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More and yet more palaces; remains of marble porticoes and columns, walls covered with tiles glittering in the blazing sunshine like topaz and emerald; and over all the peace of dust and death, the only moving thing those vultures, in shades of dull grey almost indistinguishable from the colour of the stones.

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Whenever there was a pause in the dance the performers, to amuse themselves, sang a scale, always the same, beginning on a very high note, or sometimes taken up from the lowest bass pitch, and marking time with their stamping feet.There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain.In the heart of Agra towards evening people were busy in the square of the Jumna Musjid stretching pieces of stuff over rather low poles to form a tent. Then in long file came the labourers from a famine-camp, with their sleep-walking gait, their glassy eyes, their teeth showing like those of a grinning skull. Rags in a thousand holes scarcely covered the horrors of their fleshless bodies.
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THREE:And then we came away from this hospital, where no sister of charity, no woman even, had brought some little consolation or the kindliness of a smile to these dying creatures, whose wandering or frantic black eyes haunted me.

Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock

THREE:Near a small station oxen were filing slowly past. On their heads were hoops hung with bells, and little ornaments at the tips of their horns dangled with quick flashes of light.

Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock

THREE:The men are paid as much as two annas (one penny) a day. The women earn ten, seven, or three[Pg 195] cowries (shells at the rate of about 190 to the anna) for each basket-load, according to the distance, and could make as much as an anna a day. But each of these toilers had to support many belongings who could not work, and squatted about the camp in their desolate and pitiable misery. And the food was insufficient for any of them, only hindering the poor creatures from dying at once.

Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.It has roots in a piece of classical Latin literature from 45 BC.It has roots in a piece of classical Latin literature,It has roots in a piece of classical Latin literatureIt has roots in a piece of classical Latin literature.Lorem Ipsum is not simply random text

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TWO:
TWO:In the middle of the town, which consists entirely of small houses carved from top to bottom, are two massive towers, joined by the remains of the thick wall that formerly enclosed the immensity of the sultan's palace and its outbuildings. The towers now serve as prisons; the stone lattice which screened the private rooms has been replaced by iron bars, the last traces of ornamentation covered up with fresh plaster. Behind the wall the ancient garden, kept green of old by legions of gardeners, is a mere desert of dust; a mausoleum in the middle, transformed into a court of justice, displays all the perfection of Indian art in two pointed windows carved and pierced in imitation of twining and interlaced branches; marvels of delicacy and grace left intact through centuries of vandalism.Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!
TWO:I turned back into Grant Road, where bands of tom-toms and harmoniums were hard at it, where the gamblers were stifling each other round the roulette-boards in a frenzy of amusement and high spirits, eager for enjoyment before hovering death should swoop down on them.
TWO:The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.
FORE:
THREE:And as they went home at nightfall enormous bats came out and flew across above the tall trees in heavy, steady, straight flight. Without a sound they made for the last gleam on the horizon, where[Pg 98] the vanished sun had left a crimson line; and what an insistent image of death and oblivion were those great black fowl, slowly flapping their five-fingered wings spread out round their bodies, headless as they would seem, so small is the head, and so close-set on the neck. One might fancy that they were bearing away the day, gliding noiseless and innumerable towards the west, where already the last gleam is dead.The Prince of Morvi came before sunrise to take us to the temples of Satrunji. On the way we outstripped carts packed full of women and children in light shimmering muslins. They were all making a pilgrimage to the sacred hill, singing shrill chants in time to the jolting of their springless vehicles,[Pg 70] and broken by oaths and imprecations at the stoppages occasioned by our expedition.

But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.It has roots in a piece of classical Latin literature from 45 BC.Lorem Ipsum is not simply random text.

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.It has roots in a piece of classical Latin literature from 45 BC.Lorem Ipsum is not simply random text.

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.It has roots in a piece of classical Latin literature from 45 BC.Lorem Ipsum is not simply random text.

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.all this mistaken idea

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.all this mistaken idea

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.all this mistaken idea

FORE:The streets were hung with gaudy flags and[Pg 135] coloured paper. Altars had been erected, four poles supporting an awning with flounces of bright-coloured silk, and under them a quantity of idols, of vases filled with amaryllis and roses, and even dainty little Dresden figuresexquisite curtseying Marquises, quite out of their element among writhing Vishnus and Kalis.

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FORE:The poorhouse is about two miles from the city; it consists of a courtyard enclosed by walls, from which awnings are stretched supported on poles. And here from twelve to fifteen hundred wretched skeletons had found shelter, spectres with shoulder-blades almost cutting through the skin, arms shrunk to the bone, with the elbow-joint like a knot in the middle, and at the end hands which looked enormous and flat and limp, as if every knuckle were dislocated. Their gnarled knees projected from the fearful leanness of their legs, and the tightened skin between the starting ribs showed the hollow pit of the stomach. Men and women[Pg 192] alike were for the most part naked, but for a ragged cotton loin-cloth. And all had the same scared look in their eyes, the same grin of bare teeth between those hollow cheeks. Almost all had bleeding wounds where the bones had come through the skin.

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Immediately on entering we were in the maze of vaults, sanctuaries, great halls and arcades, where stall-keepers sell their goods, priests keep school, and flower-sellers wander. Statues, repeated in long rows, lead up to temples all alike, of a bewildering uniformity of architecture and identical decoration.The crimson sky seen above the tall coco-palms turns to pink, to pale, vaporous blue, to a warm grey that rapidly dies away, and almost suddenly it is night.
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