses' feet, and all the way as we went, we saw, scampering from tree to tree, the scared little squirrels, grey with black stripes and straight-up bushy tails.
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ONE: TWO:Last year he and his brother had gone into the mausoleum of a Moslem saint with their shoes on; both had gone mad. The other brother died in a madhouse, where he was cared for; this one, incurable but harmless, went about the highways, followed by the dogs.One temple to Buddha only, on an elongated plan, ends in a vault forming a bulb-shaped cupola supported on massive columns, quite Byzantine in character and wholly unexpected. The dim light, coming in only through a low door and two small windows filled in with pierced carving, enhances the impression of being in some ancient European fane, and the Buddha on the high altar has a look of suffering and emaciation that suggests a work of the fourteenth century.


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THREE:Under the white dome a wooden ceiling, gilt in the hollows of the carving, has taken the place of an earlier ceiling of massive silver, worth seventy lacs of rupees, which was carried off by the conquerors after some long-ago seizure of the city. Inside, by way of walls, are carvings in marble of twisted lilies, inconceivably graceful and light. And then, at one of the entrances, those marble lattices, once gilt and now bereft of their gold, look just like topaz in the midday sun. After that magic splendour of gold and marbles fused to topaz and amber, the rest of the palacethe sleeping-rooms, the couches inlaid with mosaic flowers, the pierced stone balconies overlooking the Jumnaall seemed commonplace and familiar.

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THREE:They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.Women porters came on foot, hidden under bales, nets full of crocks, faggots, and trusses of hay.[Pg 248] Children, and women in sareesfine ladieshad nothing to carry; some were wrapped in yashmacks, shrouding them from head to foot with a little veil of transparent muslin over their eyes.
THREE:Two more murders; one a squalid business with no motivea man killed as he was on his way to gather his rice-harvest. Sixteen hill-men attacked him at once, riddling the body with bullets.The matter was evidently very serious. The three constables consulted together in an undertone, and then went off after desiring that I would forthwith telegraph to Sealkote and bring the reply to the police office.
THREE:Then, as it began to grow a little cool, the inquiry was continued indoors, whither the table was removed with the papers and the weapons, and, with great care, the magistrate's "soda." The two culprits were brought in and out, and in and out again, sometimes alone, sometimes to be confronted with the witnesses, who, almost all of them, had the fresh stains of the festival on their garments.
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THREE:In the heart of Agra towards evening people were busy in the square of the Jumna Musjid stretching pieces of stuff over rather low poles to form a tent. Then in long file came the labourers from a famine-camp, with their sleep-walking gait, their glassy eyes, their teeth showing like those of a grinning skull. Rags in a thousand holes scarcely covered the horrors of their fleshless bodies.Further away, in another quite small temple, a young Brahmin robed in white, and very handsome, was reading the Ramayana to two women; the three quite filled the little building. The entrance was screened by a curtain composed of jasmine flowers threaded on fine string, and behind this veil of flowers the three figures looked like the creatures of a legend. Outside the sanctuary, seated on the steps and flagstones and obstructing the street, were a score or so of women redolent of lemon and[Pg 178] sandal-wood, and listening to the scripture distinctly chanted out by the young priest.

ONE:Very late in the evening came the sound of darboukhas once more. A throng of people, lighted up by a red glow, came along, escorting a car drawn by oxen. At each of the four corners were children carrying torches, and in the middle of the car a tall pole was fixed. On this, little Hindoo boys were performing the most extraordinary acrobatic tricks, climbing it with the very tips of their toes and fingers, sliding down again head foremost, and stopping within an inch of the floor. Their bronze skins, in contrast to the white loin-cloth that cut them across the middle, and their fine muscular limbs, made them look like antique figures. The performance went on to the noise of drums and singing, and was in honour of the seventieth birthday of a Mohammedan witch who dwelt in the village. The car presently moved off, and, after two or three[Pg 49] stoppages, reached the old woman's door. The toothless hag, her face carved into black furrows, under a towzle of white hair emerging from a ragged kerchief, with a stupid stare lighted up by a gleam of wickedness when she fixed an eye, sat on the ground in her hovel surrounded by an unspeakable heap of rags and leavings. The crowd squeezed in and gathered round her; but she sat perfectly unmoved, and the little acrobats, performing in front of her door, did not win a glance from her. And then, the noise and glare annoying her probably, she turned with her face to the wall and remained so. She never quitted her lair; all she needed was brought to her by the villagers, who dreaded the spells she could cast. Her reputation for wisdom and magic had spread far and wide. The Nizam's cousin, and prime minister of the dominion, never fails to pay her a visit when passing through Nandgaun, and other even greater personages, spoken of only with bated breath, have been known to consult her.In the depths of little recesses the lamps twinkled feebly before images crowned with flowers. At the entrances to shrines little glass lamps, like a mysterious fairy illumination, followed the lines[Pg 116] of the arabesques, sparkling like glowworms, without lighting up the passages which remained dark, and in which, in fact, we finally lost ourselves.

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ONE:Here again the cars of the gods were neglected in the open air, and one of them, older than the rest, was fast being transfigured into a pyramid of shrubs and flowers.
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Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.KANDYBy the roadside came two figures tottering along, and then, turning to look at me, showed me the horror of their shrivelled bodies, their dimmed eyesall that seemed alive in those drawn faces of skin and bonethe jaw stiffened in a skull-like grimace; victims of the famine, who had come from the Central Provinces where there had been no rain for two years, and where everything was dying. This couple were making their way to a poorhouse hard by. They had come from a village in Bundelkund, whence all the inhabitants had fledthemselves the sole survivors of a family of eighteen souls. First the children died, then the very old folks. These two had kept themselves alive on what had been given them on the way, but immigrants soon were too many in the districts unvisited by famine, and ere long they could get nothing; then they fed on roots, on what they[Pg 191] could steal from fields or garden-plots, or found left to rot, scorned even by the beasts.A port crowded with steamers taking in coal, and very light barks high out of the water, kept in equilibrium by parallel outriggers at the ends of two flexible spars. These crank boats, made of[Pg 124] planks that scarcely overlap, were piled with luggage, and the boatmen jostle and turn and skim close under the fast-steaming transatlantic liners, amid a bewildering babel of shouts and oaths, under a sun hot enough to melt lead.
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