ONE:CANAL SCENE SOUTH OF SHANGHAI. CANAL SCENE SOUTH OF SHANGHAI.Through this active scene of refreshment and recreation, our party strolled along, and at length came to the gateway of the temple, an enormous structure of wood like a house with triple eaves, and raised on pillars resembling the piers of a bridge. This is similar to the gateway that is found in front of nearly every Japanese temple, and is an imposing ornament. On either hand, as we pass through, we find two statues of demons, who guard the entrance, and are gotten up in the superlative degree of hideousness. When the Japanese give their attention to the preparation of an image of surpassing ugliness, they generally succeed, and the same is the case when they search after the beautiful. Nothing can be more ugly[Pg 127] in feature than the giants at Asakusa, and what is there more gracefully beautiful than the Japanese bronzes that were shown in the great exhibitions at Philadelphia and Paris? Les extrmes se touchent.
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ONE:A FISHING PARTY. A FISHING PARTY.The Major thought so, and that she must need a day's rest, more than she realized. She could be made in every way comfortable--under guard at "Mr. Gilmer's." The Gilmers were unionists, whose fine character had been their only protection through two years of ostracism, yet he believed they would treat her well. "Oh! not there, please," said Charlotte; "I hear they are to give some of your officers a dance to-morrow evening!" and there followed a parley that called forth all her playfullest tact. "Oh, no," she said, at one critical point, "I'm not so narrow or sour but I could dance with a blue uniform; but suppose--why, suppose one's friends in gray should catch one dancing with one's enemies in blue. Such things have happened, you know."
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ONE:
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ONE:COOLIES EMBARKING AT MACAO. COOLIES EMBARKING AT MACAO.
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ONE:You are rather late, he said.
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