FORE:CHAPTER IIIYou will see, said Rivarol, that these haughty Romans whom M. Louis David has brought into fashion with his cold, hard painting, will bring us [285] through a period of Cato and Brutus. It is the law of contrast. After the solemn airs of Louis XIV., the orgies of Louis XV.; after the suppers of Sardanapalus-Pompadour, the milk and water breakfasts of TitusLouis XVI. The French nation had too much esprit, they are now going to saturate themselves with stupidity.
FORE:But although fully enjoying the amusement and admiration that fell to her lot, she passed unscathed through the temptations and dangers around her. The strength and devotion of her religious principles, the deep love of her art, which was the ruling passion of her life, her affection for her mother, who was always with her, and to whom she confided all her affairs, were her only safeguards.The party who, like the more sensible and moderate reformers, wished only for the abolition of abuses, and for such considerable reforms in the government and laws as should give freedom and gradual prosperity to the whole nation, without destroying or plundering one class for the benefit of another, vainly imagined that they would establish a constitution like that which in England had been the growth of centuries, in a few days or weeks, amongst a people totally different in every characteristic, quite unaccustomed to freedom, self-government, or calm deliberation, and exasperated by generations of tyranny.
FORE:Potemkin cannot be judged as a commonplace favourite, exalted or destroyed by a caprice; he represented the ambition of Russia in the eighteenth century; after his death Catherine could never replace that splendid and supple intelligence. [47]
FORE:In the horrible dungeon in which Trzia was shut up, she could receive no communications from without; but after a day or two she was told by the gaoler that she had leave to go down into the courtyard in the evening, after the lights were out. To whom she owed this consolation she was not told, but the first evening as she stood enjoying the fresh air, a stone fell at her feet, and on picking it up she [322] found a paper with writing fastened to it. As she could not see to read it by the light of the moon, she had to wait till after sunrise next morning, and then, although the writing was disguised, she recognised the hand of Tallien as she read these wordsMme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.
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| 1 | Mark | Otto | @mdo | 100090 |
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| 4 | Mark | Otto | @mdo | 100090 |
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