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Mme. de Fontenay became impatient, for the sittings appeared to be interminable, and at last M. de Fontenay begged several of his friends to go and look at the portrait of his wife and give their opinion while it was still in the studio. It was in consequence more crowded than usual one day when M. de Fontenay, being also present, was joining in a conversation going on about David and his pictures.Much older than the unfortunate Queen of France, and possessing neither her beauty nor charm, Mme. Le Brun did not take a fancy to her, although she received her very well. She was a strange person, with masculine manners and habits; her great pleasure apparently was riding. Very pale and thin, wearing deep mourning for her brother, the Emperor Joseph II., even her rooms being hung with black, she gave the impression almost of a spectre or a shadow.[73]
  • THREE:Mme. Le Brun painted the portrait first of Madame Adla?de, then of Madame Victoire.THE Duke of Orlans died 1785, and Mme. de Montesson, having been forbidden by Louis XVI. to put her household into mourning or assume the position of a Duchess Dowager of Orlans, retired for a few weeks into a convent and then returned to her usual life, having inherited a great fortune from the late Duke.
  • THREE:
  • THREE:See this absurd Valence, on his knees to me, asking for the hand of my niece.
  • THREE:What? A painter ambassador? Doubtless it must have been an ambassador who amused himself by painting.
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TWO:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said
FORE:Votre nom? [23]

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TWO:Countless were the inconsistencies of the faddists of the party to which she belonged, and in the crotchets of which she had educated her daughter, but what duty or reason or satisfaction could there be in such a calculation as this?
FORE:Louis XVI. was the most unsuitable person to rule over the French, a nation more than any other alive to, and abhorrent of, any suspicion of ridicule or contempt. And to them the virtues and faults of Louis were alike ridiculous. When he interfered in the love affairs of the Prince de Cond, and ordered the Princesse de Monaco to retire into a convent, the Prince de Cond became his enemy, and people laughed. When he spent hours and hours shut up alone making keys and locks they shrugged their shoulders, and asked if that was a diversion for the descendant of Henri IV. and Louis le Grand.

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TWO:The lofty asceticism of her theories and practice was perhaps almost too severe for ordinary mortals living in the world, and in some respects better adapted for a monastic than a secular life; her emigration, so long delayed, was no time of success and happiness: long years of terror, danger, poverty, fearful trials, and sorrows endured with heroic fortitude and angelic patience, passed before she was restored to France and to the ancient castle which was the home and refuge of her later life.Never, would Mme. Le Brun say in after years, could she forget or describe the feelings with which she drove across that bridge to find herself at the other sidesafe, free, and out of France.
FORE:Shortly after this he called upon the Comte de Vaudreuil at Versailles one morning just after he was up, and confided to him a financial scheme by which he expected enormous profit, ending by offering M. de Vaudreuil a large sum of money if he would undertake to make it succeed.

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Madame Buonaparte came to see her, recalled the balls at which they had met before the Revolution, and asked her to come some day to breakfast with the First Consul. But Mme. Le Brun did not like the family or surroundings of the Buonaparte, differing so entirely as they did from the society in which she had always lived, and did not receive with much enthusiasm this invitation which was never repeated.The breathing time given to unhappy Bordeaux [313] came to an end. Tallien was recalled, and his place filled by the ferocious Jullien.Lisette frequented chiefly the society of the Spanish Ambassadress, with whom she went to the Opera at the far-famed Fenice, and finally left Venice and went by Padova, Vicenza, and Verona to Turin, where she had letters of introduction from Mesdames to the Queen, whose portrait they wished her to paint for them.You are the painter, Isabey?
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