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THREE:At the head of the poets of this period stands Alexander Pope, who became the founder of a school which has had followers down to our own time. Pope was the poet of society, of art, and polish. His life was spent in London and in the country, chiefly between Binfield, in Windsor Forest, and Twickenham; and his poetry partakes very much of the qualities of that scenery��rich, cultivated, and beautiful, but having no claims to the wild or the sublime. He is opposed to poets like Milton and Shakespeare as pastures and town gardens are opposed to seas, forests, and mountains. In style he is polished to the highest degree, piquant, and musical; but, instead of being profound and creative, he is sensible, satiric, and didactic. He failed in "the vision and the faculty divine," but he possessed fancy, a moderate amount of passion, and a clear and penetrating intellect. He loved nature, but it was such only as he knew��the home-scenes of Berkshire and the southern counties, the trained and polished beauties in his gardens, the winding walks and grottoes at Twickenham. Mountains he had never seen, and there are none in his poetry. He was born in the year of the Revolution, and died in 1744, aged fifty-six; and, considering that he suffered from a feeble constitution and defective health, he was a remarkably industrious man. His pastorals appeared in Tonson's "Miscellany" when he was only twenty-one years old. Before this he had translated the first book of the "Thebais," and Ovid's "Epistle from Sappho to Phaon;" paraphrased Chaucer's "January and May," and the prologue to "The Wife of Bath's Tale." In two years after his "Pastorals" appeared his "Essay on Criticism" (1711). "The Messiah" and "The Rape of the Lock" were published in 1712��the year in which the "Spectator" died. "The Rape of the Lock" celebrated the mighty event of the clipping of a lock of hair from the head of Miss Belle Fermor by Lord Petre.[151] This act, adorned with a great machinery of sylphs and gnomes, a specimen of elegant trifling, enchanted the age, which would have less appreciated grander things, and placed Pope on the pinnacle of fame. In 1713 he published "Windsor Forest," a subject for a pleasant but not a great poem, yet characteristic of Pope's genius, which delighted in the level and ornate rather than the splendid and the wild. In 1715 appeared the first four books of his translation of Homer's "Iliad," which was not completed till 1720. This still continues the most popular translation of the great heroic poet of Greece; for although it is rather a paraphrase of this colossal yet simple poem, and therefore not estimated highly by Greek scholars who can go to the original, it has that beauty and harmony of style which render it to the English reader an ever-fascinating work. In 1717 appeared his "Epistle from Eloisa to Abelard," a poem displaying more passion than any other of Pope's writings, but too sensuous, and the subject itself far from well chosen. Next succeeded his "Odyssey" of Homer, in conjunction with Fenton and Broome, and in 1728 the first three books of "The Dunciad," in which he took a sweeping vengeance on the critics and poetasters of the time, who had assailed him fiercely on all sides, with John Dennis at their head. The vigour with which Pope wielded the satiric lash excited the wonder of the public, which had seen no such trenchant production hitherto in the language, and filled the whole host of flayed and scalded dunces with howls of wrath and agony. Pope was not sparing of foul language in his branding of others, and they were still more obscene and scurrilous in their retorts. It is questionable whether they or Pope felt the most torture; for, so far from silencing them, they continued to kick, sting, and pelt him with dirt so long as he lived. So late as 1742 he published a fourth book of the satire, to give yet one more murderous blow to the blackguard crew. Besides this satire, he modernised an edition of Donne's Satires, and produced his "Essay on Man," his "Epistle on Taste," his "Moral Essays," and other poems, down to 1740. His "Essay on Man," "Moral Essays," etc., display shrewd sense, and a keen perception of the characteristics of human nature and of the world; yet they do not let us into any before unknown depths of life or morals, but, on the contrary, are, in many particulars, unsound. In fact, these productions belong by no means to poetry, of which they exhibit no quality, and might just as well have been given in prose. On the whole, Pope is a poet whose character is that of cleverness, strong intellect, carefully-elaborative art, much malice, and little warmth or breadth of genuine imagination. He reflects the times in which he lived, which were corrupt, critical, but not original, and he had no conception of the heavens of poetry and soul into which Milton and Shakespeare soared before him, and Keats, Shelley, Coleridge, Wordsworth and Tennyson in our time have wandered at large.Sir John Moore was left in a most critical situation. All those fine armies, which were to have enfranchised Spain without his assistance, were scattered as so much mist; but this he only knew partly. He knew enough, however, to induce him to determine on a retreat into Portugal, and there to endeavour to make a stand against the French. He wrote to Sir David Baird and Sir John Hope��both of them still at a great distance��to retreat too: Sir David, with his division, to fall back on Corunna, and then sail to Lisbon to meet him; Sir John to await him at Ciudad Rodrigo. Had Moore carried out this plan whilst Buonaparte and his troops were[568] engaged with the army of Casta?os, and with Madrid, his fate might have been very different. But here again he was the victim of false information. Mr. Frere, who seems to have really known nothing of what was going on, and to have believed anything, wrote to him from Aranjuez, on the 30th of November, protesting against his retreat, and assuring him that he had nothing to do but to advance to Madrid, and save Spain. He expressed his most unbounded faith in the valour and success of the Spaniards. He talked to Moore of repulsing the French before they collected their reinforcements. On reflecting on the statements of Mr. Frere, Sir John concluded that Madrid was still holding out, and thought it his duty to proceed to its rescue. He was joined, on the 6th of December, by Hope and the artillery, and he wrote again to Sir David Baird to countermand his retreat, and order him to come up with dispatch. Thus precious time was lost, and it was not till the 9th that he was undeceived. He had sent Colonel Graham to Madrid with a reply to Morla, and to procure intelligence of the real state of affairs. Graham now came back with the alarming and astonishing truth that the French were in Madrid; that it had held out only one day. It is strange that Sir John did not instantly commence his retreat; but he was still misled by false accounts of the strength of the French, and actually resolved to proceed to Madrid. On the 11th he sent forward his cavalry, under General Stewart, when they came upon the advanced post of the enemy occupying the village of Rueda. It was but about eighty men, infantry and cavalry. They were quickly surrounded by the British dragoons, and the whole killed or taken prisoners. On the 14th, an intercepted letter of Berthier to Soult fell into Moore's hands, by which he learned that various French divisions were moving down upon him, and that Soult was in advance. He thought that he might meet and beat Soult before the other divisions arrived, and he therefore, after sending a dispatch to General Baird to warn him of Soult's approach, crossed the Tordesillas, and continued his march as far as Mayorga, where he was joined by Sir David Baird and Sir John Hope, so that his army now amounted to twenty-three thousand five hundred and eighty on the spot. He had other regiments in Portugal and on the road, making up his total to thirty-five thousand.

Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium. repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias