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To light the way, coolies carried long iron tridents tipped with balls of tow soaked in oil. The mass moved slowly forward through the people, suddenly soothed to silence. The procession paused at the wayside altars, and then, in the middle of a circle formed by the torch-bearers and coloured lights, the sacred bayadres appearedthree girls with bare heads, dressed in stiff new sarongs heavy with tinkling trinkets, and an old woman crowned with a sort of very tall cylindrical tiara of red velvet embroidered with gold. Very sweet-toned bagpipes and some darboukhas played a slow tune, and the dancers began to move; they spun slowly round, their arms held out, their bodies kept rigid, [Pg 137]excepting when they bowed to the shrine. The crude light of the red fire or the sulphurous flare of the torches fell on their glittering ornaments, alternately festive and mysterious, shedding over the performance an atmosphere at once dreamy and magically gorgeous.

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ONE:Birds, green, red, black, and gold-colour, fluttered gaily among the palms, the bamboos as tall as pine trees, the baobabs and mango trees; butterflies with rigid tails and large wings beating in uncertain flight, floated over the bright verdure flecked with sunshine. Round one pagoda, towering over a wretched village that lay huddled in the shade of its consecrated walls, a proud procession of stone bulls stood out against the sky, visible at a great distance in clear outline through the heated, quivering air.A kind of grey snipe, as they rose to fly, spread white wings which made them look like storks or gulls, and then, dropping suddenly, became dull specks again, scarcely distinguishable on the margin of the tank. Ibis, on the watch, with pretty, deliberate, cautious movements, stood on one leg,[Pg 105] their bodies reflected in the mirror on which lay the lotus and the broad, frilled leaves of the water-lily, and a sort of bind-weed hanging from the edge in festoons of small, arrow-shaped leaves, with a crowd of tiny pink starry flowers that looked as if they were embroidered on the water.
ONE:In the middle of a garden, full of clumps of flowering shrubs standing on green lawns, is the Nadjiff Ackraff, a vast rotunda crowned with gilt[Pg 188] cupolas and spires, and all round the building is an arcade built in a square and studded with iron pins on which thousands of wax lights are stuck on the evenings of high festivals.
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TWO:AT SEA

当社は昭和13年の設立以来、つねに時代のニーズに即した製品をめざし、新技術?新製品の開発を重ねてきました。 中でもアルコール蒸留技術は、国内業界のパイオニアとして目覚ましい成長発展を遂げ、80年にわたる実績を築きあげました。そして今、その歴史によって培われた経験と技術力は化学?食品?薬品?産業機械など、幅広い分野で生かされています。今後はさらに新時代に向けた技術革新を積極的に進めると同時に、新分野の開拓にも意欲的に取組み、一層の発展を図っていきます。

社名 日本化学機械製造株式会社
(英文名称 Japan Chemical Engineering & Machinery Co., Ltd.)
代表者 取締役会長 高橋 正一
取締役社長 髙橋 一雅
所在地

〈本社?工場〉

〒532-0031 
大阪市淀川区加島4丁目6番23号

営業部
TEL.06-6308-3885FAX.06-6306-2627
技術部?設計部?工事部
TEL.06-6308-3891FAX.06-6306-0136
総務部
TEL.06-6308-3881 (代表)FAX.06-6306-2384
調達部
TEL.06-6308-3910FAX.06-6306-2384
海外事業部
TEL.06-6308-3887FAX.06-6306-2384
低温機器事業部
TEL.06-6308-3889FAX.06-6308-3890
製造部
TEL.06-6308-3894FAX.06-6308-3767
品質保証室
TEL.06-6308-3880FAX.06-6308-3896
開発技術室
TEL.06-6308-3895FAX.06-6838-3092
〈東京支店〉

〒104-0031 
東京都中央区京橋1丁目6番12号(京橋イーサスビル5階)

TEL.03-3567-8101FAX.03-3567-8104

〈滋賀工場〉

〒520-3213 
滋賀県湖南市大池町7番地1

TEL.0748-75-2131FAX.0748-75-2134

〈南山田工場〉

〒520-3252 
滋賀県湖南市岩根字南山田1662番5

TEL.0748-72-3007FAX.0748-72-3008

設立 昭和13年10月31日
資本金 2億7千5百万円
事業内容 化学機械?化学装置、燃焼装置、超低温液化ガス機器の設計、製作、販売
当社の特色
■ 小回りのきく化学工場のプラント?エンジニアリングメーカー
化学装置の設計?機器の調達?製作?建設工事、試運転迄一貫して責任施工
■ 各種耐食材料の加工
ステンレス?銅?チタニウム?ニッケル?モネル?ハステロイなど
■ 高圧機器の製作
汽罐ならびに特殊汽罐認可工場(圧力10MPa迄)ボイラーならびに第一種圧力容器認可工場(圧力10MPa迄)
高圧ガス保安法(特定設備検査規則)に基づく各種圧力容器
■ 高真空?超低温機器の製作
1.3×10-3Pa、-268℃機器
■ 製缶加工?検査設備完備
製缶加工に必要な諸機械?自動溶接機をはじめ検査諸設備を完備しており、全作業を一貫して能率的に加工可能
従業員数 160人(2019年4月現在)
年間売上高 6,119百万円(2019年4月決算)
取引銀行 りそな銀行堂島支店  三井住友銀行十三支店  池田泉州銀行庄内支店 
関西みらい銀行十三支店  滋賀銀行新大阪支店  三菱UFJ銀行梅田中央支店
許可登録 特定建設業許可 国土交通大臣許可(特27)第5208号
一級建築士事務所 大阪府知事登録(ロ)第24084号
その他の認可?承認?認定の詳細はこちら
取得
マネジメント
システム
〈品質マネジメントシステム〉
認証規格
ISO 9001:2015 / JIS Q9001:2015
登録番号
99QR?154
〈環境マネジメントシステム〉
認証規格
エコアクション21:2017
登録番号
0002822
TWO:The elephant of ceremony, covered with a velvet cloth embroidered with gold, on which was placed a massive silver howdah edged with gold, was in waiting to take me for a ride. Round the beast's neck hung a huge necklace of balls as large as apples and long pendants from his ears, all of silver, tinkling as he moved and glittering in the sun. The mahout rested a ladder against the elephant's head for me to mount by, and we set out, following the Rajah and escorted by sowars, to the very modern tennis club of Palitana.Then a man rose, and standing on the bayadres' carpet, he recited, in verses of equal measure, a sort of heroic legend, making his voice big, and emphasizing his words with grand gesticulation. One of the dancers spoke the antistrophe, and this went on interminably, till their voices gradually sank to mere hollow and expressionless intoning, while they swayed their bodies to and fro like children who do not know their lesson.

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Little beggar-girls with a depraved look, artful little hussies, pursued us coaxingly: "Give something, sahib, to pretty Cingalee girl, who wants to go over sea to where the gentlemens live."The doors were shut; all was silencethe stillness of the star-lit night.Then the procession, with music, makes its way back to the bridegroom's house. On the threshold the priest says one more short prayer over the bowed heads of the newly-married couple, and at last the whole party go into the room, where the guests take their places at the long tables."Nautch-girls for tourists, like Europeans," said my Indian servant Abibulla. "Can-can dancing-girls," he added, with an air of triumph at having shown me a wonder.BARODA
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