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ONE:A tank here is deep below ground, down three flights of galleries. Quite at the bottom is a little stagnant water, into which children leap from the top of the structure, a plunge of twenty metres, ending in a great splash of green mud that smells of water-lilies and grease.In the bazaar I sought in vain for the petticoats embroidered with rosettes, flowers, and elephants pursued by tigers, such as the women wear here; these robes are made only to order and are not to be found. Then Abibulla simply asked a beggar-woman to sell me hers. The poor creature, hooted at by some old gossips, retired into a corner to undress, and, wrapped in the packing-cloth in which she had been carrying some rags, brought me the petticoat.

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THREE:Close to a village that has sprouted under the baobab-trees, in the midst of the plain that once was Khoutab, in the court of a mosque, is the marble sarcophagus of a princess. Grass is growing in the hollow of the stone that covers her, in fulfilment of the wishes of the maiden, who in her humility desired that when she was dead she should be laid to rest under the common earth whence the grass grows in the spring. And not far from the rajah's daughter, under a broad tamarind tree, in the blue shade, is the tomb of Kushru, the poet who immortalized Bagh-o-Bahar. On the sarcophagus, in the little kiosk, was a kerchief of silk and gold, with a wreath of fresh flowers renewed every day by the faithful.
THREE:A desolate strand, all the vegetation burnt by the sun and the sea-breeze. The pearl-oyster, which made the fortune of the district, disappeared four years since, and has migrated to other parts. The fisheries no longer pay, and the boats are dropping to pieces on the beach, while the divers beg, decimated by want.

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THREE:The same ubiquitous terminus on a sandy plain, remote from everything; then a drive jolting through bogs, and we reached the dirty, scattered town crowded with people who had collected round a sort of fair with booths for mountebanks, and roundabouts of wooden horses.

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THREE:

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THREE:Tazulmulook finds Bakaoli asleep in her garden, and after plucking the miraculous flower he exchanges the ring for that of the princess and departs. Bakaoli awakes, and discovering the theft of the flower and of her ring is much disturbed, and gives orders that the thief is to be caught.
FORE:At Jan the pagodas are of red stone. The largest, conical in shape, covers with its ponderous roof, overloaded with sculptured figures of gods and animals, a very small passage, at the end of which two lights burning hardly reveal a white idol standing amid a perfect carpet of flowers. Round the sacred tank that lies at the base of the[Pg 45] temple, full of stagnant greenish-white water, are flights of steps in purple-hued stone; at the angles, twelve little conical kiosks, also of red stone and highly decorated, shelter twelve similar idols, but black. And between the temples, among the few huts that compose the village of Jan, stand Moslem mausoleums and tombs. Verses from the Koran are carved on the stones, now scarcelyl visible amid the spreading briars and garlands of creepers hanging from the tall trees that are pushing their roots between the flagstones that cover the dead.All the guests press forward, ceasing their conversation, which has sometimes drowned the voice of the dastour, to ask which of the two threw the rice firsta very important question it would seem.
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FORE:The road goes on. Trees cast their shade on the flagstone pavement, but between the houses and through open windows the sandy plain may be seen, the endless whiteness lost in a horizon of dust.On the river-bank were some eagles devouring a dead beast. One of them fluttered up, but came back to the carrion, recovering its balance with some difficulty, its body was so small for its large, heavy wings. Then they all rose together straight into the air with slow, broad wing-strokes, smaller and smaller, till they were motionless specks against the sky, and flew off to vanish amid the snowy peaks.
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FORE:The external decoration is broken by broad flat panels, incised in places so delicately that the patterns look like faded fresco, scarcely showing against the gold-coloured ground of yellow stone. In front of the Kailas stand two tall obelisks, carved from top to bottom with an extraordinary feeling for proportion which makes them seem taller still, and two gigantic elephants, guardians of the sanctuary,[Pg 42] heavy, massive images of stone, worm-eaten by time into tiny holes and a myriad wrinkles, producing a perfect appearance of the coarse skin of the living beast.There was a sort of murmur behind the door, like reciting a prayer, then louder tones, indeed a very loud shout, repeated three times by several voices at once; and then the one alone continued in a dull chant. The door was half opened and I was beckoned, but to enter alone.
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THREE:Then, in a blaze of coloured fire, a fortissimo of music, and a whirlwind of drapery, they stopped exhausted in front of the idol. The lights were put out, the tom-toms were the only sound, and the procession moved on, escorting the shrine which glittered for some time yet, till it disappeared at an angle, leaving the temple in darkness just tinted blue by the moon.While I was talking to the postmaster the fakir smoked a hookah, burning amber powder and rose-leaves. The air was full of the narcotic fragrance; a piercing perfume that mounted to the brain.
FORE:Japanese girls, too, in every possible hue, with piles of tinsel and flowers above their little flat faces all covered with saffron and white paint; little fidgeting parrakeets flitting from window to window, and calling to the people in the street in shrill, nasal tones.

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FORE:In the evening, in the open street, we came upon a circle of bystanders all beating time, while in the midst four little girls were dancing, wearing the sarong, but naked to the waist. They leaned very much over to the right, resting the right elbow on the groin, clapping the right hand with the left, and throwing back the left leg. All four did the same, round and round, and this went on again and again without a pause, under the pale light of the stars filtering through an enormous banyan tree. Occasionally a woman among the crowd would give a slow, long-drawn cry, and the dancers answered in very short notes, piercingly shrill.

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FORE:On the outside, all round the lower part of the monument, carved borders frame flowers of pale mosaic in the walls; the ornament is in such faint relief that at a short distance it is invisible, and the Taj is seen only in the perfect elegance of its[Pg 206] proportions. The mausoleum is built on a broad terrace of white marble at a height of 270 feet, overhanging the Jumna; and the impressive, harmonious outline commands the plain from afar.
FORE:

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The train, now travelling northwards again, ran for a long way across the scorched plain through groves of dead trees and sandhills covered with lichen, till, in the golden sunset close to Gwalior, suddenly, at the foot of a hill, we came upon the greenery of fine parks with palaces rising above cool marble tanks.In a long narrow bark, with a pointed white saila bunder-boatwe crossed the roads to Elephanta, the isle of sacred temples. Naked men, with no garment but the langouti, or loin-cloth, navigated the boat. They climbed to the top of the mast, clinging to the shrouds with their toes, if the least end of rope was out of gear, hauled the sail up and down for no reason at all, and toiled ridiculously, with a vain expenditure of cries and action, under the glaring sky that poured down on us like hot lead.
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