
FORE:Mme. de Fontenay became impatient, for the sittings appeared to be interminable, and at last M. de Fontenay begged several of his friends to go and look at the portrait of his wife and give their opinion while it was still in the studio. It was in consequence more crowded than usual one day when M. de Fontenay, being also present, was joining in a conversation going on about David and his pictures.Est-ce moi de mourir? Tranquille je mendors,

FORE:Mme. de Genlis had before pointed out to him this danger, but he was very anxious to be with his sister, the only one of his nearest relations left to him, and she did not like to press the matter. But he soon saw that they must separate. The magistrates at Zug behaved very well, saying that the little family gave no reason for complaint, on the contrary were kind to the poor, harmless and popular.The Duke took her back to Lowernberg, where M. de Mun, who had preceded them, had already taken the fatal news to Mme. de Tess. She received her brother and niece with transports of grief and affection, and did everything she could to comfort them. The list of victims in the paper from Paris contained the names of the Marchal de Noailles, the Duchesse dAyen and the Vicomtesse de Noailles, but it was some time before they could get any details.

FORE:Barbier, writing in December, 1758, gives another sarcastic verse going about in society, which, as it was directed against the Kings all-powerful mistress, the Marquise de Pompadour, attracted general attention, irritated the King, and caused the author, who was discovered to be an officer of the guards, to be sentenced to a years imprisonment, after which to be banished to Malta, as he belonged to the order of St. John of Jerusalem.

FORE:Pauline also had something like what would now be called by us a district at Montmartre, not far from the rue Chantereine, where she lived; but she had poor pensioners all over Paris to whom she gave food, firing, clothes, doctors, everything [211] they wanted, and whom she visited constantly. Old and young, good and bad, beggars, prisoners, every sort of distress found a helper in her.Mme. Le Brun took the greatest pleasure in her intercourse with the Queen. Having heard that she had a good voice and was passionately fond of music, Marie Antoinette asked her to sing some of the duets of Grtry with her; and scarcely ever afterwards did a sitting take place without their playing and singing together.

FORE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

FORE:A few minutes later the Countess said that Mme. Le Bruns painting blouse was so convenient she wished she had one like it; and in reply to her offer [120] to lend her one said she would much rather Mme. Charot made it, for which she would send the linen. When it was finished she gave Mme. Charot ten louis.
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