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[Pg 168]In the middle of the station groups of women and children squatted on the flagstones, their little bundles about them of red and white rags, and copper pots looking like gold; a huddled heap of misery, in this enormous hall of palatial proportions, handsomely decorated with sculptured marble.

FORE:Under a loggia, flowery with mosaics of jasper and carnelian, the emperor, seated on a white marble throne embroidered with carving, administered justice. At his feet, on a raised stone flag, the divan, his prime minister took down the despot's words, to transmit them to the people who were kept at a respectful distance under a colonnade, forming a verandah round the imperial palace.

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FORE:In a long narrow bark, with a pointed white sail��a bunder-boat��we crossed the roads to Elephanta, the isle of sacred temples. Naked men, with no garment but the langouti, or loin-cloth, navigated the boat. They climbed to the top of the mast, clinging to the shrouds with their toes, if the least end of rope was out of gear, hauled the sail up and down for no reason at all, and toiled ridiculously, with a vain expenditure of cries and action, under the glaring sky that poured down on us like hot lead.And to and fro on the ramparts, the sentry, in an uniform of the same hue as the sun-baked bricks, paced his beat, invisible but for a needle of light on his fixed bayonet; till when crossing a patch of light he was seen like an apparition, lost again in the shadow of the wall.

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FORE:A dark street corner where there were no shops. Under a canopy constructed of four bamboos thatched with straw, a young man in a light-coloured dhoti was sitting on a low stool; about him were women singing. Presently one of them came forward, and dipping her fingers into three little copper pots that stood on the ground in front of the youth, she took first oil, then a green paste, and finally some perfume with which she touched seven spots��the lad's feet, knees, shoulders, and turban. Then she wiped her fingers on the saree of the bridegroom's mother��for he was to be[Pg 252] married on the morrow��who was standing behind her son.At the polo-match in the evening the band played, and three ladies were present; in sign of the spring having come, a basket was hung to the branch of a tree, full of straw kept constantly wet by the coolies, and containing sundry bottles of soda-water.

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THREE:Halting at noon at Kohala, we found a barber in the open street shaving and snipping his customers. In a cage hanging to the bough of a tree above his head a partridge was hopping about��black speckled with white, and gold-coloured wings. It had a strident cry like the setting of a saw.

TWO:Then two children, their pretty, fresh voices in unison, sang some womanly songs, languishing ballads, swinging to a very indefinite rhythm, and suggestive of slow dances and waving gauze scarves in flowery gardens under the moonlight.

TWO:Then a man rose, and standing on the bayad��res' carpet, he recited, in verses of equal measure, a sort of heroic legend, making his voice big, and emphasizing his words with grand gesticulation. One of the dancers spoke the antistrophe, and this went on interminably, till their voices gradually sank to mere hollow and expressionless intoning, while they swayed their bodies to and fro like children who do not know their lesson.At the end of the passage was a sort of den, where, through the open door, I caught sight of a marvellous Indian hanging of faded hues on a pale ground, hidden in places by stains; the noble pattern represented a peacock spreading his tail between two cypresses.

TWO:Two or three thousand haggard and fleshless beings were digging or carrying earth to form an embankment for a railway or a road. With arms scarcely thicker than the handles of the tools they wielded, the labourers gasped in the air, tired in a minute, and pausing to rest in spite of the abuse of the overseers. Emaciated women, so small in their tattered sarees, carried little baskets on their heads containing a few handfuls of earth, but which they could scarcely lift. One of them, wrinkled and shrunken, looked a hundred years old tottering under her load; on reaching the spot where she was to empty out the soil, she leaned forward a little and let the whole thing fall, indifferent to the dust which covered her and filled her mouth and eyes; and after taking breath for a moment, off she went again as if walking in her sleep.

THREE:Soldiers, bristling with daggers and pistols in their belts, are on guard at the gate. Pikes and long muskets stand piled in the background; over this arsenal, flowering jasmine and convolvulus with enormous bell flowers hang their graceful shade.The holy hill, bristling at top with the conical roofs of the pagodas, rises isolated in the vast stretch of silky grass, enclosed by a distant fringe of pale violet heights. At the foot of the ascent��in some places an incline, and in others a flight of steps going straight up to the temples��bearers were waiting for us, and an armed escort. A mob of pilgrims were shouting at the top of their voices, and did not cease their squabbling till we began the climb in our most uncomfortable palankins, etiquette forbidding us, alas! to get out of them. One of my bearers, almost naked, with a mere rag of white cotton stuff round his hips, had hanging from his left ear a ring with three pearls as large as peas and of luminous sheen.

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THREE:Along the roads of beaten earth, between tall plastered houses, a tramway runs. In the shopfronts the motley display suggests a curiosity shop, and the goods have a look of antiquity under the thick layer of dust that lies on everything. It is[Pg 5] only in the heart of the city, in the "Fort," that the shops and houses have a European stamp.

THU 14 May, 2015

FORE:"It is made at thirty-five, twenty, fifteen rupees."Further off, under the banyan trees, is the sepoys' camp; they have been turned out of barracks on account of the plague; and flashing here and there among the dark, heavy verdure there lies the steely level of motionless ocean.

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THU 14 May, 2015

FORE:From the roof, consisting of terraces between cupolas, there is a view of many temples glorified in the golden sunset, and nearer at hand stand ten[Pg 123] imposing columns, very tall��the last remaining vestiges of the rajah's elephant-house.

THU 14 May, 2015

FORE:

THREE:Elephants came along, stepping daintily, but filling the whole width of the street, looking, with one little slanting eye cocked, as if they were laughing at the foot-passengers who were compelled to squeeze against the wall.At the frontier of the Nizam's territory, a man-at-arms, draped in white, and mounted on a horse that looked like silver in the sunshine, sat with a lance in rest against his stirrup. He gazed passively at the distance, not appearing to see us, not even bowing.

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THREE:Close to the monumental trophy of Khoutab is a temple with columns innumerable, and all different, overloaded with carvings incised and in relief, with large capitals; beams meet and cross under the roof, also carved in the ponderous stone, and the whole forms a cloister round a court; while in the centre, amid Moslem tombs, an iron pillar stands, eight metres high, a pillar of which there are seven metres sunk in the ground��a colossal casting placed here in 317, when half the civilized world was as yet ignorant of the art of working in metal. An inscription records that "King Dhava, a worshipper of Vishnu, set up this pillar to commemorate his victory over the Belikas of Sindhu."

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In the English quarter of Bombay the houses are European: Government House, the post office, the municipal buildings��perfect palaces surrounded by gardens; and close by, straw sheds sheltering buffaloes, or tents squatted down on common land; and beyond the paved walks are beaten earth and huge heaps of filth, over which hover the birds of prey and the crows.In the afternoon��calm and almost cool��I went to call on the Resident, who talked to me of India in the days of Dupleix, of its departed glory, and the poor old fort of Chandernagore, once impregnable and now demolished under the provisions of treaties; and as we walked on through the town, between gardens that look like the great parks of the French kings, all the past seemed to live again on this forgotten spot of earth, and every moment, in the silence of the purple dusk, I could have fancied that I saw in the avenues, under the tall ph?nix palms, the shades of powdered marquises in skirts with full farthingales, and of gallant knights of St. Louis; then from a far distance came the sound of a piano��some simple melody quavering in the air that was so full of memories.First went six armed regulars, then a party on horseback, for the most part Persians, one of whom was carrying in his arms an enormous sheaf of roses, which hid him completely and drooped over the saddle.Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.Inside the mausoleum numberless lustres hang from the roof, and fine large standing lamps with crystal pendants burn round two tombs covered with antique hangings and wreathed with jasmine; beneath these lie the two last kings of Oudh. Small models of two famous mosques, one in gold and one in silver, are placed on the tombs, round which a whole regiment of obsequious moollahs and beggars mount guard. On the walls childish paintings, representing scenes of the Anglo-Indian conflict, alternate with mirrors in gilt frames, and silk standards exquisitely faded, embroidered with dim gold and silver, and surmounted by tridents.

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THU 14 May, 2015

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