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A flight of regular steps, hewn in the rock, under the shade of banyans and bamboos, all tangled with flowering creepers, leads straight up to the temple. It is a vast hall, dug out of granite and supported by massive columns, with capitals of a half-flattened spheroidal shapecolumns which, seen near, seem far too slender to support the immense mass of the mountain that rises sheer above the cave under a curtain of hanging creepers. The temple opens[Pg 21] to the north, and a very subdued lightlike the light from a painted windowfiltering through the ficus branches, lends solemnity and enhanced beauty to this titanic architecture.

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And from every stone, and in the rifts in the rocks, hung stalactites, like glittering icicles, and these too were of salt.This Rawal Pindi is an English town of cottages surrounded by lawns and shrubberies; about two streets of bazaar, and red uniforms everywhere, Highland soldiers in kilts, white helmets, and the officers' and sergeants' wives airing their Sunday finery in their buggies. The ladies drive themselves, under the shelter of a sunshade on an all[Pg 239] too short stick, painfully held by a hapless native servant clinging to the back of the carriage in a dislocating monkey-like attitude.In the city, which is swept and cleaned till it is hard to believe oneself among Hindoos, there are six hundred tanks, for the most part stagnant, in which the natives wash themselves and their clothes. Round others, which are gradually being appropriated to the use of the residents, and all about the houses, bamboos are planted and "flame of the forest," covered with enormous red star-shaped blossoms as solid as fruit, and trees curtained with creepers of fragile growthone long garden extending almost to the bazaar.
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Slider 2 ONE:"Kali?" he asked.

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Slider 3 ONE:He interrupted me:Further yet lay the artificial lake of Meer Alam, reflecting the palace of Baradari and the russet plain, infinite as far as the eye could reach towards the north, where other superb mausoleums were visible in their whiteness.

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TWO:"Fivesix," said the baboo, hesitating; then,[Pg 194] seeing that I was quite incredulous, "Sometimes more," he added.

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THREE:Then, in the magic of the evening, the air was saturated with fragrance; invisible gardenias, amaryllis, and lemon-flowers perfumed the cool night. On every side we could hear the quavering guzla, the sound of tom-toms and tambourines. The streets were brightly lighted up and crowded.

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THREE:There were people performing their devotional ablutions below stream from the place of burning, and one old man took a few drops of water in the hollow of his hand and drank it, quite close to a shapeless black mass at which a kite was pecking as it floated by.

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THREE:Then a girl's body was brought out, wrapped in white muslin; the bier, made of bamboo, was wreathed with marigolds, and on the light shroud there were patches of crimson powder, almost violet. The bearers, on reaching the river, placed the body in the water, leaving it there for a time.

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THREE:[Pg 119]The same ubiquitous terminus on a sandy plain, remote from everything; then a drive jolting through bogs, and we reached the dirty, scattered town crowded with people who had collected round a sort of fair with booths for mountebanks, and roundabouts of wooden horses.

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THREE:On the bank of the river, where there are no more steps, only beaten earth, in a little raised pit a pile of wood was slowly dying out. A man with[Pg 166] a cane raked back the sticks as they fell and rolled away. A squatting crowd were waiting till their relation was altogether consumed to cast his ashes on the sacred waters.

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THREE:On the tomb, in elegant black letters, is this inscription:

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THREE:[Pg 224]In the heart of Girgaum, one of the suburbs of Bombay, at the end of a street, under a large areca palm an old man was selling grain and rice in open baskets. A whole flight of bickering sparrows settled on his merchandise, and he looked at them with happy good humour without scaring them away.

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TWO:The rice, lately sown, was sprouting in little square plots of dazzling green; it was being taken up to transplant into enormous fields perpetually under water. All the "paddy" fields are, in fact, channelled with watercourses, or if they are on higher ground, watered from a well. A long beam is balanced over the mouth of the well, and two boys run up and down to lower and raise the bucket; a man tilts the water into the runlets out of a large vessel of dusky copper, or perhaps out of a leaky, dripping water-skin.

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TWO:In the street of native shops the possible purchaser is attacked by storm, every voice yelps out prices. The dealers scrambled into my carriage with a whole catalogue of bargains poured out in a mixed lingo, and with such overpowering insistence that I had to fly. An electric tram-car, provided with a loud bell that rings without ceasing, runs through the suburbs, a dirty swarming quarter[Pg 140] where the streets are alive with naked children, fowls and pigs wallowing in heaps of filth and the mud made by watering the road.In another building is the hall where the dastours say the last prayers over the dead in the presence of the relations; the body is then stripped in a consecrated chamber and abandoned to the mysteries of the tower.

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TWO:At one corner of a bastion of the rampart rises the Jasmine tower, the empress's pavilion, built of amber-toned marble inlaid with gold and mother-of-pearl. A double wall of pierced lattice, as fine as a hand-screen, enclosed the octagon chamber; the doors, which were of massive silver jewelled with rubies, have been removed. The golden lilies inlaid in the panels have also disappeared, roughly torn out and leaving the glint of their presence in a warmer hue, still faintly metallic. Recesses in the wall, like porticoes, served for hanging dresses in, and low down, holes large enough to admit the hand, were hiding-places for jewels, between two slabs of marble. In front of the sultana's kiosk, basins in the form of shells, from which rose-water poured forth, go down like steps to a tank below.

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TWO:A flight of regular steps, hewn in the rock, under the shade of banyans and bamboos, all tangled with flowering creepers, leads straight up to the temple. It is a vast hall, dug out of granite and supported by massive columns, with capitals of a half-flattened spheroidal shapecolumns which, seen near, seem far too slender to support the immense mass of the mountain that rises sheer above the cave under a curtain of hanging creepers. The temple opens[Pg 21] to the north, and a very subdued lightlike the light from a painted windowfiltering through the ficus branches, lends solemnity and enhanced beauty to this titanic architecture."Dog! traitor! cruel wretch! eater of meat!"

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TWO:Under the archway by which we entered a cow crossed our path, her head decked with a tiara of peacock's feathers, and went her way alone for a[Pg 200] walk at an easy pace. Within the palace is a maze of corridors, and pierced carving round every room fretting the daylight. An inner court is decorated with earthenware panels set in scroll-work of stone. A slender colonnade in white marble is relieved against the yellow walls, and below the roof, in the subdued light of the deeper angles, the stone, the marble, the porcelain, take hues of sapphire, topaz, and enamel, reflections as of gold and mother-of-pearl. In a pavilion is a little divan within three walls, all pierced and carved; it suggests a hollow pearl with its sides covered with embroidery that dimly shows against the sheeny smoothness of the marble. The effect is so exquisitely soft, so indescribably harmonious, that the idea of size is lost, and the very materials seem transfigured into unknown substances. One has a sense as of being in some fairy palace, enclosed in a gem excavated by gnomesa crystal of silk and frost, as it were, bright with its own light.

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Images of horses recurred at intervals, singly, or in pairs face to face; and as evening came on we saw round a pagoda a whole procession of horses in terra-cotta, some very much injured, arranged as if they were running round, one after another, in search of the heads and legs they had lost.The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.The last train gone, all round the station there was quite a camp of luckless natives lying on the ground, wrapped in white cotton, and sleeping under the stars, so as to be nearer to-morrow to the train[Pg 20] which, perhaps, might carry them away from the plague-stricken city.In the evening the priest would say prayers over the couplethe bride being probably about fiveand the bridegroom would stay with the little bride's parents. Next day she would spend with the boy's parents, and after that they would both go back to their lessons and probably never meet again, unless they were very near neighbours, till he, having attained the age of fifteen, they would be really married.At the bottom of a wide flight of steps flows the Ganges, translucent, deeply green, spangled with gold. The bathers, holding the little brass pots that they use for their ablutions, are performing the rites, surrounded by large yellow fishes spotted with green. Pink and white stuffs are spread to dry on the steps, flowers are scattered on the stream, long wreaths are floating down the river, curling and uncurling at the caprice of the current.
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