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The demi-monde at that time kept themselves apart from the rest of the company; Frenchmen of good position and manners did not appear with them in public. If they were with them at the theatre it was in a closed box; though in her Souvenirs Mme. Le Brun declares that the fortunes made by them and the men ruined by their extravagance far surpassed anything of the kind after the Revolution.Jai pass les premiers peine.Who? Why that little Bouchiez, indicating one of the officials of the theatre. Whenever he is near me I say the same sort of things. I should say more if I could.
ONE:

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TWO:Talma had, in the kindness of his heart, concealed in his house for a long time two proscribed men. One was a democrat and terrorist, who had denounced him and his wife as Girondins. For after the fall of Robespierre the revolutionary government, forced by the people to leave off arresting women and children, let the royalists alone and turned their fury against each other. Besides this democrat who was hidden in the garret, he had a royalist concealed in the cellar. They did not know of each others presence, and Talma had them to supper on alternate nights after the house was shut up. At last, as the [467] terrorist seemed quite softened and touched and polite, Talma and his wife thought they would venture to have them together. At first all went well, then after a time they found out who each other were; and on some discussion arising, their fury broke forth

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  • FORE:In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.

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  • FORE:She had first married M. de Mzires, a man of talent and learning, who possessed an estate in Burgundy, and was early left a widow.The commandant, Baron Vounianski, received them with great kindness, and suddenly as she raised her veil, exclaimed Ah, Princess! At first she feared he recognised Mademoiselle dOrlans, but soon found out that an extraordinary likeness to a Moravian, Princess von Lansberg, made him suppose her to be that person, and no denial on her part altered his conviction. He gave them a supper [441] la Hongroise enough for twenty people, and while it was going on talked of public affairs with violent expressions of hatred and curses against the Duke of Orlans. Mademoiselle dOrlans grew paler and paler, and Mme. de Genlis was in terror lest she should faint or in any way betray herself, but she did not.

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  • FORE:But in a few days there were articles about them in the German papers; letters from Berne to the authorities of Zug reproached them for receiving the son and daughter of the infamous galit; the people of Zug disliked the attention so generally drawn upon them, the chief magistrate became uneasy, and as politely as he could asked them to go away.Others there were who showed the basest ingratitude. The Marquise de had been saved by Mme. Tallien, and hidden for three weeks in her boudoir. Not even her maid knew of her presence there. Trzia herself not only brought her food and waited upon her, but obtained her pardon and got part of her fortune restored to her. For some time she appeared very grateful, and as long as Tallien was powerful she came constantly to see Trzia, often asking for fresh favours.

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  • FORE:It is probable that she deceived herself more than she did other people, and her life in fact, between the Duke and Duchess and their children, could not have been anything but a constant course of deception.

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  • FORE:I replied to the King that this would be all the easier to me as I had no greater wish than to be on good terms with my brother and sister-in-law; adding: I know the respect which I owe your Majesty, and that which the heir to the throne has a right to expect from me; in which I hope never to be accused of having failed.

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  • FORE:Your youth, mes amis; and above all your na?vet. Laws are like sauces: you should never see them made.You think like a scoundrel!

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THREE:With a few more words of mingled criticism and compliment, he bowed slightly and turned again to M. Rivarol.Therefore he encouraged and promoted the marriages of his officers with the penniless daughters of the old families; therefore he sent the only sister who was young enough to the school of Mme. Campan, formerly femme de chambre to Marie Antoinette, and gave that clever, astute woman his support and approbation.

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THREE:By the King and royal family Mme. Le Brun was received with especial favour and kindness, most of the returned emigrs were her friends, and Paris was now again all that she wished.CHAPTER III

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THREE:Only a few years since, the chronicler Barbier had remarked, It is very apparent that we make all Europe move to carry out our plans, and that we lay down the law everywhere. [2]

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ONE:When Pitt heard of it he remarked, That woman is capable of closing the gates of hell.
FORE:

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TWO:Plauzat was a stately and comfortable, besides being a picturesque abode, with its immense hall hung with crimson damask and family portraits, out of which opened Paulines great bedroom, the walls of which were covered with blue and white tapestry worked by M. de Montagus grandmother, Laure de Fitzjames, grand-daughter of James II. of England.

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TWO:Through all this time it is not clear exactly where Trzia was, probably at Paris and at Fontenay, but the relations between herself and her husband did not improve, and without any violent enmity between them, she had several times thought of getting a divorce from him.
THREE:[420] THREE: THREE:Well, then, give us the list for you have it in your bosom! And one brutal fellow tried to tear her corsage to get it.Mme. de Montesson had so far succeeded in her plan that she had, in 1773, been privately married to the Duke of Orlans. The marriage was celebrated at midnight in the presence of a small number of persons of high position. But the marriage, though known and recognised in society, was only a morganatic one. Louis XV. would never hear of her taking the rank and title of Duchess of Orlans, or any precedence that would have been the consequence. This was of course a continual grievance to her, but she was obliged to resign herself and make the best of the position, at any rate far more exalted than any to which she had the least pretension to aspire. She had an unbounded influence over the Duc dOrlans, in whose household and amongst whose friends she was always treated as a princess, and with whom she led a life of unbounded luxury and magnificence. Like Mme. de Maintenon after her morganatic marriage with Louis XIV. she renounced the title of Marquise and was known as Mme. de Montesson, possibly thinking like the hero of the well-known incident: Princesse je ne puis pas, Marquise je ne veux pas, Madame je suis.
It was Tallien.For six months she worked with enthusiasm, perfectly happy and engrossed with her painting, never noticing that her landlord, who was a good-looking, pleasant, but exceedingly dissipated man, was paying her great attention, having fallen violently in love with her.They were kept a fortnight at the Hague by the storms and shipwrecks going on, but early in January they decided to embark for England. The cold was fearful, and, wrapped in fur cloaks, fur boots and caps, they set off to drive seven or eight leagues perched on the top of open baggage waggons, seated upon the boxes, so unsafe that the Baron de Breteuil, who was with them, fell off and put his wrist out.Only a royalist would say that!Paulette? said Napoleon. But she will follow you. I approve of her doing so; the air of Paris does not agree with her, it is only fit for coquettes, a character unbecoming her. She must accompany you, that is understood.Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother.
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