THREE:One symptom of this reaction was the fashionable archaism of the Augustan age, the tendency to despise whatever was new in literature, and to exalt whatever was old. It is well known how feelingly Horace complains of a movement which was used to damage his own reputation as a poet;309 but what seems to have escaped observation is, that this protest against the literary archaism of his contemporaries is only one symptom of a much profounder division between his philosophy and theirs. He was just as good a patriot as they were, but his sympathies were with the Hellenising aristocracy to which Lucretius and Cicero had belonged, not with the narrow-minded conservatism of the middle classes and the country people. He was a man of progress and free-thought, who accepted the empire for what it might be worth, a Roman Prosper Merime or Sainte-Beuve, whose preference of order to anarchy did not involve any respect for superstitious beliefs simply because they were supported by authority. And this healthy common sense is so much a part of his character, that he sometimes gives his mistresses the benefit of it, warning Leuconoe against the Babylonian soothsayers, and telling202 Phidyle that the gods should be approached not only with sacrifices but with clean hands.310 Yet so strong was the spirit of the age, that the sceptical poet occasionally feels himself obliged to second or to applaud the work of restoration undertaken by Augustus, and to augur from it, with more or less sincerity, a reformation in private life.311 And even the frivolous Ovid may be supposed to have had the same object in view when composing his Fasti.It has been shown how universal space and universal thought at once contain and explain each particular space and each particular concept. In like manner, the infinite substance contains and explains space and thought themselves. Contains them, yes, as attributes; but explains them, how? As two among an infinity of attributes. In other words, if we ask why there should be such an existence as space, the answer is because existence, being infinite, must necessarily include every conceivable thing. The argument is strikingly like a principle of the Epicurean philosophy, and may well have been suggested by it. According to Lucretius, the appearance of design in our world need not be attributed to creative intelligence, because infinite atoms moving in infinite manners through infinite time, must at length arrive, after a comprehensive series of experiments, at the present frame of things;562 and the same principle is invoked on a smaller scale to account for the origin of organised beings, of memory, and of civil society.563 In both systems, infinite space is the root-conception; but what Lucretius had legitimately used to explain becoming, Spinoza illegitimately applies to the elucidation of being. At one stroke all empirical knowledge is placed on an priori foundation. By assuming unlimited credit at the bank of the universe we entitle ourselves to draw a cheque for any particular amount. Thus the idea of infinite attributes is no mere collateral speculation, but forms an407 essential element of Spinozism. The known varieties of existence are, so to speak, surrounded, supported, and fixed in their places by the endless multitude of the unknown. And this conception of being as absolutely infinite, is another proof of Spinozas Platonic tendencies, for it involves the realisation of an abstract idea, that is to say, of Being, which the philosopher treats as something more comprehensive than the facts of consciousness whence it is derived.
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