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The last train gone, all round the station there was quite a camp of luckless natives lying on the ground, wrapped in white cotton, and sleeping under the stars, so as to be nearer to-morrow to the train[Pg 20] which, perhaps, might carry them away from the plague-stricken city.

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The night was spent in travelling: an oppressive night of crushing heat, with leaden clouds on the very top of us; and next day, in the blazing sunlight, nothing seemed to have any coloureverything was white and hot against a blue-black sky that seemed low enough to rest on the earth. Wayfarers slept under every tree, and in the villages every place was shut, everything seemed dead. It was only where we changed horses that we saw anyonepeople who disappeared again immediately under shelter from the sun.
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ONE:[Pg 89]
ONE:A vision of Europe. Cottages surrounded by lawns under the shade of tall trees, and against the green the scarlet coats of English soldiers walking about. And close about the houses, as if dropped there by chance, tombs covered with flagstones and enclosed by railings, and on all the same date, June or July, 1857. Further away, under the trees, are heaps of stones and bricks, the ruins of mosques and forts, hardly visible now amid the roots and briars that look like the flowery thickets of a park, varied by knolls to break the monotony of the level sward. In the native town that has grown up on the site of the palace of Nana Sahib, built indeed of the[Pg 186] ruins of its departed splendour, dwell a swarm of pariahs, who dry their rags and hang out clothes and reed screens over every opening, living there without either doors or windows, in utter indifference to the passer-by.The colouring in all these rock-temples is a softened harmony of yellow stone, hardly darkened in some places, forming a setting for the gaudier tones of the idols, all sparkling with gold and showy frippery.
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THREE:The ugliest of these palaces is that of the Maharajah, with galleries of varnished wood, of which the windows overlooking the river are filled with gaudy stained glass. In the garden is a pagoda painted in crude colours crowned with a gilt cupola; the zenana has bright red walls striped with green, and in the grounds there is a cottage exactly copied from a villa in the suburbs of London.A great crowd round the bungalow and along the road, and a mass of sepoys and police, made Abibulla remark:
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THREE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.The ripe rice, in golden ears, is cut with sickles; a row of women in red gather it into sheaves, which men carry on their back, at once, to the next village, and there it is threshed out forthwith on floors but just swept.

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TWO:High in the air, in the first mausoleum, at the head and foot of the white marble cenotaph, covered with letters that look like creepers, are tablets bearing inscriptions which record the life of the hero; and above the sarcophagus rises an almost impossibly light and airy structurea canopy of white marble supported on columns as slender as flower-stems.After passing through the town, all flowery with green gardens, at the end of a long, white, dusty road, where legions of beggars followed me, calling me "Papa" and "Bab," that is to say father and mother, I arrived at the residence of the Gaekwar, the Rajah of Baroda. At the gate we met the palace sentries released from duty. Eight men in long blue pugarees and an uniform of yellow khakee (a cotton stuff), like that of the sepoys, with their guns on their shoulders, looked as if they were taking a walk, marching in very fantastic step. One of them had a bird hopping about in a little round cage that hung from the stock of his gun. Three camels brought up the rear, loaded with bedding in blue cotton bundles.

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THREE:A kind of lemon plant, with picotee-like flowers of a texture like crystalline pearl, its petals delicately fringed, exhales a fresh scent like verbena. Then, on an ebony-tree, overgrown with succulent leaves forming an edging to every bough, is a birdas it would seema lilac bird, with open wings, which, as we approach, turns into an orchid.
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THREE:Halting at noon at Kohala, we found a barber in the open street shaving and snipping his customers. In a cage hanging to the bough of a tree above his head a partridge was hopping aboutblack speckled with white, and gold-coloured wings. It had a strident cry like the setting of a saw.
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THREE:The little palace of Nilam Bagh, panelled inside throughout with carved wood, looks like a jewel-casket dropped in a vast park of green shade and[Pg 85] broad lawns. Rawl Shri Bhaosinhji, Rajah of Bhawnagar, is very young, almost a child, and still very shy, dressed in the European fashion in a long grey overcoat, with a voluminous turban of turquoise-blue gauze.In one room we heard musicguzlas, drums, and a vina. There were three dancing-girls. At first they only performed the Indian "goose-step," the slow revolutions growing gradually quicker. But urged by the soldiers who filled the room and beat time with their sticks on the floor, the nautch-girls marked their steps, wriggled with heavy awkward movements, and tried to dance a Highland jig, taught by two Scotch soldiers.
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TWO:And then, under the verandah, the accused were brought up: an old man and a youth, father and son, both superbly handsome, very tall, erect, haughty, in spite of the hustling of the armed men and the heavy chains that weighed on them; and after bowing low to the judge they stood towering above the crowd of witnesses, soldiers, and native functionaries, in magnificent dignity and calm indifference.

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